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La democracia del símbolo
Artistic intervention by artist Leandro Erlich, (b. Argentina 1973), known for its monumental optical illusion, virtual, and three-dimensional installations, offers an aerial and internal view of the city landmark "El Obelisco" (The Obelisk). The work has two parts, one is an intervention to the monument and the other part is a reproduction in real scale of "the tip of the Obelisk" in the forecourt of the Museum of Arte Latinoamericano de Buenos Aires (MALBA) where visitors can access the top of the symbol.
Casa se busca
Híbrido entre prosa, poesía, autoficción, memoria y crónica postal, Casa se busca compone, a modo de mosaico, o de rompecabezas, un autorretrato emocional. A veces me agarra una voluntad destructiva de objetos. La llamo así porque llamarla torpeza es humillante e inexacto y prefiero llamarla voluntad aunque no la comprenda, aunque este impulso no sea asimilable a la intención ni a la consciencia. Es algo más que una torpeza. Vuelco agua y me resbalo en el suelo mojado, tiro el vino sobre la computadora y el parlante, rompo los libros cuando quiero mostrarlos, mancho con aceite la camisa nueva y le echo mal la sal, como si no importara. Quiero arreglar la canilla que gotea y armo una inundación. Golpeo la ventana que no cierra hasta descoyuntarla. Me impacientan las cosas que asumo que debieran ser transparentes, funcionales, y sin embargo fallan. Es una especie de impaciencia platónica, una furia ante el cuerpo, la consideración de la materia como una resistencia, un obstáculo. Como si no supiera ya que es la materia el instrumento vibratorio, es la materia lo que permite que haya música. Como si todavía creyera en una música celeste.
Cold War in the White Cube
In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. ...
Constellations
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Casa se busca
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Pablo Suárez
Retrospective exhibition of Pablo Suárez (Buenos Aires, 1937-2006), a central figure of the local scene in Buenos Aires over four decades, from the 60s to the 2000s. The exhibition brings together a selection of 100 works, including paintings, drawings, objects and sculptures, as well as archival material never seen before that come up from the research project carried out by the curators, Jimena Ferreiro and Rafael Cippolini, together with the Curatorial Department of the museum. The project focuses on the issues addressed by Pablo Suárez and his particular discursive enunciation where "the plebeian" prevails as the perversion of the form and symptom of the degraded culture. This personal...
Panamericano
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Antropofagia y modernidad
With a selection of more than one hundred works by artists such as Emiliano Di Cavalcanti, Vicente do Rego Monteiro, Anita Malfatti, Tarsila do Amaral, John Graz, Lasar Segall and Candido Portinari, among many others, the catalogue offers a panoramic view from Brazilian modernity to the beginning of the post-modern era. "The Fadel Collection is one of the most comprehensive collections of brazilian art in the world, with more than 3,000 works from colonial baroque to the present. Printed on the occasion of "Antropofagia y modernidad" the exhibition organized by MALBA Museo de Arte Latinoamericano de Buenos Aires and in two venues in 2016 at Munal (Mexico City) and Museo de Arte Nacional [sic] (MUNAL), this book reproduces an important selection of pieces belonging to this collection. It also includes essays by curators Paulo Herkenhoff and Victoria Giraudo" --Verso Cover
