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you see a photo of yourself / pressed behind plastic / three years old in a white skivvyIn Plastic, Stacey Teague reaches beyond the frame of her known world to find a way back to te ao Maori. Hers is a complicated, joyful route, full of conversations with ancestors, old places and herself. In form these poems range from plain-speaking prose and concrete poetry to odes and spells; in mood they are just as restless, taking in those times when life feels as big as a movie screen and times when it is more like ' a loose stone to kick down the path' .Gathered here are names that travel through time, failed photos of the moon, and love like a feather in the throat. There are encounters with Hine-te-iwaiwa, the bird-woman Kurangaituku, Hine-nui-te-po, and Hinemoana as she erodes the land with her wildness. This whole-hearted collection shows us how many ways there are to search for one' s bones and at last get to know them.
The lives of non-human animals, their ways of being and seeing, their experiences and knowledge, and their relationships with each other, continue to be ignored, discounted, written over and destroyed by anthropocentric practices and endeavours. Within the vestiges of colonialism, this silence and occlusion co-opts and consumes animals, physically and culturally, into the servitude of human interests, and selective narratives of history and progress. Decolonising Animals brings together critical interrogations, case studies and creative explorations that identify and examine how non-human animals are affected by and respond to colonial structures and processes. This collection includes the perspectives of Indigenous and non-Indigenous scholars, artists and activists, detailing the ways in which they question colonial ways of knowing, engaging with and representing animals. Importantly, the book offers suggestions for how we might decolonise our relationships with non-human animals – and with each other.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
Over 80 contemporary Māori writers explore a vast array of issues that challenge, stimulate and intrigue. With originality and insight, these poems and short stories express compassion, concern, curiosity, suffering and joy. Te Awa o Kupu is a companion volume to Ngā Kupu Wero, which focuses on recent non-fiction. Together these two passionate and vibrant anthologies reveal that the irrepressible river of words flowing from Māori writers today shows us who are want we are.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.
Ngā Kupu Wero brings together a bounty of essays, articles, commentary and creative non-fiction on the political, cultural and social issues that challenge us today. From colonisation to identity, from creativity to mātauranga Māori, over 60 writers explore the power of the word. Accept the challenge of the wero. Join the kōrero. Ngā Kupu Wero is a companion volume to Te Awa o Kupu, which presents recent poetry and fiction. Together these two passionate and vibrant anthologies reveal that the irrepressible river of words flowing from Māori writers today shows us who and what we are.
InfoWorld is targeted to Senior IT professionals. Content is segmented into Channels and Topic Centers. InfoWorld also celebrates people, companies, and projects.