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Rethinking Orality II
This is the second volume on the mechanisms of oral communication in ancient Greece, focused on epic poetry, a genre with deep roots in orality. Considering the critical debate about orality and its influence on the composition, diffusion and transmission of the archaic epic poems, the survey provides a reconsideration and a reassessment of the traces of orality in the archaic epic poetry, following their adaptation in the synchronic and diachronic changes of the communicative system. Combining the methods of cognitive science, and the historical and literary analysis of the texts, the research explores the complexity of the literary message of the Greek epic poetry, highlighting its position in a system of oral communication. The consideration of structural and formal aspects, i.e. the traces of orality in the narrative architecture, in the epic diction, in the meter and the formulaic system, as well as the vestiges of the mixture of orality and writing, allows to reconstruct a dynamic frame of communicative modalities which influenced and enriched the archaic epic poetry, providing it with expressive potentialities destined to a longlasting permanence in the history of the genre.
Expressing the Self
This book addresses different linguistic and philosophical aspects of referring to the self in a wide range of languages from different language families, including Amharic, English, French, Japanese, Korean, Mandarin, Newari (Sino-Tibetan), Polish, Tariana (Arawak), and Thai. In the domain of speaking about oneself, languages use a myriad of expressions that cut across grammatical and semantic categories, as well as a wide variety of constructions. Languages of Southeast and East Asia famously employ a great number of terms for first person reference to signal honorification. The number and mixed properties of these terms make them debatable candidates for pronounhood, with many grammar-dri...
Handbook of Diachronic Narratology
This handbook brings together 42 contributions by leading narratologists devoted to the study of narrative devices in European literatures from antiquity to the present. Each entry examines the use of a specific narrative device in one or two national literatures across the ages, whether in successive or distant periods of time. Through the analysis of representative texts in a range of European languages, the authors compellingly trace the continuities and evolution of storytelling devices, as well as their culture-specific manifestations. In response to Monika Fludernik’s 2003 call for a "diachronization of narratology," this new handbook complements existing synchronic approaches that t...
To be or not to be? The Verbum Substantivum from Synchronic, Diachronic and Typological Perspectives
The verbs of the 'to be'-group, also called verba substantiva, belong to the most enigmatic phenomena of the human language. Combining a distinct suppletivity of their conjugational forms in most languages with a striking semantic and functional ambiguity, as well as unique syntactic capabilities, they form a very specific class of linguistic entities. They can be referred to, without exaggeration, as one of the conceptually gravest and most "symptomatic" language formations. Typologically, the be-verbs demonstrate, on the one hand, a set of similar features in almost every language, which is excellent evidence of their universal validity. On the other hand, the differences between these ver...
Space and Time in Languages and Cultures
This volume offers novel insights into linguistic diversity in the domains of spatial and temporal reference, searching for uniformity amongst diversity. A number of authors discuss expression of dynamic spatial relations cross-linguistically in a vast range of typologically different languages such as Bezhta, French, Hinuq, Italian, Japanese, Polish, Serbian, and Spanish, among others. The contributions on linguistic expression of time all shed new light on pertinent questions regarding this cognitive domain, such as the hotly debated relationship between cross-linguistic differences in talking about time and universal principles of utterance interpretation, modelling temporal inference thr...
Syntax and Morphology of Yiddish Dialects
Der Faschismus des 20. Jahrhunderts hat die jüdische Kultur in Europa in ihrer ursprünglichen Form und Verbreitung weitgehend zerstört. Die Überlebenden brachten ihre Kultur in neue Umgebungen, wo sie teilweise wiederbelebt wurde. Auch die Sprachen fielen dem zum Opfer oder wurden im Zuge der Assimilation und Akkulturation aufgegeben oder zumindest durch die verschiedenen neuen Kontaktsituationen stark beeinflusst. Als in den 1950er Jahren absehbar war, dass viele Überlebende, die in den alten europäischen Territorien aufgewachsen waren, ihre Muttersprache nicht an ihre Kinder und Enkel weitergeben würden, erkannte Uriel Weinreich die Notwendigkeit und Chance, Sprache und Kultur diese...
Distance in Language
The conceptual metaphor of ""distance"" plays a crucial role in current perceptions of the world and humans' various interactions within it. It hardly seems possible to conceptualize space and time, emotional involvement in events, and relationships with other people in terms other than ""distance"". As a consequence, this primarily spatial concept figures prominently in the verbal expression of these abstract notions, and is thus highly relevant for the analysis of linguistic phenomena. In recen ...
Oral Poetics and Cognitive Science
What can oral poetic traditions teach us about language and the human mind? Oral Poetics has produced insights relevant not only for the study of traditional poetry, but also for our general understanding of language and cognition: formulaic style as a product of rehearsed improvisation, the thematic structuring of traditional narratives, or the poetic use of features from everyday speech, among many others. The cognitive sciences have developed frameworks that are crucial for research on oral poetics, such as construction grammar or conversation analysis. The key for connecting the two disciplines is their common focus on usage and performance. This collection of papers explores how some of the latest research on language and cognition can contribute to advances in oral studies. At the same time, it shows how research on verbal art in its natural, oral medium can lead to new insights in semantics, pragmatics, or multimodal communication. The ultimate goal is to pave the way towards a Cognitive Oral Poetics, a new interdisciplinary field for the study or oral poetry as a window to the mind.
Expressive Minds and Artistic Creations
Expressive Minds and Artistic Creations: Studies in Cognitive Poetics presents multidisciplinary and interdisciplinary research papers describing new developments in the field of cognitive poetics. Among other leading researchers, many contributors are world-famous scholars of psychology, linguistics, and literature, including Raymond W. Gibbs, Jr., Zoltán Kövecses, and Reuven Tsur.
