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A French Song Companion is an indispensable guide to the modern repertoire and the most comprehensive book of French melodie in any language. Noted accompanist Graham Johnson provides repertoire guides to the work of over 150 composers--the majority of them from France but including British, American, German, Spanish, and Italian musicians who have written French vocal music. The book contains major articles on Faure, Duparc, Debussy, Ravel, and Poulenc, as well as essays on Bizet, Chabrier, Gounod, Chausson, Hahn, and Satie, and important reassessments of such composers as Massenet, Koechlin, and Leguerney. The book combines these articles with the complete texts in English of over 700 songs, all translated by Richard Stokes, making it also a treasury of French poetry from the fifteenth through the twentieth centuries. The translations alone will prove invaluable to music lovers and performers; combined with the biographical articles, they become the ideal map for exploring this exciting and diverse repertoire.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
(Piano/Vocal/Guitar Songbook). A tres magnifique collection of 70 songs from and about France: April in Paris * Autumn Leaves * Beyond the Sea * Can Can * C'est Magnifique * Comme Ci, Comme Ca * I Dreamed a Dream * I Love Paris * Je Ne Sais Pas (To You, My Love) * La Marseillaise * Let It Be Me (Je T'appartiens) * A Man and a Woman (Un Homme Et Une Femme) * My Man (Mon Homme) * Non, Je Ne Regrette Rien * The Poor People of Paris (Jean's Song) * Sand and Sea * Un Grand Amour (More, More & More) * Where Is Your Heart * and more.
J'aime Chanter contains 20 songs set to familiar tunes, making it the ideal way to help children learn French and develop an enthusiasm for the language. Because the tunes are familiar, you can concentrate on learning the words. The CD contains recordings of all the songs, sung by native French speakers, as well as instrumental versions.
The fast-paced zouk of Kassav', the romantic biguine of Malavoi, the jazz of Fal Frett, the ballads of Mona, and reggae of Kali and Pôglo are all part of the burgeoning popular music scene in the French Caribbean. In this lively book, Brenda F. Berrian chronicles the rise of this music, which has captivated the minds and bodies of the Francophone world and elsewhere. Based on personal interviews and discussions of song texts, Berrian shows how these musicians express their feelings about current and past events, about themselves, their islands, and the French. Through their lyrical themes, these songs create metaphorical "spaces" that evoke narratives of desire, exile, subversion, and Creole identity and experiences. Berrian opens up these spaces to reveal how the artists not only engage their listeners and effect social change, but also empower and identify themselves. She also explores the music as it relates to the art of drumming, and to genres such as African American and Latin jazz and reggae. With Awakening Spaces, Berrian adds fresh insight into the historical struggles and arts of the French Caribbean.
Now in paper! An invaluable reference text for singers, teachers, and vocal and operatic coaches, this volume contains the complete song texts of the songs for voice and piano by Chausson, Debussy, Duparc, Faure, and Ravel. All these song texts are in an easy-to-read three-line format; Line 1: the original language text; Line 2: a vertically accurate word-by-word translation into English, using the exact word order of the original language; Line 3: a poetic reconstruction of Line 2 into a more poetically understandable English form. This format differs from purely poetic or singing translations by giving the user an exact, accurate knowledge of each word as it is understood by a native language singer. Cloth edition published in 1991. Available in paperback in 2001.
The romantic French popular songs of the 1950s and Ô60s bring back memories of smoky cabarets in Saint-Germain-des-Pres, of Edith Piaf singing her heart away, of Charles Trenet's or Maurice Chevalier's unique Gallic wit and charm, the tough sexiness of Yves Montand or Charles Aznavour, and Juliette Greco's lovestruck poetry. This enchanting book, which includes a CD reproducing some of the greatest popular hits of our time, is a veritable hymn to the French chansonnier tradition, to its lyricism and droll play on words, its summoning up of sadness by day and passion at night. Each chapter is devoted to a theme and a song it inspired -- love, Paris, joy, nostalgia -- and is illustrated by stunning photos of the artists, sheet music, record covers, and posters.
Music! It is the great pleasure of this city, the great occupation of the drawing-rooms, which have banished politics, and which have renounced literature, from ennui. Jules Janin, An American in Paris, 1843 Afternoon and evening entertainments in the drawing rooms of the aristocracy and upper middle classes were a staple of cultural life in nineteenth-century Paris. Music was often a feature of these occasions and private salons provided important opportunities for musicians, especially singers, to develop their careers. Such recitals included excerpts from favourite operas, but also the more traditional forms of French song, the romance and its successor the m die. Drawing on extensive res...