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The Reprint Bulletin
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The Mirror of Divinity
Using a multidisciplinary approach, this book argues that the operation of art-as-mirror is the key to the hidden unity of Huysmans' fiction. The author claims that only the elimination of Huysmans' stylistic distortions enabled his art finally to become faithful and clear.
Reprint Bulletin
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Aloysius Bertrand’s Gaspard de la Nuit Beyond the Prose Poem
Aloysius Bertrand’s Gaspard de la Nuit (1842) is a familiar title to music lovers, thanks to Ravel’s piano work of the same name, and to specialists of French literature, especially those interested in Baudelaire’s prose poetry. Yet until very recently the collection and its author have generally been viewed almost exclusively through the prism of their pioneering role in the development of the prose poem. By placing Bertrand back in his original context, adopting a comparative approach and engaging with recent critical work on the collection, Valentina Gosetti proposes a substantial reassessment of Gaspard de la Nuit and promotes a new understanding of Bertrand in his own terms, rather than those of his successors. Through his playful and ironic reinterpretation of Romantic clichés, and his overt defiance of the boundaries of poetry and beauty, Bertrand emerges as a fascinating figure in his own right. This book is one of the first full-length studies of Bertrand’s work, and it will be of particular interest to specialists of the nineteenth century and of provincial literature, and to students of nineteenth-century poetry or the fantastic.
The Rise of the Cult of Rembrandt
Rembrandt's life and art had an almost mythic resonance in nineteenth-century France with artists, critics, and collectors alike using his artistic persona both as a benchmark and as justification for their own goals. This first in-depth study of the traditional critical reception of Rembrandt reveals the preoccupation with his perceived "authenticity," "naturalism," and "naiveté," demonstrating how the artist became an ancestral figure, a talisman with whom others aligned themselves to increase the value of their own work. And in a concluding chapter, the author looks at the playRembrandt, staged in Paris in 1898, whose production and advertising are a testament to the enduring power of the artist's myth.
Back Over the Sexual Contract
Is patriarchy an illness of democratic societies or a structural problem? To answer this dilemma, Back Over the Sexual Contract: A Hegelian Critique of Patriarchy examines the dilemma of patriarchy in modern European political theory by reopening the question of the "sexual contract." Through a study of the thought of Thomas Hobbes, John Locke, Jean-Jacques Rousseau, and Immanuel Kant, Lorenzo Rustighi argues that the conceptual roots of male patriarchal entitlement should be sought in the logic of authorized power that underpins the modern understanding of both the state and the family. Challenging the mainstream distinction between the private and the public, Rustighi provocatively suggests that patriarchy is not something that undermines democracy as an alien threat, but is rather inscribed in the intrinsically anti-democratic effects of the concept of democracy construed by the modern rationale of the social contract. He puts forward a Hegelian argument to propose an unconventional constitutional approach to feminist political theory that helps us rethink democracy beyond its inherent impasses.
Salvator Rosa in French Literature
"Rosa's works began entering major French collections during his lifetime, and many of the passages at the heart of Salvator Rosa in French Literature describe, evaluate, and interpret paintings displayed in the Louvre. Recently, a large hall in the Louvre was named for Salvator Rosa; the painter, once dubbed "bizarre" by some critics in the seventeenth and eighteenth centuries, now holds a very visible place among the great artists enshrined in one of the world's great museums. Salvator Rosa in French Literature provides a comprehensive interpretation of Rosa's work and a clear evaluation of his mark on French literature."--BOOK JACKET.
Menander to Marivaux: The History of a Comic Structure
The author examines comedies based on a structure first used by Menander in the fourth century B.C. and brought to its precise formulations and brilliance by Marivaux in the eighteenth century A.D.
Academic Scepticism in the Development of Early Modern Philosophy
This book explores how far some leading philosophers, from Montaigne to Hume, used Academic Scepticism to build their own brand of scepticism or took it as its main sceptical target. The book offers a detailed view of the main modern key figures, including Sanches, Charron, La Mothe Le Vayer, Bacon, Gassendi, Descartes, Malebranche, Pascal, Foucher, Huet, and Bayle. In addition, it provides a comprehensive assessment of the role of Academic Scepticism in Early Modern philosophy and a complete survey of the period. As a whole, the book offers a basis for a new, balanced assessment of the role played by scepticism in both its forms. Since Richard Popkin's works, there has been considerable interest in the role played by Pyrrhonian Scepticism in Early Modern Philosophy. Comparatively, Academic Scepticism was much neglected by scholars, despite some scattered important contributions. Furthermore, a general assessment of the presence of Academic Scepticism in Early Modern Philosophy is lacking. This book fills the void.
Giacomo Meyerbeer
This Guide has resulted from years of research on the papers and music of Giacomo Meyerbeer, and aims to provide a bibliographical aid and point of reference for further research. The first part presents the private papers connected to the composer and his principal librettist, Eugène Scribe—both archival and printed, with working papers and correspondence, as found in Berlin, Paris and some of the famous libraries of the world. The body of Part 2 draws together all the known resources on Meyerbeer's life and historical reputation—from full scale biographies and entries in reference books, through critical discussions to website resources to records of symposia. The third part provides ...
