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A Feeling For Feminism Is A Collection Of Stories Written By V. K. Subramanian, Which Reflects His Empathy For Women, Especially The Women Of India.In These Stories, Various Feminine Facets Are Dealt With Understanding And Insight: Women As Affectionate Sisters, Tender, Loving Mothers, Devoted Wives, And Women Facing The Brutal Realities Of Life: Betrayal, Disappointment And Ingratitude.A Feeling For Feminism Will Provide Entertaining Reading For All. For Feminists It Will Be Soothing Nectar. For Those Who Live Outside India, The Book Will Be A Revealing Guide To The Social Mores Of India. To Movie Makers And Television Producers, It Will Be A Veritable Treasurehouse Of Ideas.
In From Left to Right, Brian Thorn explores what motivated Canadian women to become politically engaged in the 1940s and ’50s. Although women in these decades are often depicted as being trapped in the suburbs – caring for children, baking pies, and leaving politics to men – they joined diverse political parties, including the Social Credit Party, the Co-operative Commonwealth Federation, and the Communist Party of Canada. Thorn argues, controversially, that while women on the left and right had different goals, their activism continued to be informed by maternalism. They used their roles as wives and mothers to influence their parties’ positions on war and unions, to break down barriers between the private and public spheres, and to push for a new world order. Along the way, they laid the foundations for the 1960s feminist movement.
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This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Joyce Wieland triumphed over what she called “obscene poverty” to achieve international celebrity as a painter, collagist, quiltmaker, and filmmaker, celebrated as Canada’s most important woman artist next to Emily Carr. Her art portrays strikingly Canadian themes of environmental issues, historical passages, and aboriginal rights in buoyant, satirical images. To make her distinctive, highly personal art, Wieland uses toys, paper cut-outs, wood, glass, and pieces of her panties and dresses just as boldly and felicitously as she uses oils, watercolors, and pencils. Some of her most famous works are quilts, such as Reason Over Passion and Confedspread. She made underground films long bef...