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Many aspects of British detective fiction are intriguingly different from the American detective fiction. And, confusingly, many of the British women detectives who have made it to American television are far from typical of the latest women detectives. This work is a study of British detective fiction with female protagonists written by women. Authors included are P.D. James, Jennie Melville, Liza Cody, Val McDermid, Joan Smith and Susan Moody. Special attention is paid to the evolution of the British female sleuth from the 1960s to the year 2000, particularly the 1980s, and how this shaped and altered detective fiction. Also discussed is the effect of the British judicial system and gun laws on detective fiction and real life, the types of crimes women detectives usually investigate, why certain directions have been taken and which ones may be taken in the future, issues being raised by the authors, and new women authors of detective fiction with female protagonists.
A reference guide to the work of 115 modern British and American critics.
Ludwig Wittgenstein (1889-1951) was undoubtedly one of the most important philosophers of the 20th century, and perhaps of any century. He was also a fascinating, charismatic, and irritating man. His philosophical ability was recognized almost immediately by Bertrand Russell, and during his lifetime his work influenced first logical positivism and then ordinary language philosophy. Since then it has also become central in post-analytical philosophical thought. Beyond the world of academic philosophy it has inspired playwrights, poets, novelists, architects, filmmakers, and biographers. The A to Z of Wittgenstein's Philosophy is intended for anyone who wants to know more about the philosophy ...
Featuring over twenty new entries, International Relations: The Key Concepts, now in its second edition, is the essential guide for anyone interested in international affairs. Comprehensive and up-to-date, it introduces the most important themes in international relations in the post 9/11 era. Key areas cover international criminal law, human rights, the developing world (the Arab League, African Union), globalization and strategic studies. New entries include: the English School the Digital Divide the War on Terror the Bush Doctrine the International Criminal Court legitimacy global warming unilateralism the Organization of Petroleum-Exporting Countries (OPEC). Featuring suggestions for further reading as well as a unique guide to web sites on international relations, this accessible guide is an invaluable aid to an understanding of this expanding field and is ideal for the student and non-specialist alike.
The governance of post-conflict territories embodies a central contradiction: how does one help a population prepare for democratic governance and the rule of law by imposing a form of benevolent autocracy? Transitional administrations represent the most complex operations attempted by the United Nations. The operations in East Timor and Kosovo are commonly seen as unique in the history of the UN--perhaps never to be repeated. But they may also be seen as the latest in a series of operations that have involved the United Nations in 'state-building' activities, where it has attempted to develop the institutions of government by assuming some or all of those sovereign powers on a temporary bas...
Known as the bald cowboy in The Magnificent Seven and the sexy, charismatic male lead in The King and I, Yul Brynner was a Hollywood paragon of masculinity. Beyond his distinctive appearance and distinguished acting career was a life of intrigue and concocted tales surrounding his youth. Born Youl Bryner in Russia, he played gypsy guitar and worked as a trapeze clown until a severe injury motivated him to pursue his interest in theater. This biography takes readers through Brynner’s formative years in Russia, France and China and describes his journey from sweeping stages in Parisian theaters to a versatile career in theater, television and film, reaching a stardom that began and ended with the classic Rodgers and Hammerstein musical The King and I. With accounts of his personal and professional successes and failures, the book includes his four marriages, his numerous and notorious affairs with such stars as Judy Garland, Joan Crawford and Ingrid Bergman, and his 1985 death from lung cancer. A filmography details his movies and plays, and appendices outline his work in documentaries, music and soundtracks, radio programs and television.
Errol Flynn set the standard for the modern action hero in films like The Adventures of Robin Hood, Dodge City, and The Sea Hawk. This biography follows Flynn from his birth in Tasmania, Australia, in 1909, to his death in Vancouver, Canada, in 1959. Included is analysis of his films, discussion of the 1943 rape trial that changed his life, a survey of the FBI's infamous surveillance, and the first detailed account of his television appearances in the 1950s. First-hand interviews with Flynn's friends and colleagues are complemented by research from FBI files, correspondence, Flynn's diary, and other sources. Illustrated with rare and previously unpublished photographs, the study also gives attention to the historical backgrounds and cultural influences that contributed to Flynn's fame; the work takes an objective and analytical look at the actor's adventurous life. The study includes two appendices: the first is a collection of quotations from various celebrities, from memories of his talent and style to anecdotes about his wild pool parties. The second appendix is a filmography including all Flynn's work for film, stage, and television, with cast and crew information.
Richard Dadd is a trickster, a pre-post-modern enigma wrapped in a Shakespearean Midsummer Night’s Dream; an Elizabethan Puck living in a smothering Victorian insane asylum, foreshadowing and, in brilliant, Mad Hatter conundrums, entering the fragmented shards of today’s nightmarish oxymorons long before the artists currently trying to give them the joker’s ephemeral maps of discourse. The author thinks of Bob Dylan’s “Ballad of a Thin Man,” that cryptic refusal to reduce the warped mirrors of reality to prosaic lies, or, perhaps “All Along the Watchtower” or “Mr Tambourine Man.” Even more than Samuel Beckett’s Waiting for Godot, which curiously enough comes off as over...