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Soap Opera
The soap opera is a major form of media art and popular culture. Revered and reviled by fans and critics, its history spans and reflects social change and plays a vital role in the development of broadcasting. This book traces the genre from its beginnings on American radio in the 1930s to the international television genre it has become today. While concentrating on British soap operas, it also discusses the influence of their American and Australian counterparts. This is the first book to consider the soap opera within the economy of broadcasting; it includes a chapter based on interviews with leading broadcasting executives who give their analysis of the importance of the soap opera to th...
Crossroads
'Crossroads', one of the most successful programmes on television, has attracted a huge and devoted audience of some 15 million regular viewers. Yet, like many soap operas, it is derided by the press and treated with distaste by other programme-makers. Indeed, despite its popularity, its very future currently hangs in the balance. While doing independent research on popular television in the ATV studios in 1981, Dorothy Hobson observed the storm that developed around the company's decision to dispense with Meg Mortimer, star of 'Crossroads'. The repercussions of that announcement were immense and highlighted the gulf between the broadcasting authorities and the progaramme's critics, and the 'Crossroads' production team and the audience. Through talking to the actors, the programme controller and the viewing public, she went on to explore the contradictions of why and how a soap opera is made and viewed, examining the appeal of 'Crossroads' and attempting to locate the programme as part of contemporary popular culture. The result is a revealing, controversial but also very absorbing analysis of a soap opera in crisis.
Women and Soap Opera
This is the first major study of the roles of women in prime time soap operas. In a comparative analysis of British and North American television soaps, Christine Geraghty examines the relationship between the narratives on the screen and the women viewers who make up the traditional soap audience. Within the structure of many of the most popular soaps, such as Dallas, Dynasty, Coronation Street and EastEnders, the split between public and personal life, reason and emotion, work and leisure is turned into a lynchpin of the plot. The author argues that these themes are also linked to broader social divisions between men and women, divisions which soap operas both question and develop as a sou...
Good Times, Bad Times
Hugh O'Donnell provides a comprehensive analysis of the soap opera format throughout Europe (including the UK and the Republic of Ireland) covering not only home-produced soaps, but also imported foreign soaps screened throughout Europe too.
The Survival of Soap Opera
The soap opera, one of U.S. television's longest-running and most influential formats, is on the brink. Declining ratings have been attributed to an increasing number of women working outside the home and to an intensifying competition for viewers' attention from cable and the Internet. Yet, soaps' influence has expanded, with serial narratives becoming commonplace on most prime time TV programs. The Survival of Soap Opera investigates the causes of their dwindling popularity, describes their impact on TV and new media culture, and gleans lessons from their complex history for twenty-first-century media industries. The book contains contributions from established soap scholars such as Robert...
To Be Continued...
To Be Continued... explores the world's most popular form of television drama; the soap opera. From Denver to Delhi, Moscow to Manchester, audiences eagerly await the next episode of As the World Turns, The Rich Also Weep or Eastenders. But the popularity of soap operas in Britain and the US pales in comparison to the role that they play in media cultures in other parts of the world. To Be Continued... investigates both the cultural specificity of television soap operas and their reception in other cultures, covering soap production and soap watching in the U.S., Asia, Europe, Australia and Latin America. The contributors consider the nature of soap as a media text, the history of the serial narrative as a form, and the role of the soap opera in the development of feminist media criticism. To Be Continued... presents the first scholarly examination of soap opera as global media phenomenon.
Soap Operas. What is a soap?
Seminar paper from the year 1997 in the subject Communications - Movies and Television, grade: gut, University of Graz (Fachbereich Literaturwissenschaften), course: Soap Operas, language: English, abstract: A soap opera is a serialized drama which runs for 52 weeks of the year with continuous storylines dealing with domestic themes, personal or family relationships and a limited running characters. Soap operas or serials are open-ended ... Soap operas are one of the few genres where weddings, for instance, are not a happy ending but the beginning of a marriage that may be troubled or even doomed to failure. A dramatic program usually presented daily, with continuing characters and multiple ...
Speaking of Soap Operas
From "Ma Perkins" and "One Man's Family" in the 1930s to "All My Children" in the 1980s, the soap opera has capture the imagination of millions of American men and women of all ages. In Speaking of Soap Operas, Robert Allen undertakes a reexaminati
Soap Operas Worldwide
While the American soap opera is known primarily for its marketing value, producers, health professionals, politicians, and rebels elsewhere focus on the serials potential for social change: African, Indian and South American serials offer information on family planning, child protection and AIDS; a Mexican telenovela parallels a government murder scandal--the program is so popular the state dare not censor it. In Russia, South American novelas are so popular that Boris Yeltsin manipulates programming to affect voters on polling day. Here is an examination of the economic and social impact of the soap opera, with projections for the future. A chapter for each of the nine regions of the world offers demographic statistics of major countries audiences, radio and television usage, stations available, and synopses of the most popular serials.
Love and Ideology in the Afternoon
"Why do I like soap operas?" Laura Stempel Mumford asks, and her answer emerges in a feminist analysis of soap opera that participates in current debates about popular culture, television, and ideology. She argues that the conventional daytime soap has an implicit and at times explicit political agenda that cooperates in the "teaching" of male dominance and the related oppressions of racism, classism, and heterosexism--so that they seem inevitable. All My Children, General Hospital, Another World, One Life to Live, Days of Our Lives, The Young and the Restless: a close reading of their texts will also answer some larger questions about television and its place in the broad landscape of popular culture.
