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The Capuchín Museum
The creation of the Museum of the Friars Minor Capuchin of the Roman Province is designed to highlight the spirituality of a religious order whose cornerstones are intense mysticism, a simple and sober way of life, constant involvement with people, and a strong but gentle spirit of brotherly love. The eight rooms of the museum set up inside the friary host a series of sections devoted to its origins and history as well as the life of those who joined the order and drew inspiration from the example of extraordinary Capuchin saints like Felix of Cantalice, Crispin of Viterbo and Joseph of Leonessa but also contemporary figures known to the public on a vast scale, such as St Pio of Pietrelcina,...
Aurea Roma
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Rome
Publisher Description
Routledge Encyclopedia of Ancient Mediterranean Religions
The Routledge Encyclopedia of Ancient Mediterranean Religions is the first comprehensive single-volume reference work offering authoritative coverage of ancient religions in the Mediterranean world. Chronologically, the volume’s scope extends from pre-historical antiquity in the third millennium B.C.E. through the rise of Islam in the seventh century C.E. An interdisciplinary approach draws out the common issues and elements between and among religious traditions in the Mediterranean basin. Key features of the volume include: Detailed maps of the Mediterranean World, ancient Egypt, the Roman Empire, and the Hellenistic World A comprehensive timeline of major events, innovations, and individuals, divided by region to provide both a diachronic and pan-Mediterranean, synchronic view A broad geographical range including western Asia, northern Africa, and southern Europe This encyclopedia will serve as a key point of reference for all students and scholars interested in ancient Mediterranean culture and society.
Representing Rome's Emperors
Roman emperors have long functioned—and continue to function—in the western imagination as paradigms of imperial leadership to be emulated or avoided. This innovative volume brings together an international team of experts to examine the literary and artistic representations of Roman emperors across more than two thousand years of history. In doing so, it breaks down traditional disciplinary boundaries that have separated the study of emperors in antiquity from their representation in later periods. The individual chapters offer close readings of different texts, media, and contexts, ranging from the Annals of Tacitus, Roman lamps, and triumphal statues to medieval legends, early modern philosophical tracts, twentieth-century novels, and museum exhibitions. Collectively they explore the creative impulses and political agendas that have shaped how we understand Roman emperors today.
Criminal Law in Liberal and Fascist Italy
By extending the chronological parameters of existing scholarship, and by focusing on legal experts' overriding and enduring concern with 'dangerous' forms of common crime, this study offers a major reinterpretation of criminal-law reform and legal culture in Italy from the Liberal (1861–1922) to the Fascist era (1922–43). Garfinkel argues that scholars have long overstated the influence of positivist criminology on Italian legal culture and that the kingdom's penal-reform movement was driven not by the radical criminological theories of Cesare Lombroso, but instead by a growing body of statistics and legal researches that related rising rates of crime to the instability of the Italian state. Drawing on a vast array of archival, legal and official sources, the author explains the sustained and wide-ranging interest in penal-law reform that defined this era in Italian legal history while analyzing the philosophical underpinnings of that reform and its relationship to contemporary penal-reform movements abroad.
The Altars of Republican Rome and Latium
This book reorients the study of sacrifice, examining the locus of ritual action - the altars of Republican Rome and Latium.
The 'Commentaries' of Pope Pius II (1458-1464) and the Crisis of the Fifteenth-Century Papacy
"Written in the mid-fifteenth century, Pope Pius II's Commentaries are the only known autobiography of a reigning pontiff and a fundamental text in the history of Renaissance humanism. In this book, Emily O'Brien positions Pius' expansive autobiographical text within that century's contentious debate over ecclesiastical sovereignty. Presenting the Commentaries as Pius' response to the crisis of authority, legitimacy, and relevance that was engulfing the Renaissance papacy, she shows how the Commentaries function as both an aggressive assault on the papal monarchy's chief opponents and a systematic defense of Pius's own troubled pontificate and his pre-papal career. Illustrating how the language, imagery, and ideals of secular power inform Pius' apologetic self-portrait, The Commentaries of Pope Pius II (1458 1464) and the Crisis of the Fifteenth-Century Papacy demonstrates the role that Pius and his writings played in the evolution of the Renaissance papacy."--Provided by publisher.
Performance, Memory, and Processions in Ancient Rome
The pompa circensis was a political pageant and a religious ritual that produced a republican, imperial, and even Christian image of the city. In this book, Jacob A. Latham explores the play between performance and itinerary, tracing the transformations of the circus procession from the late Republic to late antiquity.
Commemorating the Dead
The distinctions and similarities among Roman, Jewish, and Christian burials can provide evidence of social networks, family life, and, perhaps, religious sensibilities. Is the Roman development from columbaria to catacombs the result of evolving religious identities or simply a matter of a change in burial fashions? Do the material remains from Jewish burials evidence an adherence to ancient customs, or the adaptation of rituals from surrounding cultures? What Greco-Roman funerary images were taken over and "baptized" as Christian ones? The answers to these and other questions require that the material culture be viewed, whenever possible, in situ, through multiple disciplinary lenses and i...
