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Their intense epistolary relationship between Srinivas Rayaprol and William Carlos Williams, lasting almost a decade and little known up to now, is chronicled in this edition of their letters.
In October 1949 the poet William Carlos Williams received a letter from a young man from India who was studying engineering at Stanford University but wanted to write poetry. Williams was intrigued enough to write back. Their intense epistolary relationship, lasting almost a decade and little known up to now, is chronicled in this edition of their letters. Rayaprol returned to India and lived a quiet life as a civil engineer. Yet his commitment to poetry, spurred by Dr. Williams’s long-distance mentoring, never faltered, and the three collections he published eventually gained him a lasting position in the canon of postcolonial Anglophone poetry in India. Rich in personal details, feelings, and moods, the Rayaprol-Williams correspondence is particularly significant as it provides valuable information about transnational literary modernism in the context of American cultural influence during the Cold War as well as the role played by US philanthropic organizations and their relationship to overt and covert CIA operations in India.
Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.
The book collects all the poems published by the great Indian writer Srinivas Rayaprol (1925-1998), and a selection of his translations and published and unpublished prose. A handful of writers defines the canon of postcolonial anglophone poetry in India. Srinivas Rayaprol has generally been omitted from the list. But his recently-published correspondence with William Carlos Williams and with the publisher James Laughlin reveals an accomplished, complex and enigmatic figure torn between opposing forces. His Brahmin Indian background, his profession as a civil engineer in a newly-independent country, were at odds with his Western education, literary vocation, and demonic impulses. Such contra...
Poetry Book Society Spring 2020 Special Commendation A handful of writers defines the canon of postcolonial anglophone poetry in India. Srinivas Rayaprol has generally been omitted from the list, but his recently published correspondence with William Carlos Williams and publisher James Laughlin reveals an accomplished, complex and enigmatic figure torn between opposing forces. His Brahmin Indian background and his profession as a civil engineer in a newly independent country were at odds with his Western education, literary vocation and demonic impulses. Such contradictions are expressed in his intense poetry, here restored to print, providing insights into Anglo-Indian and American writing, and a unique contribution to international literary modernism.
About Nightwalkers: This is fine work by two poets whose work combines an enjoyment of language with formal attentiveness. Debarshi Mitra's poems synthesize the hysteria of dream visuals with a spareness of line as he conjures a 'city held by lights' where 'mannequins walk gingerly' and 'a one-eyed man grins'. An arresting mix of irony and image characterizes Goirick Brahmachari's evocation of a city that speaks 'a language of snakes and ladders' -- 'hyper-productive, genetically modified, pre-defined'. - Arundhathi Subramaniam In this rare collection of poems, Debarshi Mitra and Goirick B engage in a soulful poetic conversation around the nightlife in the city. The poems travel in diverse d...
The country's first and only publication devoted to narrative journalism, The Caravan occupies a singular position among Indian magazines. It is a new kind of magazine for a new kind of reader, one who demands both style and substance. Since its relaunch in January 2010, the magazine has earned a reputation as one of the country's most sophisticated publications-a showcase for the region's finest writers and a distinctive blend of rigorous reporting, incisive criticism and commentary, stunning photo essays, and gripping new fiction and poetry. Its commitment to great storytelling has earned it the respect of readers from around the world. "India's best English language magazine", The Guardian, London "For those with an interest in India, it has become an absolute must-read", The New Republic, Washington The Caravan fills a niche in the Indian media that has remained vacant for far too long, catering to the intellectually curious and aesthetically refined reader, who seeks a magazine of exceptional quality.
Boston born and bred, John Wieners was a queer self-styled poète maudit who was renowned among his contemporaries but ignored by mainstream critics. Twenty-first-century readers are correcting this elision, placing Wieners back alongside his better-known peers, including Allen Ginsberg, Charles Olson, Denise Levertov, and Amiri Baraka. Wieners was a voluble letter writer, maintaining friendships with these contemporaries that spanned decades and tackling a range of complex issues that resonate today, including drug use, homosexuality, subcultures of the East and West Coasts, and the differing treatment of mental patients based on their economic class. The letters collected in this volume are greatly enhanced by Eileen Myles’s preface and Stewart’s thorough introduction, notes, and brief bios of the poets, writers, artists, and editors with whom Wieners corresponded. The result is more than the letters of a poet—it is a history that explores the world at large in the mid-twentieth century.
One of our most important contemporary critics, Marjorie Perloff has been a widely published and influential reviewer, especially of poetry and poetics, for over fifty years. Circling the Canon, Volume II focuses on the second half of her prolific career, showcasing reviews from 1995 through her 2017 reconsiderations of Jonathan Culler’s theory of the lyric and William Empson’s classic Seven Types of Ambiguity. In this volume Perloff provides insight into the twenty-first-century literary landscape, from revaluations of its leading poets and translations of European poetry from Goethe to the Brazilian Noigandres group and interart studies and performance art. Key issues of the past few decades, such as the controversy over the role and function of poetry anthologies, receive extended treatment, and Perloff frequently voices a minority view, as in the case of the acclaimed British poet Philip Larkin.