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This book chronicles the florescence of architecture in the Arabian Gulf after the expulsion of the Portuguese in the early 1600's. It demonstrates how the power vacuum created by the collapse of Portuguese control over the trade routes in the Indian Ocean encouraged a growth in fortified architecture, especially in Oman, that radiated out to the surrounding region and was then slowly replaced by new patterns in domestic and public architecture and town planning throughout the Gulf as the trade lines were secured and the individual countries took the first steps towards the formation of today's modern nation-states.The book documents the buildings and crafts of this era and analyses them wit...
This beautifully illustrated volume explores the architectural features and urban character of Harat al-Bilad, the principal settlement of Manah, an important oasis of central Oman. Originally a frontier settlement, Harat al-Bilad straddles the boundary between the foothills of the Green Mountains and the desert foreland and has long played an important role in the historical and cultural development of the region. Like its geographical namesake, Manah crosses and defies boundaries--and will be of interest to a wide range of readers, including historians, architects, archaeologists, conservationists, and policy makers.
This edited collection addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere ‘models’ for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts. These critical – and often practice-led – investigations are placed alongside a range of historical studies considering the development of representational techniques such as perspective, orthography and diagramming. By also addressing the use of visual representation in a number of related disciplines such as visual arts, film, performance and literature, the book opens up debates in architecture to important developments in other fields. This book is key reading for all students of architecture and architectural theory.
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Using time as a unifying theme, this book critically analyses many of the key concepts in modern architecture and urban design, such as modernity, innovation, timelessness and sustainability. Drawing on the statements of contemporary architects and with reference to a wide range of sources from history, philosophy, sociology and anthropology, as well as studies in diverse subjects such as science fiction, colonialism and archaeology, the text provides a new perspective on much of the thinking behind contemporary design. In addition, it develops original and practical theories on the meanings of modernity, the variable ageing of the environment, the central role of longevity in sustainability, the significance of authenticity in conservation, and the relationship between collective memory and tradition.
This book demonstrates, through discussions on sustainability and regional identity, and via a series of case studies, that the courtyard housing form has a future as well as a past.
This book features thirteen essays by the late architect, philosopher and teacher Dalibor Vesely (1934–2015). Vesely was a leading authority on philosophical hermeneutics and phenomenology in relation to architecture worldwide, and influenced a generation of thinkers, teachers and practitioners. This collection presents the full range of his writing, drawing primarily from the history of art and architecture, as well as philosophy, theology, anthropology and ecology, and spanning from early antiquity to modernism. It composes a multifaceted and globally relevant argument about the enduring cultural role of architecture and the significance of its history. The book, edited and introduced by Vesely’s teaching partner at Cambridge Peter Carl and former student Alexandra Stara, and with a foreword by David Leatherbarrow, brings to light new and hard-to-access material for those familiar with Vesely’s thought and, at the same time, offers a compelling introduction to his writing and its profound relevance for architecture and culture today.
Offering an in-depth consideration of the impact which humanities have had on the processes of architecture and design, this book asks how we can restore the traditional dialogue between intellectual enquiry in the humanities and design creativity. Written by leading academics in the fields of history, theory and philosophy of design, these essays draw profound meanings from cultural practices and beliefs. These are as diverse as the designs they inspire and include religious, mythic, poetic, political, and philosophical references. This timely and important book is not a benign reflection on humanities' role in architectural design but a direct response to the increased marginalization of humanities in a technology driven world. The prioritization of technology leaves critical questions unanswered about the relationships between information and knowledge, transcription and translation, and how emerging technologies can usefully contribute to a deeper understanding of our design culture.
Acknowledged by many as one of the modern wonders of the world, the twenty-five acres of sculptures that make up The Rock Garden in the Indian city of Chandigarh has received worldwide attention through a number of exhibitions in Europe and the USA. Published to accompany an exhibition of the same title at the Royal Institute of British Architects Gallery in Liverpool, this beautifully illustrated and meticulously researched catalogue brings to light Nek Chand's incredible artistic and cultural achievement.