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This book is a gripping, long-overdue biography of one of the most intriguing and powerful female figures of Western history: Theodora of Byzantium. Ruthlessly criticized and reviled by her contemporaries, Theodora, the beautiful wife of Emperor Justinian, began her life as the daughter of a bear-keeper and rose to be Justinian's partner in politics as well as in life, ruling from 527 to 548. She stood by his side in Constantinople as he built a ôsecond Rome,ö waging battles against the Goths and Vandals, quelling nationalist unrest in Egypt, and suppressing a rebellion at their doorstep by mercilessly slaughtering 30,000 in Constantinople's stadium. Theodora's political savvy saved Justinian's empire time and time again. When the European editions of Theodora were published, it was hailed as the ôBook of the Year.ö Author Paolo Cesaretti received the Ginzano Cavour Prize for sifting through a vast range of documentary material to deliver a richly entertaining story of an ambitious and cunning woman who defied the conventions of her time and triumphed over those who sought to defame and destroy her.
There has been a tendency to the view the history of the early medieval papacy predominantly in ideological terms, which has resulted in the over-exaggeration of the idea of the papal monarchy. In this study, first published in 1979, Jeffrey Richards questions this view, arguing that whilst the papacy’s power and responsibility grew during the period under discussion, it did so by a series of historical accidents rather than a coherent radical design. The title redresses the imbalance implicit in the monarchical interpretation, and emphasizes other important political, administrative and social aspects of papal history. As such it will be of particular value to students interested in the history of the Church; in particular, the development of the early medieval papacy, and the shifting policies and characteristics of the popes themselves.
Byzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
Why the marginalized story of Byzantium has much to teach us about Western history For many of us, Byzantium remains "byzantine"—obscure, marginal, difficult. Despite the efforts of some recent historians, prejudices still deform popular and scholarly understanding of the Byzantine civilization, often reducing it to a poor relation of Rome and the rest of the classical world. In this book, renowned historian Averil Cameron presents an original and personal view of the challenges and questions facing historians of Byzantium today. The book explores five major themes, all subjects of controversy. "Absence" asks why Byzantium is routinely passed over, ignored, or relegated to a sphere of its ...
The Fondation Beyeler begins its fall exhibition season in 2019 with five women artists. Instead of a comprehensive group show with numerous works, the art of Leonor Antunes, Silvia Bächli, Toba Khedoori, Susan Philipsz, and Rachel Whiteread provide insight into various approaches to the space. The works of these artists create a specific sense of space-acoustically, as sculpture, or in drawings. In their appearance and presence, the works seem restrained and unobtrusive, but their effect is nevertheless strong and powerful. These works of art evoke spaces that lie somewhere in between the recognizable and the ephemeral. They create places and respites in which the faculty of memory is trig...
How elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own Domesticating Saints in Medieval and Early Modern Rome explores the creative efforts of some of Rome’s most prominent noble families to weave themselves into Rome’s Christian past. Maya Maskarinec shows how, from late antiquity to early modernity, elite Roman families used genealogy, architecture, and the urban fabric to appropriate the city’s saints for their own, eventually claiming them as ancestors. Over the course of the Middle Ages, there developed a pronounced sense that churches and their saints belonged to specific regions, neighborhoods, and even famili...
Urban realism in the tradition of E.L. Doctorow, William Kennedy, Philip Roth and Jimmy Breslin, "When Jack Was With Us" immerses the reader in neighborhood life in New York City from the late 1950's through the late 1960's. Unlike many other novels by Baby Boomers, this novel makes no attempt to sugarcoat or nostaligize; it presents life as the author saw it while growing up, in all its beauty and all its brutality. There is no single protagonist; a number of characters whose lives intertwine each seek to make the best out of their lives amid the rich and often volatile ethnic tapestry of New York, against the backdrop of social change as the novel moves from the somnolent 1950's through the turbulent 1960's. Each character struggles and finds his/her damnation or redemption amid a city that personifies a nation in flux. It is a "coming of age" not only for the characters but for the greater American collective psyche.
Villagers in Indonesia hear a steady stream of stories about the injuries, abuses, and even deaths suffered by those who migrate in search of work. So why do hundreds of thousands of Indonesian workers continue to migrate every year? Carol Chan explores this question from the perspective of the origin community and provides a fascinating look at how gender, faith, and shame shape these decisions to migrate. Villagers evaluate men's and women's migrations differently, leading to different ideas about which kinds of human or financial flows should be encouraged and which should be discouraged or even criminalized. Despite routine and well-documented instances of exploitation of Indonesian migrant workers, some villagers still emphasize that a migrant's success or failure ultimately depends on that individual's morality, fate, and destiny. Indonesian villagers construct strategies for avoiding migration-related risks that are closely linked to faith and belief in supernatural agency. These strategies shape the flow of migration from the country and help to ensure the continued confidence Indonesian people have in migration as an act of promise and hope.