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Dharavi: Documenting Informalities gives detailed, personal accounts of the many ways in which we are all linked to Dharavi's people and industries. Essays by Saskia Sassen, Arjun Appadurai and Sheela Patel complement maps, photographs, drawings and interviews made by a group of artists and architects from The Royal University College of Stockholm
Scholars from diverse disciplines tackle the many questions posed by the work and life of abstraction pioneer Hilma af Klint In this thorough critical appraisal, 20 specialists on modern art, art history, philosophy and religious studies examine the unique art, the cultural circumstances and art-historical positioning of Swedish abstractionist Hilma af Klint. Topics explored here range from early abstract art and the impact of Darwinism to Goethe's color theory, as well as the importance of occult religious movements such as theosophy and anthroposophy that influenced the early modernists, and discussions of af Klint's own personal diary notes and research. The book is based on the seminars that were held in conjunction with the exhibition Hilma af Klint: A Pioneer of Abstraction in 2013. This extremely successful exhibition attracted a record number of visitors to the Moderna Museet in Stockholm, after which it continued to the Hamburger Bahnhof Museum in Berlin and the Louisiana Museum of Modern Art in Denmark.
Hilma af Klint is now regarded as a pioneer of abstract art. While her paintings were not seen publicly until 1987, her work from the early 20th century pre-dates the first purely abstract paintings by Kandinsky, Mondrian or Malevich. Af Klint sought to express her feelings transmitted to her from nature and the unseen spiritual world. This catalogue focuses primarily on her body of work "The Paintings for the Temple", 1906-15, and numerous paintings from the key series never published before. Exhibition: Serpentine Galleries, London, UK (03.03-15.05.2016).
"Since the end of the Apartheid, international tourism in South Africa has increasingly gained importance for the national economy. The centre of this PKS issue's attention is a particular form of tourism: township tourism, i.e. guided tours to the residential areas of the black population. About 300,000 tourists per year visit the townships of Cape Town. The tours are also called cultural, social, or reality tours. The different aspects of township tourism in Cape Town were the subject of a geographic field study, which was undertaken during a student research project of Potsdam University in 2007. The text presents the empirical results of the field study, and demonstrates how townships are constructed as spaces of tourism."--Publisher's description.
In the 1880s, fashionable Londoners left their elegant homes and clubs in Mayfair and Belgravia and crowded into omnibuses bound for midnight tours of the slums of East London. A new word burst into popular usage to describe these descents into the precincts of poverty to see how the poor lived: slumming. In this captivating book, Seth Koven paints a vivid portrait of the practitioners of slumming and their world: who they were, why they went, what they claimed to have found, how it changed them, and how slumming, in turn, powerfully shaped both Victorian and twentieth-century understandings of poverty and social welfare, gender relations, and sexuality. The slums of late-Victorian London be...
Notoriously difficult to define as a genre, Live Art is commonly positioned as a challenge to received artistic, social, and political categories: not theatre, not dance, not visual art, and often wilfully anti-mainstream and anti-establishment. But as it has become increasingly prevalent in international festivals, major art galleries, and university courses, it is ripe for a reassessment. Including almost 50 contributing artists and scholars, this collection of essays, conversations, provocations, and archival images takes the twentieth anniversary of the founding of one of the sector's most committed champions, the Live Art Development Agency in London, as an opportunity to consider not only what Live Art has been against, but also what it has been for. Through the work of this particular 'Agency', the book explores the idea of agency more generally: how Live Art has enabled the possibility for new kinds of thoughts, actions, and alliances for diverse individuals and groups.
The Challenge of Slums presents the first global assessment of slums, emphasizing their problems and prospects. Using a newly formulated operational definition of slums, it presents estimates of the number of urban slum dwellers and examines the factors at all level, from local to global, that underlie the formation of slums as well as their social, spatial and economic characteristics and dynamics. It goes on to evaluate the principal policy responses to the slum challenge of the last few decades. From this assessment, the immensity of the challenges that slums pose is clear. Almost 1 billion people live in slums, the majority in the developing world where over 40 per cent of the urban popu...