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Shapes of Time in British Twenty-First Century Quantum Fiction
This book addresses the notion of time and temporality and its various conceptualizations in the theories of the new physics, utilized as a thematic and formal framework in the British novel of the twenty-first century. As the Newtonian conception of reality does not provide a reliable framework within which to situate human experience and generate meaning, fiction writers have recognized quantum mechanics as a potent source from which to draw in search of new metaphors. The quantum has become a part of the understanding of reality, and its concepts and assumptions have been absorbed into the textual structure and content of literary fiction. Shapes of Time in British Twenty-First Century Qu...
Enemies and Allies
This Part 2 of The Jackson story is set in the later years and early Post-war years of WW2. Ron Jackson, now living with Anne Carruthers in Folkestone develops the tiny Transport firm of 2 semi-derelict vehicles into a thriving firm and moves into Air Cargo Transport as war ends buying some war surplus aircraft and participates in the Berlin Airlift with its attendant dangers from weather and threatening Russian fighters. Throughout there are battles with his ex-wife (who also re-marries)and Tim decides to join his father and sister Kathleen in Folkestone when 15 yrs. to work in hisd father's Airfield.
Whose Media? a Woman's Space
Study conducted at the states of Uttaranchal, Chhattisgarh, Jammu & Kashmir, Uttar Pradesh and Jharkhand, India.
Strange Meetings
Building upon his earlier book The Death of the German Cousin (1986), renowned author Peter Edgerly Firchow focuses Strange Meetings on major modern British writers from Eliot to Auden and explores the development of British conceptions and misconceptions of Germany and Germans from 1910 to 1960.
Culture and the Rites/Rights of Grief
Although generally resented and deemed unfavourable for individuals, societies and nations, grief, grievance, and grieving, along with a complex list of epithets that could, under varying circumstances, accompany them – racial grief, political grievance, protracted grieving, chronic grief, traumatic, unresolved grievance – nevertheless occupy a significant place in culture and its manifestations in literature, art, history, science, and politics. Culture and the Rites/Rights of Grief offers an intellectual excursion into realms of potentially regenerative problematics, too frequently dismissed without due consideration. In this light, the volume constitutes a weighty contribution to the field of literary and cultural studies. First and foremost, however, Culture and the Rites/Rights of Grief is to be intellectually enjoyed by readers with an interest in present-day literary, cultural and political phenomena, at the intersection of which grief and grieving execute an imposing presence, albeit one that remains as indeterminate and flitting as the nature of contemporary cross-cultural and cross-disciplinary encounters.
Cold War Stories
This book is the first comprehensive study of mainstream British dystopian fiction and the Cold War. Drawing on over 200 novels and collections of short stories, the monograph explores the ways in which dystopian texts charted the lived experiences of the period, offering an extended analysis of authors’ concerns about the geopolitical present and anxieties about the national future. Amongst the topics addressed are the processes of Cold War (autocracy, militarism, propaganda, intelligence, nuclear technologies), the decline of Britain’s standing in global politics and the reduced status of intellectual culture in Cold War Britain. Although the focus is on dystopianism in the work of mainstream authors, including George Orwell, Doris Lessing, J.G. Ballard, Angela Carter and Anthony Burgess, a number of science-fiction novels are also discussed, making the book relevant to a wide range of researchers and students of twentieth-century British literature.
Locating Science Fiction
A major, groundbreaking intervention into contemporary theoretical debates about SF. It effects a series of vital shifts in SF theory and criticism, away from prescriptively abstract dialectics of cognition and estrangement and towards the empirically grounded understanding of an amalgam of texts, practices and artefacts.
Italian
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Babies
Winner of the George Devine Award in 1993, Babies premiered at the Royal Court theatre, London in September 1994 Liverpudlian Joe Casey is twenty-four, gay and a form tutor at a south-east London comprehensive. Joe's life is spliced between the drug-using excesses of his lover Woodie and the advances of his female pupils (and their mothers). A warm and funny comedy by the author of the 1993 hit Beautiful Thing.
Transgressing Boundaries in Jeanette Winterson's Fiction
The subsequent chapters of the book deal with selected questions from Jeanette Winterson's fiction, such as gender issues, love and eroticism, language and time, constituting areas within which Winterson's characters seek their identity. As they contest and repudiate clichés, stereotypes and patterns, their journey of self-discovery is accomplished through transgression. The book analyzes how the subversion of phallogocentric narrative and scenarios entails the reenvisaging of relations between the genders and reconceptualization of female desire. The author attempts to determine the consequences of Winterson's manipulations with gender, sexuality and time, and her disruption of the binary system.
