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Ephrem the Syrian
In this volume is a translation of a collection of hymns of Christ, composed by Ephrem the Syrian (c. 306-373), the most famous and prolific of the Fathers of the Syriac-speaking Church.
Hymns of Saint Ephrem the Syrian
Fairacres Publications 149 St Ephrem the Syrian (306-376), a visionary poet and spiritual teacher of the early Christian centuries, is known chiefly as the author of numerous hymns. These examples of his ‘Table Blessings’, recalling the events of salvation history, combine lyrical delight in the good and beautiful things of creation with an outpouring of praise and thanksgiving to their Creator.
Selected Prose Works
This volume presents for the first time in the Fathers of the Church series the work of an early Christian writer who did not write in either Greek or Latin. It offers new English translations of selected prose works by St. Ephrem the Syrian (c. A.D. 309-373).
The Hymns on Faith
Ephrem is known for a theology that relies heavily on symbol and for a keen awareness of Jewish exegetical traditions. Yet he is also our earliest source for the reception of Nicaea among Syriac-speaking Christians. It is in his eighty-seven Hymns on Faith - the longest extant piece of early Syriac literature - that he develops his arguments against subordinationist christologies most fully. These hymns, most likely delivered orally and compiled after the author's death, were composed in Nisibis and Edessa between the 350s ans 373. They reveal an author conversant with Christological debates further to the west, but responding in a uniquely Syriac idiom. As such, they form an essential source for reconstructing the development of pro-Nicene thought in the eastern Mediterranean.
Hymns and Homilies of St. Ephraim the Syrian
Born at Nisibis, then under Roman rule, early in the fourth century; died June, 373. The name of his father is unknown, but he was a pagan and a priest of the goddess Abnil or Abizal. His mother was a native of Amid. Ephraem was instructed in the Christian mysteries by St. James, the famous Bishop of Nisibis, and was baptized at the age of eighteen (or twenty-eight). Thenceforth he became more intimate with the holy bishop, who availed himself of the services of Ephraem to renew the moral life of the citizens of Nisibis, especially during the sieges of 338, 346, and 350. One of his biographers relates that on a certain occasion he cursed from the city walls the Persian hosts, whereupon a clo...
The Luminous Eye
Sebastian Brock is Reader in Syriac Studies in the University of Oxford, where he is also a Fellow of Wolfson College. He has written extensively on Syriac subjects and served on the translation panel which produced The Psalms: A New Translation for Worship (1977). He is a member of the Editorial Board of Sobornost/Eastern Churches Review, and is curator of the Mingana Collection of Manuscripts at the Selly Oak Colleges, Birmingham. Before taking up his present position, Dr. Brock taught in the Department of Theology at the University of Birmingham and in the Faculty of Oriental Studies at the University of Cambridge.
Hymns on Paradise
St Ephrem the Syrian's cycle of fifteen hymns on paradise offers a fine example of Christian poetry, in which the author weaves a profound theological synthesis around a particular Biblical narrative. Centered on Genesis 2 and 3, he expresses his awareness of the sacramental character of the created world, and of the potential of everything in the created world to act as a witness and pointer to the creator. God's two witnesses, says Ephrem, are: 'Nature, through man's use of it, [and] Scripture, through his reading it." In his writing, Ephrem posits an inherent link between the material and spiritual worlds. St Ephrem's mode of theological discussion is essentially Biblical and Semitic in character. He uses types and symbols to express connections or relationships to 'reveal' something that is otherwise 'hidden,' particularly expressing meanings between the Old Testament and the New, between this world and the heavenly, between the New Testament and the sacraments, and between the sacraments and the eschaton. His theology is not tied to a particular cultural or philosophical background, but operates by means of imagery and symbolism basic to all human experience.
