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The Motherf**ker with the Hat
Love and addiction in New York City. Things are looking up for Jackie. He's out of jail and staying clean thanks to his sponsor. He might even have found a job. And of course there's Veronica, who he's loved since 8th grade. Nothing could come between them – except a hat. Poetic, profane and hilarious, this whip-smart look at love and addiction finds light even in the darkest corners of New York City.
Den of Thieves
THE STORY: Maggie is a newly single, junk-food-binging shoplifter looking to change her life and her self-hating ways. Paul is her passionately convicted, formerly four-hundred-pound compulsive-overeating sponsor in a twelve-step program for recove
Theater as Liturgy in the Post-Christian Age
This is the first book-length study of one of the most talented and exciting American playwrights working today. Stephen Adly Guirgis has said that "God is the starting point and the finish line" of his work, and this book identifies him as a playwright with a distinctly Christian sensibility who uses the technique of "inculturation" to translate the gospel for a secular audience. Critics have noted that his plays are peopled with poor, suffering minority figures, but few have also noted that these figures bear a remarkable similarity to the dispossessed with whom Jesus identifies in Matthew 25. Beginning with his early play Den of Thieves and proceeding through each of his dramas, this work examines Guirgis's plays within a biblical context. While noting that Guirgis is a writer of the "post-Christian age" who staunchly resists identification as a "Christian playwright," the book situates him within the tradition of the "drama of ideas" as a powerful writer employing a dialectical method to inculcate the New Testament ethos and transform the theater space into a place of sacrament.
The Last Days of Judas Iscariot
From one of our most admired playwrights, "an ambitious, complicated and often laugh-out-loud religious debate" (Toby Zinman, The Philadelphia Inquirer) Set in a time-bending, seriocomically imagined world between Heaven and Hell, The Last Days of Judas Iscariot is a philosophical meditation on the conflict between divine mercy and human free will that takes a close look at the eternal damnation of the Bible's most notorious sinner. This latest work from the author of Our Lady of 121st Street "shares many of the traits that have made Mr. Guirgis a playwright to reckon with in recent years: a fierce and questing mind that refuses to settle for glib answers, a gift for identifying with life's losers and an unforced eloquence that finds the poetry in lowdown street talk. [Guirgis brings to the play] a stirring sense of Christian existential pain, which wonders at the paradoxes of faith" (Ben Brantley, The New York Times).
Jesus Hopped the 'A' Train
THE STORY: Angel Cruz is a thirty-year-old bike messenger from NYC who has lost his best friend to a religious cult. At the opening of the play, he is in his second night of incarceration, awaiting trial for shooting the leader of that cult in the
The Motherfucker with the Hat
THE STORY: Struggles with addiction, friendship, love and the challenges of adulthood are at the center of the story. Jackie, a petty drug dealer, is just out of prison and trying to stay clean. He's also still in love with his coke-addicted childh
In Arabia We'd All be Kings
THE STORY: Lenny is a recently released ex-convict. Despite his imposing size, he was gang raped repeatedly while incarcerated and struggles to find his manhood on the outside. Daisy, his alcoholic girlfriend, craves a real life with a real man
The Little Flower of East Orange
When Therese Marie arrives in the emergency room of a small hospital in the Bronx, suffering from hypothermia and in shock, no one there knows her story. To the doctors and nurses, she is just another abandoned elderly woman who can't even tell them her name. But Therese Marie's dementia is not all that it seems. And when her prodigal son, Danny, returns to New York, Therese Marie must fight to maintain her dignity in light of her son's insistence on confronting the ugly secrets of their past. In this unconventional family drama, Stephen Adly Guirgis gives us a mother and son who must face a long family legacy of abuse in order to find the true meaning of grace.
Halfway Bitches Go Straight to Heaven (TCG Edition)
“Guirgis, a lifelong New Yorker and a properly profane bard of the city, is a wizard at getting language to flow hot, funny, and fast…Guirgis’s rough-cut gem of a play is rich with revelation and barbed empathy.” —Alexandra Schwartz, New Yorker Stephen Adly Guirgis brings his prodigious gifts for exploring the lives of social outcasts to new heights in this play about the inner workings of a women’s halfway house in New York City, where the unmoored residents struggle with addiction, abuse, and mental illness. Between daily therapy sessions, they clash with the staff and each other, form alliances, and fall in love. Harrowing, humorous, and heartbreaking, Halfway Bitches Go Straight to Heaven roaringly brings to life the experiences of women who society has tried to shuffle out of sight and out of mind.
