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Perhaps more than any other European country, Spain has undergone a remarkable transformation in the post-war period. To the surprise of many, it has succeeded in making the leap from a predominantly agricultural and politically repressed country, to a modern European democracy with a diversified economy containing important manufacturing and service sectors. Yet, despite the fact that at the beginning of the twenty-first century Spain is the world's eighth largest economy, old stereotypes that see the Iberian nation as an inflexible, unchanging society, persist. As such, scholars will welcome this new study which challenges the picaresque and outdated notions of Spanish economic development...
Perhaps more than any other European country, Spain has undergone a remarkable transformation in the post-war period. To the surprise of many, it has succeeded in making the leap from a predominantly agricultural and politically repressed country, to a modern European democracy with a diversified economy containing important manufacturing and service sectors. Yet, despite the fact that at the beginning of the twenty-first century Spain is the world's eighth largest economy, old stereotypes that see the Iberian nation as an inflexible, unchanging society, persist. As such, scholars will welcome this new study which challenges the picaresque and outdated notions of Spanish economic development...
The slogan that launched the tourist industry in the 1960s, Spain is different, has come to haunt historians. This book tackles a number of key themes in modern Spanish history: liberalism, nationalism, anticlericalism, the Second Republic, the Franco dictatorship and the transition to democracy.
The Lazarillo Phenomenon illustrates that despite the enormous amount of research already invested in the anonymous novel, it still has much left to offer. --Book Jacket.
10 Isabel Farnese and the Sexual Politics of the Spanish Court Theater -- Index
Emerging as one of the most exciting, fascinating, and special kinds of filmmaking in the world, Spanish cinema has been producing excellent directors, actors, and films for decades, including during the dark times of the Franco regime. With directors (Pedro Almodovar), actors and actresses (Javier Bardem and Penelope Cruz), and films (Abre los ojos and Alatriste) amassing popularity, the outlook for Spanish cinema appears brighter than ever, and it is deservedly winning numerous fans abroad. --
Spanning the Strait: Studies in Unity in the Western Mediterranean brings together a multidisciplinary collection of essays that examines the deep connections that bound together the Iberian Peninsula and the Maghrib in the medieval and early modern periods. Six articles on topics ranging from the eighth-century slave trade to sixteenth-century apocalypticism trace and analyze movement, mutual influence and patterns shared in the face of political, religious, and cultural difference. By transcending traditional disciplinary and temporal divisions, this collection of essays highlights the long history of contact and exchange that united the two sides of the Strait of Gibraltar. A comprehensive introduction by the editors contextualizes the articles within the last half-century of scholarship and salient contemporary trends. Contributors are Adam Gaiser, Linda G. Jones, Hussein Fancy, S.J. Pearce, David Coleman, and Marya T. Green-Mercado.
When it began, modern Spanish cinema was under strict censorship, forced to conform to the ideological demands of the Nationalist regime. In 1950, the New Spanish Cinema was born as a protest over General Francisco Franco's policies: a new series of directors and films began to move away from the conformist line to offer a bold brand of Spanish realism. In the 1950s and early 1960s, filmmakers such as Juan Antonio Bardem, Luis García Berlanga, and Luis Buñuel expressed a liberal image of Spain to the world in such films as Muerte de un ciclista (Death of a Cyclist), Bienvenido Señor Marshall (Welcome Mr. Marshall), and Viridiana. The emergence of new directors continued into the sixties a...
Although the very notion of writing for the eyes was not new to the Spanish Golden Age, its ubiquitous presence during this period calls for rethinking of the traditional separation between the visual and the verbal in studies of Iberian culture." "This collection of essays seeks to open up this complex interdisciplinary field of study by including essays on many aspects of visual writing in sixteenth- and seventeenth-century Spain."--Jacket.