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When Stanley the bear falls asleep in a van he has raided, he winds up living at a drive-in movie theater where he gorges on junk food and gains lots of weight, until finally he realizes that this is no life for a bear and he makes the long trek back to his forest home.
Enlisting memory in a new fight for freedom From the Gilded Age through the Progressive era, labor movements reinterpreted Abraham Lincoln as a liberator of working people while workers equated activism with their own service fighting for freedom during the war. Matthew E. Stanley explores the wide-ranging meanings and diverse imagery used by Civil War veterans within the sprawling radical politics of the time. As he shows, a rich world of rituals, songs, speeches, and newspapers emerged among the many strains of working class cultural politics within the labor movement. Yet tensions arose even among allies. Some people rooted Civil War commemoration in nationalism and reform, and in time, these conservative currents marginalized radical workers who tied their remembering to revolution, internationalism, and socialism. An original consideration of meaning and memory, Grand Army of Labor reveals the complex ways workers drew on themes of emancipation and equality in the long battle for workers’ rights.
Individually and together, The Five Sedgwicks are among the unsung heroes of early filmmaking in Hollywood. Their work took them from vaudeville to silent film, through the studio era and into the Golden Age of television. By the late 1920s the Sedgwick siblings were well-known motion picture personalities: Edward was satirized by actor Harry Gribbon as an enthusiastic comedy director in King Vidor's 1928 silent comedy hit Show People; Josie was a star of Western films and was presented the honorific title of "Queen of the Roundup"; Universal Films promoted Eileen as their "Queen of the Serial." This book details the family's extensive contributions to the entertainment industry.
The seemingly unlimited reach of powerful biotechnologies and the attendant growth of the multibillion-dollar industry have raised difficult questions about the scientific discoveries, political assumptions, and cultural patterns that gave rise to for-profit biological research. Given such extraordinary stakes, a history of the commercial biotechnology industry must inquire far beyond the predictable attention to scientists, discovery, and corporate sales. It must pursue how something so complex as the biotechnology industry was born, poised to become both a vanguard for contemporary world capitalism and a focal point for polemic ethical debate. In Biotech, Eric J. Vettel chronicles the stor...
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