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From Docks to Desktops
London's recent history captured in dramatic form. Created from dozens of personal testimonies, this is the story of the changing face of work today. Surrey Docks in South-East London was once a thriving commercial hub, hosting some of the UK’s leading commercial brands, including Crosse & Blackwell, Sarson’s, Peek Freans and Lipton’s. These huge organisations created a myriad of jobs for local people, and the community prospered. But, with the decline of the docks in the 1970s, factories closed down or relocated, work patterns changed and redevelopment began. ‘From Docks to Desktops’ explores the fascinating story of how one community has survived the 21st-century challenges of urban change and renewal.
Blackbirds
Mayflower Street runs between Jamaica Road and the Thames in Bermondsey, South London. In 1939, 34 houses and 121 residents occupied the street. Between 1940 and 1941 bombs fell on 7 of these houses and at the end of war, the street – with its corner shop, was demolished. Using personal testimony, physical theatre and the combined skills of a cast of contemporary Londoners the project aims to share some of the experiences and events that made our city into the place we know today. Blackbirds is the play that emerged from the London Bubble Theatre's research and interviews of South Londoners who lived through the Blitz between 1940 and 1941.
Shakespeare Survey: Volume 57, Macbeth and Its Afterlife
Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of the play 'Macbeth'.
Patterns of Opposition in the European Parliament
Is Euroscepticism still suited to analyze the variegated nature of opposition to the EU? Starting from this question, this book critically reviews Euroscepticism, reconceptualizes it in terms of political opposition and discovers, disentangles and explains patterns of EU-opposition within the European Parliament (EP). Distinguishing between “what the EU does” and “what the EU is”, the research elaborates an index of parties’ positioning “measuring” it through the speeches that parties’ deliver in the EP. The EP is the “perfect laboratory” where decisions concerning EU-policies are taken and the future EU-trajectories are shaped. Besides delineating a set of guidelines categorizing parties, the book concludes that their positioning varies along two main axes: the pro-anti-EU-system and the pro-anti-EU-establishment. From a normative perspective, the research argues for the growing importance of the “cumulation hypothesis”: if criticism remains unheard within the European elitist construct, such criticism will transform itself into rejection.
Performance and Community
Performance practice in community settings is an established part of the cultural landscape. However, this practice is frequently viewed as functional: an intervention that seeks to solve, educate or heal. Performance and Community presents an alternative vision, focussing, instead, on the aesthetic and political ambitions of artists, organisations and cultural producers committed to this area. Through case studies, this edited collection gives unprecedented access to some of the leading organisations in the field, examining their creative processes and placing them in their historical context. In parallel, a series of interviews with individual artists explores their approaches and how they...
Theatre Record
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Identity, Performance and Technology
This project investigates the implications of technology on identity in embodied performance, opening up a forum of debate exploring the interrelationship of and between identities in performance practices and considering how identity is formed, de-formed, blurred and celebrated within diverse approaches to technological performance practice.
We are at War
Includes portions of the diaries of: Pam Ashford, Christopher Tomlin, Tilly Rice, Eileen Potter, and Maggie Joy Blunt.
Film, Comedy, and Disability
Comedy and humour have frequently played a key role in disabled people’s lives, for better or for worse. Comedy has also played a crucial part in constructing cultural representations of disability and impairments, contributing to the formation and maintenance of cultural attitudes towards disabled people, and potentially shaping disabled people’s images of themselves. As a complex and often polysemic form of communication, there is a need for greater understanding of the way we make meanings from comedy. This is the first book which explores the specific role of comedic film genres in representations of disability and impairment. Wilde argues that there is a need to explore different wa...
Islands
This is my world, I am the king, I make the rules and everyone else can go to hell. This is off-shore. Oxfam estimate that there is $18.5 trillion siphoned out of the world economy into tax havens by wealthy individuals alone. Christian Aid has calculated that 1,000 children die every day as a result of tax evasion. This is not just a political or social challenge: this is a matter of human rights. Islands is an illuminating, absurd and powerful new show about tax havens, little empires, enormous greed, and the few who have it all. Hilarious and unnerving, this ink-black comedy with music plunges you into a monstrous, secretive world where it really seems that no-one has to pay.... for anything. Head off-shore and frolic with those who have it all worked out as they feed their addiction to wealth, power and material stuff. The play received its world premiere at the Bush Theatre, London, on 15 January 2015.
