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The intriguing story of a German immigrant's and his flight to America, the land of opportunity. As a youth growing up during Nazi Germany and the bitter aftermath, the author takes the reader through time as he endures the hardships of a devasted country and sets his course for the shores of America where opportunity abounded.
This autobiographical novel of the eminent English poet, Siegfried Sassoon was first published in 1936. Following on from Memoirs of a Fox-Hunting Man (1928) and Memoirs of an Infantry Officer (1930), Sassoon’s third and final instalment, Sherston’s Progress, is set in an asylum for shell-shocked officers, and deals with the author’s final acceptance of these realities, and ultimately to resolve his emotional turmoil. Sassoon’s fluid, sensitive prose, the fine perceptions of the poet, is spoken here in the voice of the average man. With charm and humor and quiet understatement, he has managed to articulate the hidden feelings of any sensitive man who in the normal course of his life is suddenly exposed to the nightmare of war. A gripping finale to the trilogy.
This work examines a film distribution system paralleling the rise of early features and persisting until 1972, when Man of La Mancha was the final roadshow to require reserved seating. Synonymous with Hollywood's star-studded premieres, roadshows were longer and cost more than regular features, making the experience similar to attending the legitimate theater. Roadshows, often epic in subject matter, played selected (usually only one) theaters in major urban centers until demand decreased. De rigueur by the 1960s were musical overtures, intermissions, entre'acte and exit music and souvenir programs for sale in the lobby. Throughout the text are recollections by people who attended roadshows, including actor John Kerr and actresses Barbara Eden and Ingrid Pitt. The focus is on roadshows released in the United States but an appendix identifies international roadshows and films forecast but not released as roadshows. Included are plots, contemporary critical reaction, premiere dates, production background, and methods of promotion--i.e., the ballyhoo.
In this quiet and devastating novel about the rise of fascism, Siggi Jepsen, incarcerated as a juvenile delinquent, is assigned to write a routine German lesson on the “The Joys of Duty.” Overfamiliar with these joys, Siggi sets down his life since 1943, a decade earlier, when as a boy he watched his father, a constable, doggedly carry out orders from Berlin to stop a well-known Expressionist artist from painting and to seize all his “degenerate” work. Soon Siggi is stealing the paintings to keep them safe from his father. “I was trying to find out,” Lenz says, “where the joys of duty could lead a people.” Translated from the German by Ernst Kaiser and Eithne Wilkins
A lane in Sussex and a chance meeting involving a girl from south London and a German prisoner of war. So begins the relationship between Mary Shaw from Peckham and Paul Weber from Nuremburg, a relationship that will impact on all those around them. After a lifetime in the construction industry this is Neil Topping's first novel. It was written after detailed research and the enthusiastic support from many diverse organisations. The lives of the central characters and those close to them is described in detail and how they meet the challenge of personal, national and international events. The first volume, 'Spring' covers the period between 1944 and 1952. The three remaining volumes will be published in the next twelve months and span the years between the fifties and the millennium. So now begin the journey with Mary and Paul.....