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Dante and Renaissance Florence
Simon Gilson examines Dante's reception in Florence in the fourteenth and fifteenth centuries, when Dante was represented, commemorated and debated in a variety of ways. Paying particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, Italian humanism, and civic identity and popular culture in Florence, Gilson ranges across literature, philosophy and art, languages and social groups.
Reading Dante in Renaissance Italy
Simon Gilson's new volume provides the first in-depth account of the critical and editorial reception in Renaissance Italy, particularly Florence, Venice and Padua, of the work of Dante Alighieri (1265–1321). Gilson investigates a range of textual frameworks and related contexts that influenced the way in which Dante's work was produced and circulated, from editing and translation to commentaries, criticism and public lectures. In so doing he modifies the received notion that Dante and his work were eclipsed during the Renaissance. Central themes of investigation include the contestation of Dante's authority as a 'classic' writer and the various forms of attack and defence employed by his detractors and partisans. The book pays close attention not only to the Divine Comedy but also to the Convivio and other of Dante's writings, and explores the ways in which the reception of these works was affected by contemporary developments in philology, literary theory, philosophy, theology, science and printing.
The Cambridge Companion to Dante's ‘Commedia'
Accessible and informative account of Dante's great Commedia: its purpose, themes and styles, and its reception over the centuries.
Medieval Optics and Theories of Light in the Works of Dante
This study investigates Dante's knowledge of several traditions of the extensive medieval literature on light and optics and examines how he assimilates and reworks related imagery, themes, and motifs in his writing.
Reading Dante in Renaissance Italy
Examines Dante's reception in the culture and criticism of Renaissance Italy, with a particular focus on Florence and Venice.
Beyond Catholicism
The essays within Beyond Catholicism trace the interconnections of belief, heresy, and mysticism in Italian culture from the Middle Ages to today. In particular, they explore how religious discourse has unfolded within Italian culture in the context of shifting paradigms of rationality, authority, time, good and evil, and human collectivities.
Science and Literature in Italian Culture from Dante to Calvino
This collection of essays explores the relationship between literature and science in Italian culture. Encompassing a variety of authors and topics across four broad periods, the volume presents connections between the discourses of literature and science and offers critical readings.
Vernacular Aristotelianism in Italy from the Fourteenth to the Seventeenth Century
This volume is based on an international colloquium held at the Warburg Institute, London, on 21-2 June 2013, and entitled 'Philosophy and Knowledge in the Renaissance: Interpreting Aristotle in the Vernacular'. It situates and explores vernacular Aristotelianism in a broad chronological context, with a geographical focus on Italy. The disciplines covered include political thought, ethics, poetics, rhetoric, logic, natural philosophy, cosmology, meteorology and metaphysics; and among the genres considered are translations, popularizing commentaries, dialogues and works targeted at women. The wide-ranging and rich material presented in the volume is intended to stimulate scholars to develop t...
Dante and Renaissance Florence
Simon Gilson explores Dante's reception in his native Florence between 1350 and 1481. He traces the development of Florentine civic culture and the interconnections between Dante's principal 'Florentine' readers, from Giovanni Boccaccio to Cristoforo Landino, and explains how and why both supporters and opponents of Dante exploited his legacy for a variety of ideological, linguistic, cultural and political purposes. The book focuses on a variety of texts, both Latin and vernacular, in which reference was made to Dante, from commentaries to poetry, from literary lives to letters, from histories to dialogues. Gilson pays particular attention to Dante's influence on major authors such as Boccaccio and Petrarch, on Italian humanism, and on civic identity and popular culture in Florence. Ranging across literature, philosophy and art, across languages and across social groups, this study fully illuminates for the first time Dante's central place in Italian Renaissance culture and thought.
Dante and the Human Body
The essays in this volume explore Dante's interest in the human body from various intellectual standpoints, the contributors being a mixture of historians, literary scholars, and theologians. They are: 'The Anatomy and Physiology of the Human Body in the Commedia' by Simon A. Gilson (University of Warwick); 'Dante, Medicine and the Invisible Body' by Vivian Nutton (Wellcome Trust Centre, University of London); 'The Scientific Context of Dante's Embryology' by Joseph Ziegler (University of Haifa); 'Sanatio and Salvatio: 'Body' and Soul in the Experience of Dante's Afterlife' by Simone De Angelis (University of Berne); 'Nostalgia in Heaven: Embraces, Affection and Identity in the Commedia' by Manuele Gragnolati (Somerville College, Oxford); 'Divina anatomia: Laying Bare Body and Soul in the Commedia' by Elizabeth Mozzillo-Howell (formerly of the University of Cambridge); ''La rosa in che il verbo divino carne si fece': Human Bodies and Truth in the Poetic Narrative of the Commedia' by Vittorio Montemaggi (Churchill College, Cambridge); and 'World and Body: A Study in Dante's Cosmological Hermeneutics' by Oliver Davies (King's College, London).
