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This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This volume of eight new essays by leading scholars provides a stimulating dialogue between a range of critical perspectives. Encompassing the fields of cultural history, history of science, literature, and politics, the collection explores The New Atlantis' complex location within Bacon's oeuvre and its negotiations with cultural debates of the past and present. Often regarded as the apotheosis of Bacon's ideas through its depiction of an advanced “scientific” society, it is also read as a seminal work of science fiction.
Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian émigré, a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derrida's work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstruction's critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derrida's work.
Title pagae -- Copyright -- Contents -- Series Editor's Preface -- Acknowledgements -- Introduction: Modern Thought in Pain -- 1 After Pains -- 2 Distress I -- 3 Distress II -- 4 Pain of Debt, or, What We Owe to Retroactivity -- 5 Survival of Cruelty -- 6 Grief-substitutes, or, Why Melanie Klein Is So Funny -- Index
Rethinking the university explores and develops key critical debates in the humanities (concerning, for example, postmodernism, New Historicism, political criticism, cultural studies, interdisciplinarity and deconstruction) in the context of the various crises widely felt to be facing academic institutions. The analysis of the characteristic features of today's university is guided by a close reading of Derrida's work on the question of the academic institution, particularly with regard to the motifs of leverage and disorientation.This important topic has been the subject of heated debate in recent years and Rethinking the university offers clear and concise summaries of current work in the field as well as exploring original and challenging lines of enquiry on a number of issues of contemporary concern. In particular, Wortham argues that while Derrida's image of a university 'walking on two feet' presents us with a potentially paralysing problem, nevertheless it also enables a strong affirmation of the possibilities of academic life, work and effort.
As calls mount for resistance to recent political events, Simon Morgan Wortham explores the political implications and complexities of a psychoanalytic conception of resistance. Through close readings of a range of authors, both within and outwith the psychoanalytic tradition, the question of the politics of psychoanalysis itself is read back into the task of thinking resistance from a psychoanalytic point of view. Morgan Wortham also reveals a new theory of phobic resistance at the centre of the politics of psychoanalysis, one that creates fresh possibilities for contemporary political analysis.
A colourful map of the current conflict between pessimism and optimism in Western politics and theory, Hope attempts to reveal both the deep history and contemporary necessity of political hopefulness. Starting in the 17th century with Spinoza, Wortham tells the story of the various fallacies and insights of pessimism and optimism through the 18th century with the help of Kant and Voltaire through to the famously nihilistic writings of Nietzsche and the 20th century works of thinkers such as Benjamin, Arendt, Kristeva and Fanon (to name but a few). He explores the contemporary significance of ideas such as affirmation, sovereignty, violence, therapy, existentialism and, of course, the oft maligned notion of 'hopefulness' to create a politics of optimism which avoids the pitfalls of uncritical acceptance of the status quo or the newest political idea. Short chapters written in an engaging narrative manner enable the reader to follow the story of political optimism over the last 4 centuries inspiring a new way of thinking about the transformative uses of hopefulness.
Analyses how modern conceptions of politics, ethics, and critical thought may be re-evaluated through the question of pain.Through a series of rigorous encounters with key critical figures, this monograph argues that modern thought is, in a double sense, the thought of pain. The book investigates the idea that modern European philosophy after Kant offers less the conceptual equipment to tackle pain in explanatory terms, than an experience of thought that participates in the forms of pain and suffering about which it speaks. Perhaps surprisingly, the question of pain establishes a ground from which to examine key debates in twentieth-century European philosophy, most recently between forms of post-structuralist and ethical thinking imagined to be in crisis and the resurgence of discourses of political emancipation arising from traditions of thought associated with Marxism. Key features:nbsp;Offers a systematic account of the modern European tradition's relationship to the question of pain and sufferingnbsp;Suggests new readings of 'ethics' and 'evil'nbsp;Evaluates the politics of contemporary critical theorynbsp;Sets new agendas for reading post-Kantian philosophy
Sixteen leading scholars explore the richness of King James's work from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Best known for his landmark version of the Protestant Bible, James VI (1566-1625) of Scotland, who succeeded Elizabeth I to the English throne, was truly a monarch of the word. From religious prose and verse to political treatises and social works to love poems and witty doggerel, James used writing and the print media to inspire his subjects, govern them, keep his enemies at bay, and even examine his own authority. Until now, the full span of James's work has received little critical attention by political and literary historians. In Royal Subjects, sixteen leading scholars explore the richness of his oeuvre from a variety of perspectives, and in so doing seek to establish monarchic writing as an important genre in its own right. Through its unprecedented look at monarchic writing, Royal Subjects not only enriches our understanding of the reign of James VI and I but also offers fruitful suggestions for approaches to other Renaissance texts and other periods.