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God the Eternal Contemporary
The relation of the eternal God to time and history has perplexed theologians and philosophers for centuries. How can Christians describe a God who is distinct from time but acts within it? This book presents one creative and profound approach to this perennial theme by examining the theology of Karl Barth. Contrary to interpretations of Barth that suggest he held a view of eternity as abstracted from time and history, this comprehensive study suggests that he provides a more complex and fruitful understanding. Rather than defining eternity in a negative relation to time, Barth relates eternity and time with reference to such doctrines as the Trinity and incarnation. This ensures overcoming what he saw as the "Babylonian Captivity" of an abstract philosophical definition of eternity that developed in the Western tradition. The central argument of the book suggests an analogia trinitaria temporis, a basic analogy between the eternal being of God and God's creating and activity within time. Also, implicit in Barth's view is a narrative view of time, similar to the view of Paul Ricoeur, which unfolds as the Church Dogmatics develops.
The Beggar and the Professor
From a wealth of vivid autobiographical writings, Emmanuel Le Roy Ladurie reconstructs the extraordinary life of Thomas Platter and the lives of his sons, bringing to life the customs, perceptions, and character of an age poised at the threshold of modernity. 26 halftones. 5 maps. Copyright © Libri GmbH. All rights reserved.
The Shock of Recognition
In The Shock of Recognition, Lewis Pyenson uses a method called Historical Complementarity to identify the motif of non-figurative abstraction in modern art and science. He identifies the motif in Picasso’s and Einstein’s educational environments. He shows how this motif in domestic furnishing and in urban lighting set the stage for Picasso’s and Einstein’s professional success before 1914. He applies his method to intellectual life in Argentina, using it to address that nation’s focus on an inventory of the natural world until the 1940s, its adoption of non-figurative art and nuclear physics in the middle of the twentieth century, and attention to landscape painting and the wonder of nature at the end of the century.
3 X Abstraction: New Methods of Drawing
An engaging look at three women artists' pathbreaking explorationof abstraction
Intimate Collaborations
Beautifully illustrated, this insightful book looks at two influential artist couples and the roles of gender and the applied arts in the emergence of abstraction.
Climate Change and Cultural Transition in Europe
Climate Change and Cultural Transition in Europe is an account of Europe’s share in the making of global warming, which considers the past and future of climate-society interactions. Contributors include: Clara Brandi, Rüdiger Glaser, Iso Himmelsbach, Claudia Kemfert, Emmanuel Le Roy Ladurie, Claus Leggewie, Franz Mauelshagen, Geoffrey Parker, Christian Pfister, Dirk Riemann, Lea Schmitt, Jörn Sieglerschmidt, Markus Vogt, and Steffen Vogt.
Das gesicherte Erbe
Anhaltende Stabilitat kennzeichnet auf den ersten Blick die untersuchte Gesellschaft Sudtirols - durch eine praktizierte "Verhinderungspolitik" in Form von Heiratsbeschrankungen, von Restriktionen hinsichtlich des Zuzuges und eines uber Jahrzehnte wirksamen faktischen "Hausbautabus" wurden die bestehenden Strukturen fortgeschrieben. Das Motiv, das Uberkommene, das Erbe im weitesten Sinn zu sichern, zieht sich dabei wie ein roter Faden durch die rekonstruierten lokalen und familialen Kontexte. Burgerrecht, Ressourcenmanagement, Haus und Hof sowie Arrangements zwischen den Generationen und zwischen Mannern und Frauen werden untersucht. Dabei zeigt sich, dass patrilineare Muster im Laufe der Zeit zum Standard wurden. Was bleibt, ist eine ambivalente Einschatzung einer stark selbstreglementierten Gesellschaft, deren Eigen-Sinn einen hohen sozialen Preis gefordert hat.
Durs Grünbein
Durs Grünbein is the most significant poet and essayist in German today. No other modern German poet has written from such an emphatically European and global perspective, and this volume seeks to present the poet and his work to the English-speaking world in all their significance and breadth. Written by a line-up of international scholars and critics, the volume offers highly readable and wide-ranging essays on Grünbein’s substantial œuvre, complemented by specially commissioned material and an interview with the poet. It covers the German and European traditions, and engages with Grünbein’s works in the context of a number of relevant topics, such as ‘memory’, ‘urban life’, ‘mortality’, ‘love’, and ‘presence’; it also probes Grünbein’s sustained dialogue with the natural sciences and the visual arts.
Machine Art in the Twentieth Century
An investigation of artists' engagement with technical systems, tracing art historical lineages that connect works of different periods. “Machine art” is neither a movement nor a genre, but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and...
