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The son of a village doctor, Rutherford Alcock trained in medicine and became a battlefield surgeon, working in Portugal and Spain during the civil wars there in the 1830s. In a major career shift, he entered the consular service, went to China, and ended up as British Minister (the equivalent of today's ambassador) to Japan and then China. This progression was unique, indeed bizarre, especially as every senior position he got was one he specifically said he did not want. Nonetheless, he was the man who commenced Britain's relations with Japan and introduced Japan's arts and crafts to the UK, in addition to playing a central role in Britain's relationship with China. He was no rampant imperialist and expressed ambivalence about Britain's position in East Asia as he contended with intractable issues like the opium trade and how to punish attacks on British interests without starting a war. This book fills a major gap in the study of Japan's opening to the West from a British perspective, as well as Britain's relationship with East Asia as a whole, through the eyes of a brilliant, but complicated and contradictory figure.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.