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Skip James (1902–1969) was perhaps the most creative and idiosyncratic of all blues musicians. Drawing on hundreds of hours of conversations with James himself, Stephen Calt here paints a dark and unforgettable portrait of a man untroubled by his own murderous inclinations, a man who achieved one moment of transcendent greatness in a life haunted by failure. And in doing so, Calt offers new insights into the nature of the blues, the world in which it thrived, and its fate when that world vanished.
James is a young man that embarked on the trials and tribulations of life without a planned direction for his future. He fell upon many situations that would test his character, integrity, and moral being. As he finished high school his first test in life was a beautiful girl that captured his eye and she challenged his every move. In their relationship the unexpected happened and Theola, his girlfriend wondered now if James will meet his responsiblities of being a husband and a father or will he retreat to the one person he knew who loved him beyond any doubt? Would he leave her because of his fears and let her to carry the burden of being a mother alone?
The 10,000-hour rule isn't the only way to achieve mastery. Entrepreneur, angel investor and bestselling author James Altucher reveals a new mindset and proven toolkit that will empower anybody to quickly acquire the skills they need to succeed and achieve their dreams. We live in a hierarchical world where experience has traditionally been the key to promotion. But that period is over! Straight, clear-cut career trajectories no longer exist. Industries disappear, job descriptions change, and people's interests and passions evolve. The key to riding this wave is to constantly be curious about what's next, to be comfortable with uncertainty so you can keep navigating the rough waters ahead, a...
The Early Masters of American Blues series provides the unique opportunity to study the true roots of modern blues. Stefan Grossman, noted roots-blues guitarist and musicologist, has compiled this fascinating collection of 14 songs from seven pivotal early blues guitarists from the Mississippi Delta. In addition to Stefan's expert transcriptions, the book includes online audio containing the original artist's recordings so you can hear and feel the music, as it was originally performed. Artists featured: WILLIE BROWN: (Future Blues; M&O Blues; Ragged and Dirty); SON HOUSE: (Dry Spell Blues; My Black Mama); SKIP JAMES: (Devil Got My Woman; Hard Time Killin' Floor; Special Rider); HAMBONE WILLIE NEWBERN: (Roll and Tumble Blues); CHARLIE PATTON: (Screamin' and Hollerin' the Blues; Stone Pony Blues; 34 Blues); ARTHUR PETTIS: (Good Boy Blues); ROBERT WILKINS: (That's No Way to Get Along).
In this joyful romance, one wild night results in three kisses—only one successful—and leaves a perpetually single Amy searching for her perfect match so she can find a happy ending. Amy Daniels has a pretty nice life. Her career is on the up, she loves her friends, and she's about to buy her very own flat. On a good day, Amy could be described as a catch—so why is she perpetually single? The trouble is, Amy can see something no one else can: the end. As soon as she kisses someone, she knows, in intimate, vivid detail, how their relationship will finish. A screaming argument in the middle of the supermarket over milk. An explicit email sent to the wrong address. A hasty escape through ...
This compilation of essays takes the study of the blues to a welcome new level. Distinguished scholars and well-established writers from such diverse backgrounds as musicology, anthropology, musicianship, and folklore join together to examine blues as literature, music, personal expression, and cultural product. Ramblin' on My Mind contains pieces on Ella Fitzgerald, Son House, and Robert Johnson; on the styles of vaudeville, solo guitar, and zydeco; on a comparison of blues and African music; on blues nicknames; and on lyric themes of disillusionment. Contributors are Lynn Abbott, James Bennighof, Katharine Cartwright, Andrew M. Cohen, David Evans, Bob Groom, Elliott Hurwitt, Gerhard Kubik, John Minton, Luigi Monge, and Doug Seroff.
Skip James was one of the most influential early Bluesmen, but his importance as a stylist remained undiscovered until he was brought out of a long retirement by the Folk/Blues revival of the early 1960s. Born in 1902 and raised in Bentonia, Nehemiah Curtis James was brought up in a religious family: his father was a bootlegger who reformed and became a Baptist preacher. Skip learned piano in school but picked up guitar from his friend Henry Stuckey. In 1931 Skip was picked up by a scout for Paramount Records and he cut 26 tracks, of which 18 were released, in a two day session at their Grafton, Wisconsin studios. These recordings presented a unique and haunting genius that influenced legend...
The shellac of the 20's, 30's and 40's caught the fleeting moment, the spirit of the times; the raunchy ragtime, barrelhouse boogie and the country blues. Some of those records will never be replaced. Some, never will be heard again. Many of those songs are here in printed form for the first time, as an only monument to a pristine era never to happen again. This is a valued collection of the great country blues — as sung and played by the greatest of the country bluesmen — as collected and annotated by Stefan Grossman, Hal Grossman and Stephen Calt: Aberdeen Mississippi Blues/Booker White'Bout A Spoonful/Mance LipscombAlabama Blues/Robert WilkinsAin't You Sorry?/Mance LipscombAll Night L...
Blues: The Basics offers a concise introduction to a century of the blues. Organized chronologically, it focuses on the major eras in the growth and development of this popular musical style. Material includes: a definition of the blues and the major genres within it key artists such as Ma Rainey, Bessie Smith, Robert Johnson and Blind Lemon Jefferson key recordings Complete with timelines and suggestions for further investigation, this fascinating overview is ideal for students and interested listeners.
This revised and updated definitive blues bibliography now includes 6,000-7,000 entries to cover the last decade’s writings and new figures to have emerged on the Country and modern blues to the R&B scene.