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Sonya Kelly’s Druid Plays
"Sonya Kelly's rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years' time as one of the hits of the decade" (Sunday Independent) Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright. Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own?...
The Last Return
One final night. One last chance. Five people queue for a ticket to the hottest show in town. All they must do is simply wait in line. But what in life is ever simple? Who will triumph, who will fail, and who will walk away with...The Last Return? A new play by acclaimed playwright Sony Kelly (Once Upon a Bridge, Furniture), The Last Return is a thrilling comedy about conflict, peace and the pursuit of territory at any cost--back cover.
Once Upon a Bridge
He was like a rugby man, He hit her like a rugby man, Straight into her shoulder, The momentum of the crash, Dragging her beyond the kerb, Towards the front tyre of my bus. Early one morning on Putney Bridge, three strangers' lives collided for one fleeting second. Inspired by real events, Once Upon a Bridge weaves a tale about human triumph and frailty, about the power of destiny and chance, and why sometimes we choose to hate and other times we choose to dance. Commissioned by Ireland's Druid Theatre and live-streamed from Mick Lally theatre in Galway, Sonya Kelly's latest play received a string of excellent reviews for its bold intimacy and engaging story telling.
The Wheelchair on My Face
'I got my first pair of glasses when I was seven. A nurse came to the school and tested everyone's eyes. And so it was discovered why I'd thrown bread to the floating crisp packets in our local pond and walked into lamp posts and said, 'excuse me'. Until that day the world was a swirl of moving coloured blobs. I thought it was the same for everyone. How wrong I was.' Winner: Scotsman Fringe First Award 2012 Critic's Pick, New York Times Part memoir, part theatre and part standup comedy this delightful story of a myopic seven year old is brought to you by actor, comedian and playwright Sonya Kelly. Sonya tells her story about growing up with poor vision that went undiagnosed until she was seven years old. Combining several forms of theatre, this delightful story shows us how we can better the world even if we cannot see the world.
How to Keep an Alien
An hilarious autobiographical tale of an Irish woman who meets an Australian woman, they fall in love, and have prove to the National Immigration Bureau that they have the right to live together in Ireland even though the Australian woman's visa is expired.
Sonya Kelly’s Druid Plays
"Sonya Kelly's rapier wit and intelligent awareness of the human condition, allied to consummate stagecraft skills, have made for what will probably be claimed in a few years' time as one of the hits of the decade" (Sunday Independent) Sonya Kelly's Druid Plays is a tour-de-force that transcends the boundaries of traditional storytelling, offering a captivating journey through the rich tapestry of the human experience. This anthology, a remarkable compilation of Kelly's insightful and witty plays, showcases her distinct voice and unparalleled talent as a playwright. Furniture (2018): in an age of rampant consumerism, is it easier to purchase symbols of identity rather than cultivate our own?...
The Cruelest Con
The Cruelest Con "is a unique book in many ways: it is deeply personal, emotionally powerful, and contains important lessons for everyone in the adoption community. We all should read it and learn from it - so that adoption can truly be the rewarding, ethical process that it should be."-Adam Pertman, author of Adoption Nation and executive director of the Evan B. Donaldson Adoption Institute. For nearly three years, author Kelly Kiser-Mostrom endured the nightmare of an adoption scam. Through her heart-wrenching personal journey in The Cruelest Con, Kiser-Mostrom focuses on the changing and often frightening world of adoption. She exposes the treachery behind adoption facilitator Sonya Furlo...
The Wheelchair on My Face; Charolais; The Humours of Bandon
This hilarious volume brings together three funny, vibrant and theatrical monologue plays for female performers. The Wheelchair on My Face by Sonya Kelly Sonya tells her story about growing up with poor vision that went undiagnosed until she was seven years old. Combining memoir, theatre and stand-up comedy, this delightful story of a myopic child shows us how we can better the world even if we cannot see the world. Charolais by Noni Stapleton A dark comedy of love, longing and an intense rivalry with a Charolais cow. Siobhán is forced to share the affections of her farmer boyfriend with his beloved, prize-winning French heifer. Overcome with desire, Siobhán develops a homicidal jealousy f...
Understanding Teaching and Learning
• How do children, individually and collectively, make meanings of their learning experiences? • How can teachers become aware of children’s meaning making on an ongoing basis? • Is it possible and useful to create an integrated theory of student learning? • How can classroom research enhance critical understandings of the situated nature of learning and teaching, while taking into account the systemic and educational policy contexts? • How do differences, such as class, race, culture, gender and sexualities, interact with student learning? • How can teachers respond effectively to the realities of today’s diverse classrooms? • What are the current and emerging issues in cl...
Irish Theatre in the Twenty-First Century
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and...
