Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Phallological Museum
In an age of various kinds of surgical and imaginary penis augmentations, the Icelandic Phallological Museum has appeared on the world stage as a tour-de-force of global castration and local creativity. In this timely book, Professor Sigurjon Baldur Hafsteinsson portrays some of the aesthetic, political, moral, social, and cultural significance of the unique and internationally famous Icelandic Phallological Museum. The book shows that the museum both ridicules and undermines traditions in Western cultures, when it comes to the nature of histories, scholarly fields, and cultural institutions, simultaneously offering an alternative in knowledge production and cultural representation, by focusing on and displaying the highly sensitive subject of penises. (Series: Museums - Past and Present / Museen - Geschichte und Gegenwart - Vol. 7)
Mobility and Transnational Iceland
Iceland has increasingly been tangled in a dense network of various mobilities, leading to the growing transnational character of Icelandic society. This means that Iceland is involved in and affected by different forms of exchange and flows of ideas, capital, objects and people: emigration, immigration; involving foreign workers, refugees, human trafficking, business trips, educational and cultural transfer, and tourism. This edited volume brings together researchers focusing on Icelandic society from the per- spective of mobility and transnational connections. The chapters are based on inter- disciplinary research bringing in different ways highlighting the complex implications of mobilities and transnationalism for the Icelandic state, institutions, society and culture.The project was funded by Grant of excellence by Rannís, the Icelandic Centre for Research.
Indigenous Screen Cultures in Canada
Indigenous media challenges the power of the state, erodes communication monopolies, and illuminates government threats to Indigenous cultural, social, economic, and political sovereignty. Its effectiveness in these areas, however, is hampered by government control of broadcast frequencies, licensing, and legal limitations over content and ownership. Indigenous Screen Cultures in Canada explores key questions surrounding the power and suppression of Indigenous narrative and representation in contemporary Indigenous media. Focussing primarily on the Aboriginal Peoples Television Network, the authors also examine Indigenous language broadcasting in radio, television, and film; Aboriginal journalism practices; audience creation within and beyond Indigenous communities; the roles of program scheduling and content acquisition policies in the decolonization process; the roles of digital video technologies and co-production agreements in Indigenous filmmaking; and the emergence of Aboriginal cyber-communities.
Icelandic Farmhouses
Icelandic Farmhouses. Identity, Landscape and Construction (1790-1945) retraces the history of Icelandic rural architecture between the late eighteenth century and the mid-twentieth century. Through the study of Icelandic rural buildings, this book narrates a very special history of architecture: one of adaptation and tradition, scarcity of building materials and transfers of knowledge with Europe. The history of Icelandic farmhouses is intermixed with construction issues, nationalistic debates, and a quest for a much-needed modernization of the standards of living. The book aims to retrace the role of modern building techniques in the development of Icelandic rural architecture and society.
Indigenous Screen Cultures in Canada
Indigenous media challenges the power of the state, erodes communication monopolies, and illuminates government threats to indigenous cultural, social, economic, and political sovereignty. Its effectiveness in these areas, however, is hampered by government control of broadcast frequencies, licensing, and legal limitations over content and ownership.Indigenous Screen Cultures in Canada explores key questions surrounding the power and suppression of indigenous narrative and representation in contemporary indigenous media. Focussing primarily on the Aboriginal Peoples Television Network, the authors also examine indigenous language broadcasting in radio, television, and film; Aboriginal journalism practices; audience creation within and beyond indigenous communities; the roles of program scheduling and content acquisition policies in the decolonization process; the roles of digital video technologies and co-production agreements in indigenous filmmaking; and the emergence of Aboriginal cyber-communities.
The Craft of Ritual Studies
Readership: Students and scholars of ritual studies, religious studies, anthropology
The Media Gaze
While Canada is known for its official commitment to diversity, a close look at our media reveals that though they frequently promote superficial representations of difference, they actually play a pivotal role in producing and reproducing the values, structures, and priorities of a predominantly “straight,” white, male society. The Media Gaze exposes how newscasters, advertisers, filmmakers, and television programmers attempt to co-opt audiences into believing that media depictions entail neither prejudice nor perspective. In truth, the experiences of those who fall outside of the media’s preferred populations are actively ignored or misrepresented. In this timely audit of the Canadian mainstream media, sociologist Augie Fleras draws on compelling case studies to explore the societal implications of the industry’s hidden bias. He also examines alternative forms of media and media literacy to present readers with tools to challenge the dominant agenda.
Construction of the Viewer
In this volume, containing both general theoretical work and more specific case studies, the ethnographers and cinema specialists exchange concepts and ideas for the first time a substantial contribution to our understanding of audiences.
Colors of Enchantment
In this companion volume to the successful Images of Enchantment: Visual and Performing Arts of the Middle East (AUC Press, 1998), historian and ethnomusicologist Sherifa Zuhur has once again commissioned and edited authoritative essays from noteworthy scholars from around the globe that explore the visual and performing arts in the Middle East. What differentiates this volume from its predecessor is its investigation of theater, from the early modern period to the contemporary. Topics include race and national identity in Egyptian theater, early writing in the Arab theater in North America, Persian-language theater from its origins through the twentieth century, Palestinian nationalist thea...
Screening Culture
The lives of Indigenous peoples have long been framed for the outside world by others' cinematic gaze. But during the past thirty years, North America's Indigenous image-makers, particularly in Canada, have used the changing technologies of film, video, television, and computer to present their peoples' histories, identities, and perspectives. This edited collection of essays, conversations, and interviews combines Indigenous and non-Indigenous voices as it sets changing representations of Indigenous people on screen against broader socio-cultural, ideological, and economic considerations.
