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Dossier zu: Ausstellung als ... - Sibylle Omlin
  • Language: de

Dossier zu: Ausstellung als ... - Sibylle Omlin

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

None

Dossier zu: Theoretiker - Sibylle Omlin
  • Language: de

Dossier zu: Theoretiker - Sibylle Omlin

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

None

Theorising the Artist Interview
  • Language: en
  • Pages: 331

Theorising the Artist Interview

  • Categories: Art

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.

A Contested Nation
  • Language: en
  • Pages: 296

A Contested Nation

This book examines the ways in which the Swiss defined their national identity in the long nineteenth century, in the face of a changing domestic and international background. Its narrative begins in 1761, when the first Swiss patriotic society of national significance was founded, and ends in 1891, when the Swiss celebrated their 600-year existence as a nation in a monumental national festival. While conceding that the creation of a nation-state in 1848 marked a watershed in the history of Swiss nation-formation, the author does not focus one-sidedly - as many others have done - on the activities of the nationalizing state. Instead, he attributes a key role to the competitive and contentious struggles over the shaping of public institutions and over the symbolic representation of the nation. These struggles, to which the nation-state and civil society contributed in equal measure, were framed increasingly along national lines.

Durs Grünbein
  • Language: en
  • Pages: 276

Durs Grünbein

Durs Grünbein is the most significant poet and essayist in German today. No other modern German poet has written from such an emphatically European and global perspective, and this volume seeks to present the poet and his work to the English-speaking world in all their significance and breadth. Written by a line-up of international scholars and critics, the volume offers highly readable and wide-ranging essays on Grünbein’s substantial œuvre, complemented by specially commissioned material and an interview with the poet. It covers the German and European traditions, and engages with Grünbein’s works in the context of a number of relevant topics, such as ‘memory’, ‘urban life’, ‘mortality’, ‘love’, and ‘presence’; it also probes Grünbein’s sustained dialogue with the natural sciences and the visual arts.

Art History and Visual Studies in Europe
  • Language: en
  • Pages: 586

Art History and Visual Studies in Europe

  • Type: Book
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  • Published: 2012-06-22
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  • Publisher: BRILL

This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.

The Implications of Embodiment
  • Language: en
  • Pages: 268

The Implications of Embodiment

This edited volume is scientifically based, but readable for a larger audience, covering the concept of "embodied cognition" and its implications from a transdisciplinary angle. The contributions are from the fields of psychology, computer science, biology, philosophy, and psychiatry. First, the roots of embodiment are described with historical, computer-science, and phenomenological viewpoints. It is argued that embodied cognition is relevant for the discussion of intentionality, with a particular focus on underlying neural processes as well as the context of synergetics and self-organization theory. As cognition is socially embedded, a large section of this book concentrates on "embodied c...

Medieval German Voices in the 21st Century
  • Language: en
  • Pages: 256

Medieval German Voices in the 21st Century

  • Type: Book
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  • Published: 2000
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  • Publisher: Rodopi

As witnessed by a tremendous upsurge in medieval research, academic meetings, innovative interpretive approaches, enrolment numbers, and public interest, Medieval Studies are proving once again to be a vibrant field of investigations both inside and outside of academia. Nevertheless, there is a tendency among colleagues and administrators in the field of Germanistik/German Studies to exclude the earlier period as an exotic and irrelevant subject matter. The contributors to this volume, all of whom teach at North American universities, make a strong case for the paradigmatic function of medieval German literature for the general field of Germanistik, and argue that many of the most recent cha...

Klaus Born - Malerei
  • Language: en
  • Pages: 124

Klaus Born - Malerei

  • Categories: Art

The Swiss artist Klaus Born, born 1945 in a small village in the Swiss mountains, trained as a teacher and bookseller in Zrich in the late 1960s. He turned to art in 1972 and went to the Zrich College of Art for his education in drawing, etching, and p

Reconstructing Performance Art
  • Language: en
  • Pages: 253

Reconstructing Performance Art

This book investigates the practices of reconstructing and representing performance art and their power to shape this art form and our understanding of it. Performance art emerged internationally between the 1960s and 1970s crossing disciplinary boundaries between performing arts and visual arts. Because of the challenge it posed to the ontologies and paradigms of these fields, performance art has since stimulated an ongoing debate on the most appropriate means to document, preserve and display it. Tancredi Gusman brings together international scholars from different disciplinary fields to examine methods, media, and approaches by which this art form has been represented and (re)activated ov...