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The New Few
This was supposed to be the era when democracy came into its own, but instead power and wealth in Britain have slowly been consolidated the hands of a small elite, while the rest of the country struggles financially and switches off politically. We are now ruled by a gang of fat-cats with fingers in every pie who squabble for power among themselves while growing richer. Bored with watching corrupt politicians jockeying for power, ordinary Britons are feeling disconnected from politics and increasingly cynical about the back-scratching relationship between politicians and big business. The New Fewshows us what has led to this point, and asks the critical questions: whyhas Britain become a mor...
My Name is Ferdinand
Movie star Tom Stark sends his Hollywood A-list status into public free fall with an ill-judged comment to an LAPD cop. Ferdinand, the actor's long-standing Spanish-language dubber, is not only shocked by the TV news but realizes at once that his own future is ruined too ... unless he finds a way to salvage Tom's reputation. Ferdinand begins a frenetic pursuit of his celluloid twin. Success seems near but when the pair are finally united in the unlikely setting of a Californian New Age retreat, it appears that mañana may never come ... Pacy and darkly humorous, My Name is Ferdinand offers a unique sardonic spin on Hollywood and the American dream.
Full Circle
So much about the society that is now emerging in the twenty-first century bears an astonishing resemblance to the most prominent features of what we call the classical world - its institutions, its priorities, its entertainment, its physics, its sexual morality, its food, its politics, even its religion. The ways in which we live our rich and varied lives correspond - almost eerily so - to the ways in which the Greeks and Romans lived theirs. Whether we are eating and drinking, bathing or exercising or making love, pondering, admiring or enquiring, our habits of thought and action, our diversions and concentrations recreate theirs. It is as though the 1500 years after the fall of Rome had been time out from traditional ways of being human. This eye-opening book makes us look afresh at who we are and how we got here. Full Circleis not only wonderfully witty and brilliantly astute, but also profound and often disquieting. Ferdinand Mount effortlessly peels back 2000 years of history to show how much we are like the ancients, how in ways both trivial and crucial we arethem and they are us.
Subversive Family
British politician and writer, Ferdinand Mount, challenges contemporary beliefs about society and family—including the history of divorce, childcare, and the concept of the nuclear family. In Subversive Family, politician and writer Ferdinand Mount argues that society is shaped by a series of powerful revolutionary movements, the leaders of which, whether they be political ideologues, theologians, feudal lords, or feminist writers, have done their utmost to render the family a subordinate instrument of their purpose but that, in spite of it all, the family endures. Mount maintains that many widely held contemporary beliefs about the family are based on a willful misreading of the evidence:...
The Tears of the Rajas
The Tears of the Rajasis a sweeping history of the British in India, seen through the experiences of a single Scottish family. For a century the Lows of Clatto survived mutiny, siege, debt and disease, everywhere from the heat of Madras to the Afghan snows. They lived through the most appalling atrocities and retaliated with some of their own. Each of their lives, remarkable in itself, contributes to the story of the whole fragile and imperilled, often shockingly oppressive and devious but now and then heroic and poignant enterprise. On the surface, John and Augusta Low and their relations may seem imperturbable, but in their letters and diaries they often reveal their loneliness and despera...
English Voices
‘A sheer delight’ Times Literary Supplement Ferdinand Mount has spent many years writing articles, columns and reviews for prestigious magazines, newspapers and journals. Whether reviewing great published works by some of England's finest authors and poets (both alive and dead) including Kingsley Amis, John Osborne, John le Carré, Rudyard Kipling, E.M. Forster and Alan Bennett. He also analysed the works of a variety of our Masters covering the past four hundred years such as, of course, William Shakespeare, Charles Dickens, John Keats, Thomas Hardy, Samuel Taylor Coleridge and Samuel Pepys. Whether it be holding up to account the writings of Winston Churchill, or celebrating the much-loved poems of Siegfried Sassoon, each essay reproduced in full here has been carefully chosen by Mount to weave a unique tapestry of the wealth of writings that have helped shape his own respected career as an author and political commentator. For anyone interested and passionate about writing and poetry across the centuries in the British Isles, this book will be a very welcome guide to the best one can pick up and read.
Mapping Beyond Measure
Over the last century a growing number of visual artists have been captivated by the entwinements of beauty and power, truth and artifice, and the fantasy and functionality they perceive in geographical mapmaking. This field of “map art” has moved into increasing prominence in recent years yet critical writing on the topic has been largely confined to general overviews of the field. In Mapping Beyond Measure Simon Ferdinand analyzes diverse map-based works of painting, collage, film, walking performance, and digital drawing made in Britain, Japan, the Netherlands, Ukraine, the United States, and the former Soviet Union, arguing that together they challenge the dominant modern view of the...
Narrating the Global Financial Crisis
This book analyzes how the Global Financial Crisis is portrayed in contemporary popular culture, using examples from film, literature and photography. In particular, the book explores why particular urban spaces, infrastructures and aesthetics – such as skyline shots in the opening credits of financial crisis films – recur in contemporary crisis narratives. Why are cities and finance connected in the cultural imaginary? Which ideologies do urban crisis imaginaries communicate? How do these imaginaries relate to the notion of crisis? To consider these questions, the book reads crisis narratives through the lens of myth. It combines perspectives from cultural, media and communication studies, anthropology, philosophy, geography and political economy to argue that the concept of myth can offer new and nuanced insights into the structure and politics of popular financial crisis imaginaries. In so doing, the book also asks if, how and under what conditions urban crisis imaginaries open up or foreclose systematic and political understandings of the Global Financial Crisis as a symptom of the broader process of financialization.
