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Sixteenth-Century Readers, Fifteenth-Century Books
This innovative study investigates the reception of medieval manuscripts over a long century, 1470-1585, spanning the reigns of Edward IV to Elizabeth I. Members of the Tudor gentry family who owned these manuscripts had properties in Willesden and professional affiliations in London. These men marked the leaves of their books with signs of use, allowing their engagement with the texts contained there to be reconstructed. Through detailed research, Margaret Connolly reveals the various uses of these old books: as a repository for family records; as a place to preserve other texts of a favourite or important nature; as a source of practical information for the household; and as a professional manual for the practising lawyer. Investigation of these family-owned books reveals an unexpectedly strong interest in works of the past, and the continuing intellectual and domestic importance of medieval manuscripts in an age of print.
Europe and England in the Sixteenth Century
This innovative textbook uniquely combines an integrated survey of European and English history in the sixteenth century. The book is structured in three parts: the Western european Environment, The Rise of the Great Monarchies and the Crisis of the Great Monarchies. It covers political, social, religious and economic history from the late Renaissance to Mary Stuart and Philip II. It recognises the amount of common belief and interest between the British Isles and Western Europe in the century of the Reformation and Counter-Reformation and indicates how events on one side of the Channel influenced those on the other side. Key Features: * colourful and informative biographical sketches of maj...
The Cambridge History of Sixteenth-Century Music
Part of the seminal Cambridge History of Music series, this volume departs from standard histories of early modern Western music in two important ways. First, it considers music as something primarily experienced by people in their daily lives, whether as musicians or listeners, and as something that happened in particular locations, and different intellectual and ideological contexts, rather than as a story of genres, individual counties, and composers and their works. Second, by constraining discussion within the limits of a 100-year timespan, the music culture of the sixteenth century is freed from its conventional (and tenuous) absorption within the abstraction of 'the Renaissance', and is understood in terms of recent developments in the broader narrative of this turbulent period of European history. Both an original take on a well-known period in early music and a key work of reference for scholars, this volume makes an important contribution to the history of music.
Havana and the Atlantic in the Sixteenth Century
Havana in the 1550s was a small coastal village with a very limited population that was vulnerable to attack. By 1610, however, under Spanish rule it had become one of the best-fortified port cities in the world and an Atlantic center of shipping, commerce, and shipbuilding. Using all available local Cuban sources, Alejandro de la Fuente provides the first examination of the transformation of Havana into a vibrant Atlantic port city and the fastest-growing urban center in the Americas in the late sixteenth century. He shows how local ambitions took advantage of the imperial design and situates Havana within the slavery and economic systems of the colonial Atlantic.
Europe in the Sixteenth Century
This bestselling, seminal book - a general survey of Europe in the era of `Rennaisance and Reformation' - was originally published in Denys Hay's famous Series, `A General History of Europe'. It looks at sixteenth-century Europe as a complex but interconnected whole, rather than as a mosaic of separate states. The authors explore its different aspects through the various political structures of the age - empires, monarchies, city-republics - and how they functioned and related to one another. A strength of the book remains the space it devotes to the growing importance of town-life in the sixteenth century, and to the economic background of political change.
Sixteenth-century Imprints in the Libraries of the University of Pennsylvania
A catalogue of the C16th imprints in the University of Pennsylvania libraries, running to approximately 10,000 items.
The Sixteenth-Century French Religious Book
This study comprises the proceedings of a conference held in St Andrews in 1999 which gathered some of the most distinguished historians of the French book. It presents the 16th-century book in a new context and provides the first comprehensive view of this absorbing field. Four major themes are reflected here: the relationship between the manuscript tradition and the printed book; an exploration of the variety of genres that emerged in the 16th century and how they were used; a look at publishing and book-selling strategies and networks, and the ways in which the authorities tried to control these; and a discussion of the way in which confessional literature diverged and converged. The range of specialist knowledge embedded in this study will ensure its appeal to specialists in French history, scholars of the book and of 16th-century French literature, and historians of religion.
England and Europe in the Sixteenth Century
This book provides a thematic survey of England's international relations during the sixteenth century and explores the various influences on policy-making, including the concept of honour, security concerns, religious ideology and commercial interests. This book is ideal for undergraduates as it provides an extensive and coherent synthesis of recent scholarship as well as a fresh insight into Tudor foreign policy.
Politics and ‘Politiques' in Sixteenth-Century France
Explores conceptions of politics in early modern France, and the controversies the word 'politique' attracted during the Wars of Religion.
European Art of the Fifteenth Century
Influenced by a revival of interest in Greco-Roman ideals and sponsored by a newly prosperous merchant class, fifteenth-century artists produced works of astonishingly innovative content and technique. The International Gothic style of painting, still popular at the beginning of the century, was giving way to the influence of Early Netherlandish Flemish masters such as Jan van Eyck, who emphasized narrative and the complex use of light for symbolic meaning. Patrons favored paintings in oil and on wooden panels for works ranging from large, hinged altarpieces to small, increasingly lifelike portraits. In the Italian city-states of Florence, Venice, and Mantua, artists and architects alike per...
