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Our engagement with time is a ubiquitous feature of our lives. We are aware of time on many scales, from the briefest flicker of change to the way our lives unfold over many years. But to what extent does this encounter reveal the true nature of temporal reality? To the extent that temporal reality is as it seems, how do we come to be aware of it? And to the extent that temporal reality is not as it seems, why does it seem that way? These are the central questions addressed by Simon Prosser in Experiencing Time. These questions take on a particular importance in philosophy for two reasons. Firstly, there is a view concerning the metaphysics of time, known as the B-theory of time, according t...
Devoted exclusively to the topic, this book analyses immunity to error through misidentification as an important feature of personal judgments.
A charming collection of stories and fables inspired by Britain's nineteen species of native trees, written by nineteen of Britain's leading authors. Why Willows Weep is edited by Tracy Chevalier, bestselling author of Girl with a Pearl Earring, and contains beautiful colour illustrations by Canadian artist Leanne Shapton. With sales in hardback of 10,000 this collection has already helped the Woodland Trust plant nearly 50,000 trees across the United Kingdom, and it is now available in paperback for the first time.
Our engagement with time is a ubiquitous feature of our lives. We are aware of time on many scales, from the briefest flicker of change to the way our lives unfold over many years. But to what extent does this encounter reveal the true nature of temporal reality? To the extent that temporal reality is as it seems, how do we come to be aware of it? And to the extent that temporal reality is not as it seems, why does it seem that way? These are the central questions addressed by Simon Prosser in Experiencing Time. These questions take on a particular importance in philosophy for two reasons. Firstly, there is a view concerning the metaphysics of time, known as the B-theory of time, according t...
THE SUNDAY TIMES BESTSELLER The unmissable new work from Ali Smith, following the dazzling Man Booker-shortlisted Seasonal quartet One day in post-Brexit, mid-pandemic Britain, artist Sandy Gray receives an unexpected phone call from university acquaintance Martina Pelf. Martina is calling Sandy to ask for help with a mysterious question she's been left with after she's spent half a day locked in a room by border control officials for no reason she can fathom: 'Curlew or curfew? You choose.' And what's any of this got to do with the story of a young and talented blacksmith hounded from her trade and her home more than five hundred years ago? Ali Smith's novel takes wing, soaring between our ...
The book covers the status of Australia.s water resources and their future prospects, the many values we hold for water, and the potential for using water more effectively to meet the growing demands of cities, farmers, industries, and the environment.
One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend, newly a lover. Soon, reports of similar occurrences surface across the land. Some see in the transformations the long-dreaded overturning of an established order, to be resisted to a bitter end. In many, like Anders's father and Oona's mother, a sense of profound loss wars with profound love. As the bond between Anders and Oona deepens, change takes on a different shading: a chance to see one another, face to face, anew.
François Recanati presents his theory of mental files, a new way of understanding reference in language and thought. Linguistic expressions inherit their reference from the files that we associate with them, which are classified according to their function, which is to store information derived through certain types of relation to objects.
When Richard Benson was growing up he felt like 'the village idiot with O'levels' - glowing school reports aren't much help when you're trying to help a sow give birth, or drive a power harrow in a straight line without getting half the hedgerow stuck in the tines. He left Yorkshire to work as a journalist in London, but returned when his dad called with the news that they were going to have to sell the family farm, and, in so doing, leave the home and livelihood that the Bensons had worked for generations. This is not only a moving personal account, but also one that reflects a profound change in rural life.
This volume addresses the nature of first-personal, or de se, thought. Many have held that first-person thought motivates a revision of traditional accounts of content and how it is accessed, but this raises puzzling questions about how we are able to communicate such thoughts. It is these questions that the volume seeks to answer.