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The Ambivalence of Imperial Discourse
A new reading of Miguel de Cervantes' play 'La Destrucción de Numancia' (c. 1583), analysing the work in relation to theories of empire in 16th century Spain, in the context of plays written immediately before the rise in popularity of Lope de Vega and the comedia nueva, and the playwright's innovative use of dramatic techniques.
Feuds and State Formation, 1550–1700
This book re-evaluates the role of local agency and provides a new perspective to the political, social and cultural history of state formation, taking a microhistorical approach and through close analysis of archival sources between 1550 to 1700. The backcountry of the Republic of Genoa is a laboratory for gauging the weight and significance of two elements which, according to Charles Tilly and other scholars, have characterized the construction of the modern state: judicial administration and fiscal extraction. The instruments employed in this respect were arbitration and compensation. Interactions between center and periphery occurred within a stratified and discontinuous fabric of fluid ...
Writers on the Market
The beginning of the seventeenth century in Spain marks a rapid rise in the commercial market for cultural production. This book examines the evolution of this commercial market as reflected in the maturation of two genres: the public theater and the novel. Through a comparative analysis of the play-wright Lope de Vega and the novelists Mateo Aleman and Miguel de Cervantes, the author explores the new poetic principles, both implicitly and explicitly, that accompany the rise of this commercialized literature. The book argues that the logic of classical economic theory becomes internalized within the poetic structure of these two genres. Within this logic, the idea of taste comes to play a new and unprecedented role as the arbiter of literary value. Exposed increasingly to the pressures of popular taste, these writers are forced to rework or abandon many of the traditional poetic ideas of the Renaissance in a process that tends to undermine the writer's control over his own work. Donald Gilbert-Santamaria teaches in the Division of Spanish and Portuguese at the University of Washington in Seattle.
Making Space Public in Early Modern Europe
Broadening the conversation begun in Making Publics in Early Modern Europe (2009), this book examines how the spatial dynamics of public making changed the shape of early modern society. The publics visited in this volume are voluntary groupings of diverse individuals that could coalesce through the performative uptake of shared cultural forms and practices. The contributors argue that such forms of association were social productions of space as well as collective identities. Chapters explore a range of cultural activities such as theatre performances; travel and migration; practices of persuasion; the embodied experiences of lived space; and the central importance of media and material thi...
Pilgrimage to Patronage
Recent studies have shed new light on how Philip III and his favorite, the duke of Lerma, fused art and politics as they ruled, making this an opportune time to ask these questions.".
A Companion to Golden Age Theatre
Spain's artistic Golden Age produced Cervantes's great novel, Don Quijote, the sublime poetry of Quevedo and G ngora, and nurtured the prodigious talent of Vel zquez, and yet it was the theatre that captured the imagination of its people. Men and women of all social classes flocked to the new playhouses to see and hear the latest offerings of their favourite dramatists, and to be seen and heard. As well as dealing with the lives and major works of the most significant playwrights of the period - Lope de Vega, Tirso de Molina, Miguel de Cervantes, Calder n de la Barca - the Companion focusses on other aspects of the growth and maturing of Golden Age theatre, reflecting the interests and priorities of modern scholarship. These include: the sixteenth-century origins of the comedia nueva; the lesser-known dramatists, including women playwrights; life in the theatre; the Corpus Christi street theatre and minor genres; performance studies; and the critical reception of the drama. The Companion also contains a guide to comedia versification, a full bibliography and advice on further reading. JONATHAN THACKER is a Fellow of Merton College, Oxford.
The Author's Hand and the Printer's Mind
In Early Modern Europe the first readers of a book were not those who bought it. They were the scribes who copied the author’s or translator’s manuscript, the censors who licensed it, the publisher who decided to put this title in his catalogue, the copy editor who prepared the text for the press, divided it and added punctuation, the typesetters who composed the pages of the book, and the proof reader who corrected them. The author’s hand cannot be separated from the printers’ mind. This book is devoted to the process of publication of the works that framed their readers’ representations of the past or of the world. Linking cultural history, textual criticism and bibliographical studies, dealing with canonical works - like Cervantes’ Don Quixote or Shakespeare’s plays - as well as lesser known texts, Roger Chartier identifies the fundamental discontinuities that transformed the circulation of the written word between the invention of printing and the definition, three centuries later, of what we call 'literature'.
Readying Cavalli's Operas for the Stage
After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are...
The Criminal Baroque
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Rare Forms of Pediatric Adrenal Disorders: Beyond Congenital Adrenal Hyperplasia due to 21-Hydroxylase Deficiency
With the relative exception of congenital adrenal hyperplasia due to 21-hydroxylase deficiency, paediatric adrenal disorders are rare diseases, usually with an insidious onset and with relevant comorbidities, needing to be properly addressed at patients’ presentation. Moreover, due to the rarity of these disorders, they are not usually recognized at presentation, leading to a potentially harmful diagnostic delay, and may be not considered by clinicians working in non-specialized centres, with poor expertise in managing rare disorders. Furthermore, pediatric adrenal disorders inevitably develop into adult adrenal disorders, requiring a specific attention during in transitional age, in which a family-centered approach should gradually be switched to a patient-centered approach, with different needs and problems to be addressed. In this Research Topic, we aim to review rare forms of paediatric adrenal disorders, with insights in pathogenesis, clinical presentation, diagnosis, and treatment, to offer clinicians a fast-approaching, complete guide to these rare disorders, helping improve knowledge in an often-neglected setting.
