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Sophie Calle: The Hotel
A forensic conceptualist's inventory of the ordinary and extraordinary lives in a Venetian hotel In 1981 Sophie Calle took a job as a chambermaid for the Hotel C in Venice, Italy. Stashing her camera and tape recorder in her mop bucket, she not only cleans and tidies, but sorts through the evidence of the hotel guests' lives. Assigned 12 rooms on the fourth floor, she surveys the state of the guests' bedding, their books, newspapers and postcards, perfumes and cologne, traveling clothes and costumes for Carnival. She methodically photographs the contents of closets and suitcases, examining the detritus in the rubbish bin and the toiletries arranged on the washbasin. She discovers their birth...
The Address Book
After finding a lost address book, the artist sets out to understand its owner by randomly interviewing contacts to learn more about the personality and past of its owner.
True Stories
"True Stories gathers a series of short autobiographical texts and photos by Sophie Calle. ... The first section is composed of various reflections on objects such as a shoe, a postcard, a bathrobe and a bed, or musings on the artist's body, such as "The Love Letter" ... The second section of the book, "The Husband," is comprised of ten recollections of episodes from Calle's first marriage, by turns funny ("He was an unreliable man. For our first date he showed up one year late"), erotic and sad. A third section gathers various autobiographical tales, and the book closes with three interlinked stories titled "Monique." This new edition includes five new photo-text presentations and is the first English translation."--Artbook.com (accessed September 16, 2014)
Because...
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Take Care of Yourself
French conceptual artist Sophie Calle presents 107 outside interpretations of a "breakup" e-mail she received from her lover the day he ended their affair. It is a poignant investigation of love and loss, published to coincide with the 2007 Venice Biennale where Calle served as that fair's French representative. All of the interpreters of Calle's breakup letter were women, and each was asked to analyze the document according to her profession. In addition, Calle asked a variety of performers, including Nathalie Dessay, Laurie Anderson and Carla Bruni to act the letter out. She filmed the singers and actresses and photographed the other contributors, so that each printed interpretation stands alongside at least one image of its author, some are also accompanied by digital documentation.
Rachel, Monique...
"This volume, presenting Calle's installation of Rachel Monique at the Palais de Tokyo, was designed in close collaboration with the artist." -- from www.artbook.com/9782365111171.html (viewed 20 October 2017).
Sophie Calle
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Sophie Calle: True Stories
Published for the first time in 1994 and regularly re-edited and enhanced, True Stories returns again this year with six unpublished narratives related in Sophie Calle's familiar precise sober prose and photography. By turns serious, hilarious, dramatic or cruel, these real-life tales represent a form of work in progress recounting fragments of her life. One of the 21st century's foremost artists, Calle here offers up her own story - childhood, marriage, sex, death - with brilliant humour, insight and pleasure.
Blind
No stranger to the art of staging and to the act of disclosure, Sophie Caile returns again here to the theme of autobiography and to the notion of the Other, revealing in all their difference and singularity those who have been blind since birth or who have gone blind following an accident. By establishing a dialectic between the testimonies of several generations of blind people and the photographs taken by her on the basis on these accounts, Sophie Caile offers readers a reflection on absence, on the loss of one sense and the compensation of another, on the notion of the visible and the invisible. In this publication, she revisits three earlier works constructed and conceived around the id...
Sophie Calle and Jean-Paul Demoule: the Elevator Resides In 501
Forty years after her original exploration, Sophie Calle returns during lockdown to an abandoned Hôtel du Palais d'Orsay Between 1978 and 1981, Sophie Calle went on a clandestine exploration of the then abandoned Hôtel du Palais d'Orsay. She selected room 501 as her home and without any preestablished method, set about photographing the abandoned hotel over five years. As she explored, she picked up items she found: customer reception cards, old telephones, diaries, messages addressed to a certain "Oddo" and more. Now, more than 40 years later, room 501 has disappeared and an elevator has taken its place. At the invitation of Donatien Grau, the Musée d'Orsay curator, Calle returned, equip...
