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Ugly
Cites examples in art, architecture, and history to consider whether ugliness is an aesthetic judgment subject to taste, considering whether an object whose appearance is related to something negative can still be considered beautiful.
Taste
How do we define taste? The only certainty is that it shifts and changes - sometimes abruptly. With the explosion of vulgar consumerism in the mid-nineteenth century, the Victorians seized upon the notion of good taste as a way of codifying middle-class mores. A century later, to talk about taste had become almost taboo, since judgments made about dress, manners, food and art can often be painfully revealing. And today? When this classic text was first published in 1991, Stephen Bayley illuminated the nuances and niceties of our mercurial understanding of taste. In this new edition, he ranges far and wide to bring us exquisitely up to date. 'I don't know anybody with more interesting observa...
Death Drive
- New edition of Stephen Bayley's classic text - a Times Book of the Year, 2016 - Expanded to include the tragic stories of Princess Diana and Ayrton Senna - Softback edition with deluxe binding - perfect as a gift Cars have a talismanic quality. No other manufactured object has the same disturbing allure. More emotions are involved in cars and car design than in any other product: vanity, cupidity, greed, social competitiveness and cultural modelling. But when all this perverse promise ends in catastrophe, these same talismanic qualities acquire an extra dimension. The car crash is a defining phenomenon of popular culture. Death Drive is both an appreciative essay about the historic place of the automobile in the modern imagination and a detailed exploration of the circumstances of 24 celebrity car crashes, from Isadora Duncan in an Amilcar, in 1927, to Helmut Newton in a Cadillac, in 2004. The author concludes by confronting the imminent demise of the car itself.
Design
Includes the leading names, movements, materials and processes such as furniture, fashion, cars, graphics, products, signs and symbols that have influenced the world of design.
Life's a Pitch
The pitch is the absolute essence of modern business. Ideas are the most valuable commodity in the modern economy and it is human skill which develops them. However the skills of the pitch are not only relevant to the world of business, rather they apply to just about every significant personal transaction in your life... So whether at a sales conference in corporate conference room hell or over lunch at a glamorous restaurant, Life's a Pitch tells you how to handle human transactions. A pitch is not a meeting, it's a drama. A pitch is not about transferring information, it's about transferring power. It is business, but it is also theatre. Part inspirational manual for business, part guidebook to a successful and happy social life, Life's a Pitch is written as the result of an accumulated half century of (mostly successful) pitching by the authors. Ground-breaking and genre-busting, it will transform the way you think about the art of persuasion for ever.
Value
Since the industrial revolution, when everything ran by clockwork, people have understood how important it is to live in the moment. But over time our world has grown increasingly busy, and we've lost our ability to truly savour each unique experience and the simple pleasures the world has to offer. Cultural commentator and critic Stephen Bayley seeks to explain what real value is: it's about taking the time and making the effort to appreciate things, of understanding the permanent charm of modest daily rituals performed with care and feeling. Of caring about appearances and meaning. Of being bold in matters of taste. Of fully understanding the source of lasting pleasure. Of making every encounter with an object or person meaningful. Value is an elegiac account of what's recently been lost in the digital apocalypse. But also an enthusiastic anticipation of what we can regain in a post-viral, more analogue and more thoughtful world.
Woman As Design
A completely original reappraisal of that most familiar, yet mysterious, of things, the female body. In this endlessly provocative volume, Stephen Bayley, design authority and cultural critic, takes on the female body, analyzing each crook and every curve as a sign, a symbol, and as a designed object. From Aphrodite to the industrialization of the breast, and from pin-ups to the future of sex, WOMAN AS DESIGN is a fascinating mix of design, cultural history, erotica, fashion, and fetishism. Wonderfully designed and superbly illustrated WOMAN AS DESIGN is a modern study of the continuous conflict between the real and the ideal...in its most familiar form.
Terence
'Bayley, the author of books on style, design and taste, tells the Habitat story with his customary polycultural panache . . . [Mavity is] good at conveying the experience of being in a room with Conran' Sunday Times Terence Conran, a visionary and a myopic. A design entrepreneur and imaginative restaurateur, he was a democratising idealist who was also a selfish hedonist. His influence is everywhere in modern Britain from where we live to what we eat. Terence: The Man Who Invented Design is the most definitive, intimate and revelatory biography of this design legend, by two of his closest collaborators, Roger Mavity and Stephen Bayley. Frank, amusing, indiscreet, sharp, rude, respectful and knowing, it tells Terence's story as it evolved, from before Habitat's humble chicken brick to Bibendum's sophisticated poulet de Bresse, via personal successes and corporate calamities, culminating in that peculiar temple to the religion he invented: The Design Museum. It celebrates Terence's genius and immeasurable impact on British life - and ensures his rightful status as national treasure. Terence: The Man Who Invented Design is the most candid, up-close insight into the man and myth.
Cars
Sources are eclectic, results mixed, but one thing is certain: car design is being forced up an ever-tightening spiral of creativity. These machines are memorials of our tastes, yearnings and capabilities. They have layers of meaning and can, as Henry Ford knew, be read like a book... if only you know how. The story of the car is the story of how the objects of industry became a medium of artistic expression.
The Age of Combustion
- Author Stephen Bayley considers the car as the greatest cultural and design phenomenon of the 20th century - Includes 60 of his popular monthly articles for Octane the leading classic car magazine The automobile is the ultimate analog machine and mankind's most ingenious, seductive and damaging invention. For over a century, cars have provided reference points for our notions of style, status and desire. In design terms, the Age of Combustion was as rich and varied as architecture's Baroque - and far more popular. And now it is coming to an end, as the internal-combustion engine is superseded by the battery and cars become wheeled computers, running on AI not oil. Together with a wide-ranging introduction, this book reproduces 60 of Stephen Bayley's popular monthly columns for Octane, the outstanding classic car magazine where, for more than 10 years, he has provided the most consistent and insightful commentary on car culture, often based on privileged access to industry insiders.
