Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Presidio of Monterey
The Presidio of Monterey is best known as the home of the post-World War II Defense Language Institute Foreign Language Center, the Department of Defense's acknowledged leader in foreign language training. It has, however, a much longer and rich history. After the United States seized Monterey in 1846, the U.S. Army began constructing Fort Mervine, which served a number of purposes until it was abandoned in 1866. In 1902-1903, a modern cantonment was built in the area. In 1904, the new post was officially renamed the Presidio of Monterey after a nearby Spanish fort established in 1770 that had fallen into disuse. Throughout the first half of the 20th century, the post was home to infantry and cavalry regiments, as well as an inductee reception center. The Military Intelligence Service Language School was moved to the Presidio of Monterey in 1946 and renamed the Army Language School in 1947; this evolved into the present-day Defense Language Institute Foreign Language Center.
Pirates & Rogues of Monterey Bay
The age of pirates spanned nearly two hundred years and was considered a plague on the high seas. Even the far reaches of what was then Alta California weren't safe, and a surprising number of unexpected visitors sailed into Monterey Bay. Argentinian Hippolyte Bouchard, spurred by revolutionary fervor, attacked Monterey, the then Spanish capital of Alta California, using pirating tactics that left their mark centuries later, and privateers like Sir Francis Drake prowled the Pacific, leaving possible traces of their journey on the beaches of California. The foggy coastline of Monterey even inspired Robert Louis Stevenson to write his famous Treasure Island. Join author Todd Cook as he explores the Monterey Peninsula's eclectic pirating history.
Monterey
Monterey, California conjures images of a coastal city rimmed by crystal clear waters and bolstered by tourism; yet these edenic views belie the community's often turbulent history, originating with the Native Americans who lived here for a millennium and Hispanic exploration and colonization. At each stage in the growth of this city, residents have successfully overcome the division of multiple rule, diverse nationalities, and fledgling identities to fashion a homeland in the western landscape of America that is deservingly proud of its character and history.
California, 1849-1913; Or, The Rambling Sketches and Experiences of Sixty-four Years' Residence in that State
Reproduction of the original.
Report of the Chief of Engineers U.S. Army
Includes the Report of the Mississippi River Commission, 1881-19 .
The Awakening of Jennifer Van Arsdale
Progressive journalist Jennifer Van Arsdale was thrilled to be chosen to write the biography of America’s first woman president, Patricia Farnsworth, whom she admired for her transformation of the U.S. But after two days of interviews with Farnsworth in her magnificent California home, Jennifer is attacked by thugs in the formerly safe and prosperous town of Laguna Beach. A Black veteran with an illegal gun saves her from harm and she feels compelled to listen to what he and his friends have to say about what has become of their state and country—all of it contrary to her beliefs. What Jennifer does next will throw America into an uproar.
Art in Mississippi, 1720-1980
In Art in Mississippi Patti Carr Black focuses on several hundred significant artists and showcases in full color the work of more than two hundred. Nationally acclaimed native Mississippians are hereGeorge Ohr, Walter Anderson, Marie Hull, Theora Hamblett, William Dunlap, Sam Gilliam, William Hollingsworth, Jr., Karl Wolfe, Mildred Nungester Wolfe, John McCrady, Ed McGowin, James Seawright, and many others. Prominent artists who lived or worked in the state for a significant period of time are included as well - John James Audubon, Louis Comfort Tiffany, George Caleb Bingham, William Aiken Walker, and more. Black explores how art reflects the land and how modes of living and values dictated by Mississippi's changing topography created a variety of art forms. She demonstrates the influence of Mississippi's diverse cultures upon the art and shows how it has responded in many forms - painting, architecture, sculpture, fine crafts - to the changing aesthetics of national art movements.
