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This collection of interviews with Stanley Kauffmann (b. 1916) provides a virtual history of the journalistic practice of criticism in twentieth-century America. His creative life spans seven decades, and since 1958, he has been a film and drama critic for the New Republic, the New York Times, and Saturday Review. He also has been an actor, stage manager, playwright, novelist, and editor. Along with Dwight Macdonald, Andrew Sarris, and John Simon, he is one of the potent, influential critics included in the New York school of twentieth-century American criticism. The Los Angeles Times called him "the Dean Swift of our country's criticism." Susan Sontag proclaimed him "one of our national tre...
The World Screened is a collection of previously uncollected film criticisms by the late Stanley Kauffmann. Starting in 1958 and continuing until the end of his life, Kauffmann was the film critic for The New Republic. Along with Andrew Sarris, Pauline Kael, and John Simon, he was one of the most potent, influential critics of the New York School of twentieth-century American criticism. With style and erudition Kauffmann discusses films here by such noted directors as Michelangelo Antonioni, Jean Renoir, Carlos Saura, Krzysztof Kieślowski, Zhang Yimou, Wim Wenders, Ousmane Semb�ne, Alexander Sokurov, and Martin Scorsese. Among the motion pictures reviewed are Variety Lights, The World of ...
This volume is a festschrift honoring film and theatre critic / teacher Stanley Kauffmann. The essays in this collection are by 18 of his more prominent former students and are divided into three parts: dramatic, theatrical, and film criticism.
The 21st-Century Film Criticism of Stanley Kauffmann is a collection of film criticism by the late Stanley Kauffmann (1916-2013). Kauffmann's creative life spanned seven decades: starting in 1958 and continuing until 2013, he was a film and drama critic for The New Republic, The New York Times, and Saturday Review, among other publications. Along with Andrew Sarris, Pauline Kael, and John Simon, Kauffmann was one of the potent, influential critics included in the New York school of twentieth-century American criticism. In Persistence of Vision, Kauffmann discusses films from such countries as France, England, Mexico, Israel, Sweden, Austria, Netherlands, Argentina, Finland, Norway, Italy, Ir...
"Stanley Kauffmann is a national treasure." - Susan Sontag
This collection of interviews provides a virtual history of the journalistic practice of criticism in contemporary America. Susan Sontag proclaimed Stanley Kauffmann "one of our national treasures." In this collection of interviews conducted by Bert Cardullo, himself a film critic, Stanley Kauffmann speaks both of the role of theater and film criticism in American culture and of the crisis he perceives within it-the culture as well as the criticism. With style and erudition Kauffmann discusses many subjects in this book: film directors who emerged during his long tenure at The New Republic (e.g., Martin Scorsese and Federico Fellini), actors who performed on both stage and screen (e.g., Paul...
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“In an age of narrow self interest (both kinds), with memoirs falling from the press like autumn leaves in a high wind, Stanley Kauffmann’s Albums of a Life is virtually unique. As the title suggests, his purpose in writing about himself, his ways and means over a long lifetime, has no higher or lower purpose than to collect memories that fall together around a person, place or subject. As such he is not overtly telling us his inside story or delivering his career, whether for the public record or the annals of gossip, or bending his experience to make some large political or cultural point. Instead of the typically heated prose of the private memoir or the typically flat style of the public one, his tone is crisply genial, warmly objective, the prose of a writer who does not try to dig into or inflate or argue his experience but to commemorate it in an exact, felt, uncoercive way. Like an album of carefully selected photographs that span a lifetime, they are unassuming and they matter. Open any of these discrete, ad hoc remembrances and you touch a rich life.”—from the Introduction by Ted Solotaroff
In other essays, he compares cinematic adaptations of Mozart's operas, explores changing public attitudes toward film as an art form, assesses the possibilities of accurately dramatizing the Holocaust, and recalls the careers of such important figures in film history as David Lean, Billy Wilder, and Akira Kurosawa. A model of provocative writing about the liveliest art, Regarding Film will delight ardent movie lovers everywhere."--Jacket.
The first comprehensive posthumous collection of film criticism by the late, great Stanley Kauffmann (1916-2013).