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In a decade of researching and writing about crime, Simon Farquhar has met many of those professionally or personally affected by it. They all carry with them stories that the rest of the world has forgotten, but which to them remain unforgettable. In A Deafening Silence, five of these stories are told, in full, for the first time. Retracing these historic tragedies with a modern eye, talking to surviving witnesses and police officers, exploring Home Office files and even previously unseen evidence, each investigation reveals powerful truths about those who take away a human life and those bereaved by their actions, while shining a new light on how our society has changed – or still needs ...
Simon Farquhar's first play for the Royal Court Theatre where it premieres in 2006.
Shortlisted for the Crime Writer's Association Gold Dagger award for non-fiction. In September 1970, two boys met in the playground on their first day at secondary school in North London. They formed what would be described at the Old Bailey thirty years later as 'a unique and wicked bond'. Between 1982 and 1986, striking near lonely railway stations in London and the Home Counties, their partnership took them from rape to murder. Three police forces pooled their resources to catch them in the biggest criminal manhunt since the Yorkshire Ripper Enquiry. A Dangerous Place is the first full-length account of the crimes of John Duffy and David Mulcahy. Told by the son of one of the police officers who led the enquiry, exhaustively researched and with unprecedented access, this is the story of two of the most notorious serial killers of the twentieth century and the times they operated in. It is the story of the women who died at their hands. It is the story of the women who survived them, and who had the courage to ensure justice was done. And it is the story of a father, told by a son.
'Simon Farquhar succeeds brilliantly (and with real empathy for all concerned) in setting the story in its historical, social and emotional context, with the victim and her family always at the heart of his writing ... A Desperate Business is an absolute must-read.' - Carol Ann Lee, the bestselling author of The Murders at White House Farm Winter 1969. Rupert Murdoch, newly arrived in Britain, has bought The Sun and the News of the World, immediately provoking outrage by serialising the sensational memoirs of Christine Keeler. Watching him being interviewed on television, two men hatch a plot to kidnap Murdoch's wife for a million-pound ransom. But the plan goes wrong. Following Murdoch's Ro...
"First performance at the Royal Court Jerwood Theatre Upstairs, Sloane Square, London on 31 March, 2010."
The Great Sea Cliffs of Scotland is an anthology of outrageous climbing adventures from twenty-six of the most extraordinary sea cliffs across Scotland. From the farthest flung sandstone sea stacks of the northern isles, to the granite playground of the Aberdeenshire coast, via the intricate archipelago of the Hebrides, all the major sea cliffs on the Scottish mainland and surrounding islands are covered in five distinct sections. Each area is described in rich detail and accompanied by personal accounts that offer an intimate perspective of the distinctive nature of this unique environment, and the generous rewards for those willing to accept the challenge of these seemingly improbable line...
'My future is here. My aim is clear and simple. I want out. I wanna be rich. I'm not gonna pretend it's anything more than that and I want it now.' David, Kojo and Sharon grew up on a London estate. Now in their mid 20s, they're eyeing another kind of life. But how do you choose the right path when temptation lies around every corner? If your emotional or financial debt is sky high, how do you buy your way out? Bola Agbaje's smart, savvy second play for the Royal Court asks whether being out of the system might be just as good as being in it. Her characters struggle to ignore the pull of lawless gain and in their newly-respectable, adult lives, find it hard to move away from a background which both haunts them and entices them back. Agbaje's characteristically energetic, vibrant dialogue captures the dynamic rhythm of spoken language and she portrays an under-represented slice of society with skill and compassion.
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part...
'How religious are you? I never know how to answer that question. I mean how do you measure religiousness?' London worships many gods, but it often seems that Cupid isn't one of them. Sabrina, a single girl-about-town, is seeking Mr Right in a world where traditional and liberal brothers sit side-by-side, but rarely see eye-to-eye. Shades explores tolerance within and without the Muslim community. A programme text edition published to coincide with the world premiere at the Royal Court Theatre, London, on 28 January 2009.