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'Partners in Wonder' explores our knowledge of women and science fiction between 1936 and 1965. It describes the distinctly different form of science fiction that females produced, one that was both more utopian and more empathetic than that of their male counterparts.
Featuring hard-to-find short stories published between 1873 and 1930, this original anthology spotlights a variety of important sci-fi pioneers, including Ethel Watts Mumford, Edith Nesbit, and Clare Winger Harris. Imaginative scenarios include a feminist society in another dimension, the east/west division of the United States with men and women on opposite sides, a man who converts himself into a cyborg, a drug that confers superhuman qualities, and many other curious situations. Editor Mike Ashley provides an informative introduction to the stories. Highlights include "When Time Turned" (1901), which centers on a grieving widower who contrives to relive his life backwards; "The Painter of Dead Women" (1910), the tale of a woman in thrall to a Svengali-like character who promises to preserve her beauty forever; "The Automaton Ear" (1876), in which an inventor struggles to create a machine to detect sounds from the distant past; "Ely's Automatic Housemaid" (1899), a lighthearted fable concerning a robot housemaid; and ten other captivating tales. Dover (2015) original publication. See every Dover book in print at www.doverpublications.com
Here is a grab-bag collection of great fantasy stories -- modern and classic, adventure-filled and serious, funny and sad -- by authors whose work you may already know, or may be discovering for the first time. Included are: THE COPPERSMITH, by Lester del Rey DOGS QUESTING, by John Gregory Betancourt OF WITHERED APPLES, by Philip K. Dick YELLOW EYES, by Marylois Dunn SEA TIGER, by Henry S. Whitehead THE BLACK TOWER, by R. H. Barlow THE SHADOW FROM ABOVE, by R.H. Barlow THE FLAGON OF BEAUTY, by R.H. Barlow THE SACRED BIRD, by R.H. Barlow THE TOMB OF THE GOD, by R.H. Barlow GIVE THE DEVIL HIS DUE, by Mack Reynolds DREAMTIME IN ADJAPHON, by John Gregory Betancourt A LEGEND OF LANTH, by Robert W...
"This collection speaks to common themes and strategies in women's writing about their different worlds, from Margaret Cavendish's seventeenth-century Blazing World of the North Pole to the "men-less" islands of the French writer Scudery to the eighteenth- and nineteenth-century utopias of Shelley and Gaskell, and science fiction pulps, finishing with the more contemporary feminist fictions of Le Guin, Wittig, Piercy, and Mitchison. It shows that these fictions historically speak to each other and together amount to a literary tradition of women's writing about a better place."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface
He smiled his quiet smile and led the way to what had been the billiard room of "The Billows," but which was the laboratory of "The Monstrosity." The first thing my eyes fell upon were two gleaming metal objects suspended from chains let into the ceiling. "Diving suits," explained Mercer. "Rather different from anything you've ever seen." They were different. The body was a perfect globe, as was the head-piece. The legs were cylindrical, jointed at knee and thigh with huge discs. The feet were solid metal, curved rocker-like on the bottom, and at the ends of the arms were three hooked talons, the concave sides of two talons facing the concave side of the third. The arms were hinged at the el...
In purest love Andr served his weirdly beautiful flower-his White Lady of passion, of jealousy, of hate.
Embark on a thrilling journey through the heart of the golden age of science fiction with Astounding Stories of Super-Science, February 1930. Prepare to be amazed as visionary authors transport you to distant planets, introduce mind-boggling technology, and explore the depths of the human imagination. From intergalactic adventures to scientific breakthroughs, this collection offers a captivating glimpse into a future that was once only a dream. Get ready to be inspired, challenged, and entertained by these pioneering tales that laid the foundation for modern science fiction.
Women Science fiction authors—past and present—are united by the problems they face in attempting to write in this genre, an overwhelmingly male-dominated field. Science fiction has been defined by male-centered, scientific discourse that describes women as alien "others" rather than rational beings. This perspective has defined the boundaries of science fiction, resulting in women writers being excluded as equal participants in the genre. Frankenstein's Daughters explores the different strategies women have used to negotiate the minefields of their chosen career: they have created a unique utopian science formulated by and for women, with women characters taking center stage and actively confronting oppressors. This type of depiction is a radical departure from the condition where women are relegated to marginal roles within the narratives. Donawerth takes a comprehensive look at the field and explores the works of authors such as Mary Shelley, Marion Zimmer Bradley, Ursula K. Le Guin, and Anne McCaffrey.
Women Writers in the United States is a celebration of the many forms of work--written and social, tangible and intangible--produced by American women. Davis and West document the variety and volume of women's work in the U.S. in a clear and accessible timeline format. They present information on the full spectrum of women's writing--including fiction, poetry, biography, political manifestos, essays, advice columns,and cookbooks, alongside a chronology of developments in social and cultural history that are especially pertinent to women's lives. This extensive chronology illustrates the diversity of women who have lived and written in the U.S. and creates a sense of the full trajectory of individual careers. A valuable and rich source of information on women's studies, literature, and history, Women Writers in the United States will enable readers to locate familiar and unfamiliar women's texts and to place them in the context out which they emerged.