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Pastoral and the Humanities
Top international scholars in the field, including Paul Alpers and T.K. Hubbard, discuss the ways in which the pastoral tradition has been used and re-used in the Humanities, and assess the future of the pastoral genre.
Avant-folk
A critical study of the intersection of folk and avant-garde poetics in transatlantic small press poetry networks from the 1950s up to the present.
The Shepherd, the Volk, and the Middle Class
Analyzes the transformation of German-language pastoral from a portrayal of the idyllic lives of herdsmen into a vehicle for the concerns and aspirations of the middle class.
Ecopoetics and the Global Landscape
Ecopoetics and the Global Landscape: Critical Essays surveys ecopoetry from a global perspective across different historical epochs. Its comparative approach foregrounds the importance of ecopoetics within the context of distinct national literatures and cultures to reveal the ubiquitous intersection of poetry with ecocriticism. The collection analyzes environmental problems resulting from the legacies of colonialism and focuses on issues of environmental justice and indigenous issues as well as on the intersection of genocide studies and environmentalism. It also examines ecologically-informed modes of relating to the world. In particular, it engages with interactions between the human and nonhuman as well as mind and matter. Finally, it broadens the scope of place to include both the absent land of exiled peoples, and the urban, built environment.
Imagining Arcadia in Renaissance Romance
From Theocritus’ Idylls to James Cameron’s Avatar, Arcadia remains an enduring presence in world culture and a persistent source of creative inspiration. Why does Arcadia still exercise such a powerful pull on the imagination? This book responds by arguing that in sixteenth-century Europe, a dramatic shift took place in imagining Arcadia. The traditional visions of Arcadia collided and fused with romance, the new experimental form of prose fiction, producing a hybrid, dynamic world of change and transformation. Emphasizing matters of fictional function and world-making over generic classification, Imagining Arcadia in Renaissance Romance analyzes the role of romance as a catalyst in rema...
Imagination and the Contemporary Novel
Imagination and the Contemporary Novel examines the global preoccupation with the imagination among literary authors with ties to former colonies of the British Empire since the 1960s. John Su draws on a wide range of authors including Peter Ackroyd, Monica Ali, Julian Barnes, André Brink, J. M. Coetzee, John Fowles, Amitav Ghosh, Nadine Gordimer, Hanif Kureishi, Salman Rushdie and Zadie Smith. This study rehabilitates the category of imagination in order to understand a broad range of contemporary Anglophone literature. The responses of such literature to shifts in global capitalism have often been misunderstood by the dominant categories of literary studies, the postmodern and the postcolonial. As both an insightful critique into the themes that drive a range of today's best novelists and a bold restatement of what the imagination is and what it means for contemporary culture, this book breaks new ground in the study of twenty-first-century literature.
Antiquity Now
This book examines the surprising uses, and abuses, of the classical world in contemporary popular media.
Vergilius
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Other Natures
Sources and methods -- Rulers and rivers -- Female feck -- Dietary entanglements -- Resisting luxury -- After the encounter -- Transformation in the natural history museum.
Eclogues
John Conington's three-volume edition of The Works of Virgil, begun in 1852, has long been unavailable except in rare second-hand sets. The whole work is now being reissued in six affordable paperbacks, with new introductions setting the commentary in its context. Well into the twentieth century Conington's Virgil remained the sine qua non for school and undergraduate students and their teachers; Conington's commentary is remarkably close and uncompromising in its engagement with the detail of Virgil's Latin, as well as its literary sensitivity; it still has much to offer the modern reader. This volume includes Conington's general introduction to Virgil and his introduction to the Eclogues, with Virgil's text and Conington's commentary on the text, and with index. In addition, Philip Hardie introduces the work of Conington as a whole (and of his pupil Nettleship, who completed the Works in 1871), while Brian W. Breed assesses their approaches to the Eclogues in particular, outlining the directions in which scholarship has subsequently led, and may lead. The new introductions also include substantial bibliographies.
