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Stefan’s Promise
THE VIETNAM WAR CHANGED AMERICA. TWO BEST FRIENDS WEREN'T SPARED. ONLY ONE WAS DRAFTED. It's 1968. America is rocked by assassinations, war protests and political upheaval. Alan Young, 21, is brooding over having been dumped by his girlfriend. This won't last long. His draft notice is in the mail. Stefan Kopinski isn't about to let the war get in his way. He spends his days at the mercy of his reckless ambition. When fate steps in, will he finally understand what has been right in front of him for 30 years? Stefan's Promise is the story of Alan and Stefan. Circumstances part them, and sharply diverging temperaments further erode their bond. Yet, Alan and Stefan are wrong in supposing their friendship has ended. It's just getting started.
Hearings
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Let's Get Criminal
Curiosity turns to obsession at the State University of Michigan. Professor Nick Hoffman can't understand how his supercilious new office mate Perry Cross beat out other candidates for a brand new position in the department. How did Cross get hired when he's under-qualified? But Nick's curiosity changes to a jealousy when he learns that his longtime lover, Stefan, shares a past with Cross. When Cross is found dead and the verdict is murder, Nick becomes a prime suspect since he was one of the last people to see Cross the evening he was killed. Nick has no choice but to investigate on his own. Only acclaimed author Lev Raphael can spin such a tale of twisted academia.
The Beloved Does Not Bite
In this new monograph, author Debra Dudek defines a new era of vampire texts in which vampires have moved from their iconic dark, feared, often seductive figure lingering in alleys, to the beloved and morally sensitive vampire winning the affections of teen protagonists throughout pop culture. Dudek takes a close look at three hugely-popular vampire series for young adults, drawing parallels between the TV series Buffy the Vampire Slayer, the Twilight Saga novels/films, and The Vampire Diaries TV series/book series. By defining a new era of vampire texts and situating these three series within this transition, The Beloved Does Not Bite signals their significance and lays the groundwork for future scholarship on the flourishing genre of paranormal romances for young adults.
The Mischling
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