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‘Empty Sky’, which draws its title from Sylvia Plath’s ‘I talk to God but the sky is empty’, features the top emerging writers from UTS’ creative writing program and showcases a range of extraordinary works. This edition is honoured to be introduced by writer, editor and activist Bri Lee, the award-winning author of Eggshell Skull. The smoky sky is empty: a deficit of light and sound, devoid of sentience…or is it? Our world is tumultuous – from political upheaval to environmental decay, the Earth is in the process of shifting and reforming. Technology surrounds us, encroaching. Society both evolves and regresses. 2020 was dealt a somewhat cruel hand: fires swept through Austr...
In every life, there are seasons. Fires burn and rains fall, but after the blazes and storms, flowers bloom. A symbol of resilience and unity, the Australian wattle regenerates after the devastation of fire and deluge. Often propagated in turmoil, it blossoms bright and sturdy. For these reasons, it emblazons the cover of the 35th Writers’ Anthology: Bloom. Celebrating a diverse group of voices, Bloom welcomes a foreword by Zoë Norton Lodge, an acclaimed author, performer and UTS alumna. Informed by the turbulence and uncertainty of the previous year, Bloom celebrates stories from all walks of life. Spanning hardship and deterioration, humour and introspection, it promises a rekindling of the creative spirit. This anthology calls for us to reconnect, to see all is not lost. Our creativity and ingenuity continue to bloom as we endure the repercussions of the previous year. Now in its 35th year, the UTS Writers’ Anthology continues to champion new and exciting voices from within the UTS community. Full of imagination and zeal, Bloom brings forth a sense of hope; the hope we can grow from our experiences, the hope we can simply be.
When the waves get rough and sea levels rise, there’s only one thing to do: keep your head above water. Welcome to SOAK. Joining the proud legacy of the UTS Writers’ Anthology, this edition seeks to make sense of a rapidly changing world facing its latest deluge. From underwater waterslides to dogs in space, internal struggles to climbing mountains, this collection of short stories, creative non-fiction and poetry brings ecocentrism, humour, creativity and resilience to the shore. Rich with diverse voices, this year’s anthology shines a watery mirror to our current world and offers hope that despite the threats we face, we can still change the tide. Introduced by acclaimed literary critic Beejay Silcox, we invite you to immerse yourself in the emerging talent from one of Australia’s most celebrated creative writing programs.
On December 11, 1994, Russia invaded the secessionist republic of Chechnya in the North Caucasus. The aim was to suppress the republic's government, led by General Dzhokar Dudayev, compel it to accept Moscow's authority, and to force it to renounce its bid for independence and sovereignty. This invasion, which quickly turned into a military quagmire for Russia's troops, triggered a firestorm of domestic opposition, even within the higher levels of the Ministry of Defense. As a result, the invasion has the most profound and troubling possible consequences for the stability of the Russian government, Russian democracy, and the future political-military relationship. This special report, based on what is already known, attempts to assess the discernible consequences of this invasion and provide a framework within which future developments can be assessed.
This new and abridged edition of Scenarios of Power is a concise version of Richard Wortman's award-winning study of Russian monarchy from the seventeenth century until 1917. The author breaks new ground by showing how imperial ceremony and imagery were not simply displays of the majesty of the sovereign and his entourage, but also instruments central to the exercise of absolute power in a multinational empire. In developing this interpretation, Wortman presents vivid descriptions of coronations, funerals, parades, trips through the realm, and historical celebrations and reveals how these ceremonies were constructed or reconstructed to fit the political and cultural narratives in the lives and reigns of successive tsars. He describes the upbringing of the heirs as well as their roles in these narratives and relates their experiences to the persistence of absolute monarchy in Russia long after its demise in Europe.
The forty-one years between the Society of Jesus’s papal suppression in 1773 and its eventual restoration in 1814 remain controversial, with new research and interpretations continually appearing. Shore’s narrative approaches these years, and the period preceding the suppression, from a new perspective that covers individuals not usually discussed in works dealing with this topic. As well as examining the contributions of former Jesuits to fields as diverse as ethnology—a term and concept pioneered by an ex-Jesuit—and library science, where Jesuits and ex-Jesuits laid the groundwork for the great advances of the nineteenth century, the essay also explores the period the exiled Society spent in the Russian Empire. It concludes with a discussion of the Society’s restoration in the broader context of world history.