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This anthology explores different genealogies of sexuality and questions some of the theoretical emphases and epistemic assumptions affecting current histories of sexuality.
Roshan Ali, Rana Ayyub, Amitabha Bagchi, Gautam Bhatia, Amit Chaudhuri, Priyanka Dubey, Yashica Dutt, Menaka Guruswamy, Raghu Karnad, Akhil Katyal, T.M. Krishna, Aanchal Malhotra, Pratap Bhanu Mehta, Suketu Mehta, Perumal Murugan, Karthika Nair, Snigdha Poonam, Gyan Prakash, Vivek Shanbhag, Aatish Taseer, Romila Thapar, Salil Tripathi, Annie Zaidi. As India faces some of its greatest challenges, the country s most brilliant voices write about what freedom means to them. Inspiring, searching and full of ideas this is the book of our times. Proceeds from this book will go to Karwan e Mohabbat."
Preliminary Material -- Sports Celebrity in Japan: A Transnational History -- Saving Sumo: Re-Presenting the National Sport -- The Making of a Self-Made Star: Celebrity Images and the Emergence of a Sports-Star Paradigm -- "So, Your Daughter Is a Sportsman": Gender Anxiety and Nationalism in the Golden Age of Sports -- "Japan's Number One" Goes to War: Baseball, Militarization, and Memory -- Becoming the Kanmuriwashi: Ethnicity, Narrativity, and "Spectacular Difference" -- Epilogue -- Notes -- Bibliography -- Index -- Harvard East Asian Monographs.
Description In early 2020 the first cases of Covid-19 infection were confirmed in India, and on 24 March the country's prime minister announced a nationwide lockdown, giving the population of over 1.3 billion just four hours' notice. Within days, it became evident that India had plunged into its biggest humanitarian crisis since Partition. In this powerful book, Harsh Mander shows us how grave this crisis was and continues to be, and why it is the direct consequence of public policy choices that the Indian government made, particularly of imposing the world's longest and most stringent lockdown, with the smallest relief package. The Indian state abandoned its poor and marginalized, even as i...
Mumbai's textile industry is commonly but incorrectly understood to be an extinct relic of the past. In The Archive of Loss Maura Finkelstein examines what it means for textile mill workers—who are assumed not to exist—to live and work during a period of deindustrialization. Finkelstein shows how mills are ethnographic archives of the city where documents, artifacts, and stories exist in the buildings and in the bodies of workers. Workers' pain, illnesses, injuries, and exhaustion narrate industrial decline; the ways in which they live in tenements exist outside and resist the values expounded by modernity; and the rumors and untruths they share about textile worker strikes and a mill fire help them make sense of the industry's survival. In outlining this archive's contents, Finkelstein shows how mills, which she conceptualizes as lively ruins, become a lens through which to challenge, reimagine, and alter ways of thinking about the past, present, and future in Mumbai and beyond.
Is the bicycle, like the loudspeaker, a medium of communication in India? Do Indian children need trade unions as much as they need schools? What would you do with a mobile phone if all your friends were playing tag in the rain or watching Indian Idol? Children and Media in India illuminates the experiences, practices and contexts in which children and young people in diverse locations across India encounter, make, or make meaning from media in the course of their everyday lives. From textbooks, television, film and comics to mobile phones and digital games, this book examines the media available to different socioeconomic groups of children in India and their articulation with everyday cult...
Privatisation is supposed to bring about the retreat of the state. But what happens when the state privatises itself and even its core functions - tax collection, internal security, customs - are auctioned to the highest bidder? Does this imply a weakening of the state? Or, rather, does it lead to a scrutiny and control? The contributors to this work examine these phenomena in the former Second and Third World (Central and Eastern Europe, China and other parts of Asia and Africa) highlighting the very different ways in which continuing state interference and privatisation are implemented. What we are witnessing, according to this study, is not the eclipse of the state under the impact of globalisation but the end of the relatively short era of the development state and its commanding role. privatisation does not necessarily lead to a weakening of state control; it leads to new, and often more informal, forms of interference and influence, and it is these that are the book's central theme.
SHORTLISTED FOR THE BOOKER PRIZE 2020 LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2021 WINNER OF THE SUSHILA DEVI AWARD 2021 NEW YORK TIMES 100 NOTABLE BOOKS OF 2021 A searing debut novel about mothers and daughters, obsession and betrayal - for fans of Jenny Offill, Deborah Levy, Rachel Cusk and Diana Evans 'Beautifully written, emotionally wrenching and poignant in equal measure' The Booker Prize Judges 2020 'An unsettling, sinewy debut, startling in its venom and disarming in its humour from the very first sentence' Guardian 'I would be lying if I said my mother's misery has never given me pleasure.' This is a tale of obsession and betrayal. This is a poisoned love story. But not between...
This book provides an overview of the content and functioning of the Indian Constitution, with an emphasis on the broader socio-political context. It focuses on the overarching principles and the main institutions of constitutional governance that the world's longest written constitution inaugurated in 1950. The nine chapters of the book deal with specific aspects of the Indian constitutional tradition as it has evolved across seven decades of India's existence as an independent nation. Beginning with the pre-history of the Constitution and its making, the book moves onto an examination of the structural features and actual operation of the Constitution's principal governance institutions. T...