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Pascal Geometer
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Sublime Worlds
Some of the language we come across, in reading other peoples' works or listening to others speak, moves us profoundly. It requires a response from us; it occupies and involves us. Writers, always readers and listeners as well, are fascinated by this phenomenon, which became the subject of the classical treatise On the Sublime , traditionally attributed to Longinus. Emma Gilby looks at this compelling and complex text in relation to the work of three major seventeenth-century authors: Pierre Corneille, Blaise Pascal and Nicolas Boileau. She offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature.
Heroes and Legends of Fin-de-Siècle France
In Heroes and Legends of Fin-de-Siècle France Venita Datta examines representations of fictional and real heroes in the boulevard theater and mass press during the fin de siècle (1880–1914), illuminating the role of gender in the construction of national identity during this formative period of French history. The popularity of the heroic cult at this time was in part the result of defeat in the Franco-Prussian War in 1870, as well as a reaction to changing gender roles and collective guilt about the egoism and selfishness of modern consumer culture. The author analyzes representations of historical figures in the theater, focusing on Cyrano de Bergerac, Napoleon and Joan of Arc, and examines the press coverage of heroes and anti-heroes in the Bazar de la Charité fire of 1897 and the Ullmo spy case of 1907.
Thinking Through Style
What is 'style', and how does it relate to thought in language? It has often been treated as something merely linguistic, independent of thought, ornamental; stylishness for its own sake. Or else it has been said to subserve thought, by mimicking, delineating, or heightening ideas that are already expressed in the words. This ambitious and timely book explores a third, more radical possibility in which style operates as a verbal mode of thinking through. Rather than figure thought as primary and pre-verbal, and language as a secondary delivery system, style is conceived here as having the capacity to clarify or generate thinking. The book's generic focus is on non-fiction prose, and it looks...
Military Review
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God's Own Ethics
Every version of the argument from evil requires a premise concerning God's motivation - about the actions that God is motivated to perform or the states of affairs that God is motivated to bring about. The typical source of this premise is a conviction that God is, obviously, morally perfect, where God's moral perfection consists in God's being motivated to act in accordance with the norms of morality by which both we and God are governed. The aim of God's Own Ethics is to challenge this understanding by giving arguments against this view of God as morally perfect and by offering an alternative account of what God's own ethics is like. According to this alternative account, God is in no way required to promote the well-being of sentient creatures, though God may rationally do so. Any norms of conduct that favor the promotion of creaturely well-being that govern God's conduct are norms that are contingently self-imposed by God. This revised understanding of divine ethics should lead us to revise sharply downward our assessment of the force of the argument from evil while leaving intact our conception of God as an absolutely perfect being, supremely worthy of worship.
Justice of the Peace
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