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Animals and War is the first collection of essays to study its topic. Using sociology, history, anthropology, and cultural studies, it analyzes a wide range of phenomena and exposes the often paradoxical contours of human-animal relationships.
Women, Art and Money in England establishes the importance of women artists' commercial dealings to their professional identities and reputations in the late nineteenth and early twentieth centuries. Grounded in economic, social and art history, the book draws on and synthesises data from a broad range of documentary and archival sources to present a comprehensive history of women artists' professional status and business relationships within the complex and changing art market of late-Victorian England. By providing new insights into the routines and incomes of women artists, and the spaces where they created, exhibited and sold their art, this book challenges established ideas about what w...
Elephants rarely breed in captivity and are not considered domesticated, yet they interact with people regularly and adapt to various environments. Too social and sagacious to be objects, too strange to be human, too captive to truly be wild, but too wild to be domesticated—where do elephants fall in our understanding of nature? In Wildlife in the Anthropocene, Jamie Lorimer argues that the idea of nature as a pure and timeless place characterized by the absence of humans has come to an end. But life goes on. Wildlife inhabits everywhere and is on the move; Lorimer proposes the concept of wildlife as a replacement for nature. Offering a thorough appraisal of the Anthropocene—an era in wh...
What was it like to be a dog or cat when the world was at war? When food was rationed and cities were bombed? Pets (on the whole) do not write memoirs, so to find the answer to that question, Clare Campbell went in search of voices of those people whose lives were entwined with animals. She found stories - inspiring and harrowing - of animals under fire, of evacuated and homeless pets, of brave animals who provided comfort to humans while the bombs fell. Of pets unwittingly entangled in war, like the Dunkirk pets and the camp followers who switched sides to stay alive; and the 6,000 dogs recruited by the British Army - loaned for duty by their families - many never to return. Meanwhile with food in short supply, government officials launched a ruthless campaigns against pets... Thoroughly researched and deeply moving, Bonzo's War gives a fascinating account of, and platform for, the forgotten stories as yet unheard, of the creatures big and small caught up in a human conflict far beyond understanding.
This book explores the nature of Britain-based artists’ engagement with the transformations of their environment since the early days of the Industrial Revolution. At a time of pressing ecological concerns, the international group of contributors provide a series of case studies that reconsider the nature–culture divide and aim at identifying the contours of a national narrative that stretches from enclosed lands to rising seas. By adopting a longer historical view, this book hopes to enrich current debates concerning art’s engagement with recording and questioning the impact of human activity on the environment. The book will be of interest to scholars working in art history, contemporary art, environmental humanities, and British studies.
This collection explores Britain's struggle to carve a niche for itself on the international art scene. International scholars shed new light on such notions as the internationalization of the art market; the emergence of an increasingly complex exhibition culture; issues of national rivalry; artists' strategies for their own promotion; the persistent anti-commercialism of an elite group of art lovers and critics and accusations of philistinism levelled at the middle classes.Specific case studies include Whistler, Roger Fry, Damien Hirst, and Charles Saatchi; essays consider art markets from London and Manchester to Paris and Flanders.
Mise en évidence de l'évolution des représentations du salariat dans le roman, réalisée par une vingtaine d'auteurs, sociologues, historiens, écrivains et spécialistes de la littérature.
A companion piece to Woody Haut's two acclaimed histories of post-war American crime fiction, Pulp Culture and Neon Noir, Heartbreak and Vine tells the story of the intimate links between crime fiction and films. Almost all the great names of crime fiction, from Hammett to Chandler, Leonard to Ellroy, have spent time in Hollywood and Haut recounts their experiences and provides an acute commentary on the development of the crime movie from Little Caesar to The Big Sleep, Kiss Me Deadly to LA Confidential. Haut illuminates the movieland careers of early greats like W.R. Burnett and James M. Cain, and then brings the story right up to date with original interviews with contemporary crime novelists like Eddie Bunker, George P. Pelecanos and James Lee Burke talking about their Hollywood experiences. A must read for anyone seriously interested in either American crime fiction or film noir.
« Épicurien, il aimait tout ce qui était bon et dangereux », « Un faux méchant et un vrai gentil », « Un décadent altruiste et cultivé » : Ces épitaphes concourent à cerner un personnage hors du commun. Jean-Luc Taccard, alias Lucas Trouble, alias Le Kaiser méritait que sa vie soit relatée à travers son oeuvre. Syned Tonetta a rencontré des dizaines de proches, amis et musiciens de ce « gourou libidineux » bourguignon et s'est délecté de ces entretiens pour narrer son parcours atypique. Tous reconnaissent avoir été subjugués par son aura, certains se sont retrouvés désarçonnés, désorientés, parfois même envoûtés par ce caractère à la fois primesautier et pl...