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2016 Ontario Historical Society Joseph Brant Award — Winner • 2017 Speaker's Book Award — Shortlisted A man of two cultures in an era where his only choices were to be a trailblazer or get left by the wayside Dr. Oronhyatekha (“Burning Sky”), born in the Mohawk nation on the Six Nations of the Grand River territory in 1841, led an extraordinary life, rising to prominence in medicine, sports, politics, fraternalism, and business. He was one of the first Indigenous physicians in Canada, the first to attend Oxford University, a Grand River representative to the Prince of Wales during the 1860 royal tour, a Wimbledon rifle champion, the chairman of the Grand General Indian Council of O...
Set in Bavaria, An Old Shrew, a Tortured Soul, and Everyday Angels is the story of a bitter feud between Olga, a tough and nasty octogenarian, and Agnes, the antiauthoritarian mother of three teen-age delinquents. Olga has perfected the art of manipulating and using people. A thorn in the side to many, she gets flak only from Agnes who has nothing to lose. While Olga practices being a flower thief, Agnes slides into alcoholism. The big clash comes when Olga puts a stop to Agnes's newly found calling, and Agnes counters with a spectacular fire. Out of the blue, three murders are committed. Who could be responsible? Olga, Agnes, or someone else altogether? Both Olga and Agnes prematurely lose ...
The journey toward achieving independence from parents is a difficult one for any teenager. Where the parents divorce first, the journey often begins. When the remaining parent is a stern disciplinarian raised in the mountains of the Indian subcontinent, and now a major in the US Army, the youth's difficult journey of separation can take on epic proportions. When her single parent mother, Major Tela, is shipped overseas on combat deployment, Caitlin and her siblings are sent to live with their father, and are now free to pursue more liberating lifestyles. Caitlin joins the high school newspaper where she meets an eclectic girlfriend, Luka, and together they decide to report on student use of...
All her life, Jasmine has dreamed about a life found only in the yellowed pages of old books in her home on New Eden, a settlement on the brink of extinction until help arrived in the form of a starship crewed with cyborgs. A forgotten planet five stops past the edge of nowhere would have been the perfect place to start his life over, if the cyborg designated SP29 could be the emotionless machine he sometimes wishes he could be. Caught between his feelings for Jasmine and fellow cyborg, Darius, with whom he spent one unforgettable night a long time ago, he doesn’t want to choose between them. But Jasmine and Darius have other ideas about how to make a relationship work, so no one has to be excluded. cyborg romance, mmf romance, bisexual romance, sci fi romance, space opera romance, apocalyptic romance, zone cyborgs, dystopian, interstellar
This edited volume breaks new ground for understanding peripheries and peripherality by providing a multidisciplinary cross-exposure through a collection of chapters and visual essays by researchers and artists. The book is a collection of approaches from several disciplines where the spatial, conceptual, and theoretical hierarchies and biased assumptions of ‘peripheries’ are challenged. Chapters provide a diverse collection of viewpoints, analyses, and provocations on ‘peripherality’ through bringing together international specialists to discuss the socio-political, aesthetic, artistic, ethical, and legal implications of ‘peripheral approach.’ The aim is to illuminate the existi...
Offering an alternative mode of visual cultural analysis to the prevalent discursive model, this book proposes to situate analysis of Image within ‘formal’ analyses of culture experience. Specifically, the discussion draws on theories of affective aesthetics with the view of addressing the sensual form of culture (i.e. ‘cultural form’). Therefore, the volume puts forward a mode of formalist analysis in visual cultural research which takes purchase on the idea of ‘cultural form’. A continuum of formalist attention between Image analysis (visual media, industrial design) and probing of ‘cultural forms’ establishes the theoretical underpinning of the book. These concepts are expounded through a case study which looks at formal experimentations and debates arising from 1960s avant-garde artistic practices in London.
Although he gained fame with his classic novel series, Alms for Oblivion, which chronicled the misdeeds of English society in the 1950s and 60s, Simon Raven is also recognized as a brilliant travel writer, an unblinking reporter of the seamier side of English upper-class life, and a hilarious commentator on the sexual mores of gay London. His demise in 2001 robbed English letters of one of its most colorful characters. Expelled from Charterhouse “for the usual thing,” he was, for a time, an officer in the British Army. He gambled heavily on the horses for years, was often in debt, drank too much, and had a rich and uncommonly varied sex life. He was said to possess “the mind of a cad and the pen of an angel,” and this selection of his writing contains a magnificent array of pieces on army life, sex, school days, and travel. The quality of his writing and his fearless descriptions of the habits of the English, and indeed of all mankind, will come as a revelation.
This edited volume uses an interdisciplinary approach to art and design that not only reframes but also repositions agendas and actions to address fragmented global systems. Contributors explore the pluriverse of art and design through epistemological and methodological considerations. What kinds of sustainable ways are there for knowledge transfer, supporting plural agendas, finding novel ways for unsettling conversations, unlearning and learning and challenging power structures with marginalised groups and contexts through art and design? The main themes of the book are art and design methods, epistemologies and practices that provide critical, interdisciplinary, pluriversal and decolonial considerations. The book challenges the domination of the white logic of art and design and shifts away from the Anglo-European one-world system towards the pluriverse. The book will be of interest to scholars working in art history, visual studies, arts-based research, and design studies. The Open Access version of this book, available at www.taylorfrancis. com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
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This edited volume traces cultural appearances of disgust and investigates the varied forms and functions disgust takes and is given in both established and vernacular cultural practices. Contributors focus on the socio-cultural creation, consumption, reception, and experience of disgust, a visceral emotion whose cultural situatedness and circulation has historically been overlooked in academic scholarship. Chapters challenge and supplement the biological understanding of disgust as a danger reaction and as a base emotion evoked by the lower senses, touch, taste and smell, through a wealth of original case studies in which disgust is analyzed in its aesthetic qualities, and in its cultural and artistic appearances and uses, featuring visual and aural media. Because it is interdisciplinary, the book will be of interest to scholars in a wide range of fields, including visual studies, philosophy, aesthetics, sociology, history, literature, and musicology.