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Goethe Yearbook 17
New articles on topics spanning the Age of Goethe, with a special section of fresh views of Goethe's Faust.
Goethe Yearbook 8
Latest volume in series devoted to Goethe criticism (and studies of his contemporaries), with an extensive book review section.
Practicing Progress
The essay reads an Enlightened and modern critique of progress in Mozart's Cosi fan tutte. With numerous references to other operas and texts, and with a storyline that emphasizes inevitable, yet mutable aspects of human nature, Cosi presents an ambivalent picture of the ways in which even the most disinterested and best-informed attitude toward the past can affect the future. At the same time, the opera seems to embrace the notion of freedom of choice without rejecting tradition or repetition. The essay also comments on the performance of Cosi in Zurich in 2000, conducted by Nikolaus Harnoncourt, who often works with authentic period instruments.
Violation of Trust Second Edition
From former special agent in charge for the Office of Organized Crime and Labor Racketeering, Miami Organized Crime Strike Force and Secretary of Labor for the State of Florida Hugo D. Menendez comes an intriguing fiction that provides a true picture of illicit activities. Violation of Trust is a vivid portrayal of how organized crime individuals and organized crime connected labor union offi cers cooperate to embezzle union and health welfare funds to the disadvantage of union members and employers—as well as forcing unions on employees. Based on actual criminal investigations of Organized Crime and Labor Racketeering conducted by Mr. Menendez and members of his staff for the U. S. Depart...
Masculinity, Senses, Spirit
Masculinity, Senses, Spirit brings together current work by leading scholars in the fields of gender studies, religion, history, and cultural studies to examine the complex interrelationship between gender, sexuality, and the realms of the spirit and the senses in the Atlantic world from the 18th century to the present. Ranging in scope from the bridal mysticism of 18th century German Moravians, through the education theories of the German 'Gymnasium,' the creation of the gendered 'gourmand,' the 'discovery' of homosexuality, and the hyper-masculinized homosocial groupings of the National Socialists, the essays explore the inflections of constructed masculinity in the religious, educational, culinary, political, and social institutions of Germany, France, and North America from the 18th century to the 20th centuries. The collection reveals the disparate and yet related worlds of masculine gender performance, recognizing the central role of the body and its relation to the spirit and senses in notions of European and Atlantic masculinity.
Women, Pleasure, Film
The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale. Lola embodies a recognizable set of characteristics through which over time a select group of directors, actors, and audiences have responded in ways that do not succumb to the imperatives of gender. There are over thirty-five Lola films, starting with Marlene Dietrich in The Blue Angel: many are German, others are French, American, British, Italian, and Spanish, but her claim has also resonated in Argentina, China, Egypt, Mexico, Thailand, and the Philippines. Lola can be working class, lesbian, transgender, ethnic, suburban, or any combination. This book examines Lola as a specific and enduring aspect of the early twentieth-century "new woman": woman's forthright claim to pleasure on her own terms, liberated, if only as a cinematic fantasy, from the usual constraints of sex and gender.
Necessary Luxuries
Matt Erlin considers books and the culture around books during this period, focusing specifically on Germany where literature, and the fine arts in general, were the subject of soul-searching debates over the legitimacy of luxury.
Goethe's Concept of the Daemonic
The first book to examine Goethe's writings on the daemonic in relation to both Classical philosophy and German Idealism. For Plato, the daemonic is a sensibility that brings individuals into contact with divine knowledge; Socrates was also inspired by a "divine voice" known as his "daimonion." Goethe was introduced to this ancient concept by Hamannand Herder, who associated it with the aesthetic category of genius. This book shows how the young Goethe depicted the idea of daemonic genius in works of the Storm and Stress period, before exploring the daemonic in a series of later poetic and autobiographical works. Reading Goethe's works on the daemonic through theorists such as Lukács, Benjamin, Gadamer, Adorno, and Blumenberg, Nicholls contends that they contain arguments concerning reason, nature, and subjectivity that are central to both European Romanticism and the Enlightenment. Angus Nicholls is Claussen-Simon Foundation Research Lecturer in German and Comparative Literature at the Centre for Anglo-German Cultural Relations in the Department of German, Queen Mary, University of London.
Visual Culture and the Holocaust
A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our understanding of the visual representation of the Holocaust - in films, television, photographs, art and museum installations and cultural artifacts - and to examine the ways in which these have shaped our consciousness. The areas covered include the Eichman Trial as covered on American television, the impact of Schindler's List, the Jewish Museum in Berlin, the Isreali Heritage Museums, Women and Holocaust Photography, Internet Holocaust sites and tattoos and shrunken heads, the bodies of the dead and of the survivors.>
