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Modernism and Mimesis
This book offers a bold new view of the way in which modernist fiction, painting, music, and poetry are interlinked. Dowden shows that modernism, contrary to a longstanding view, did not turn away from mimesis. Rather, modernism operates according to a deepened understanding of what mimesis is and how it works, which in turn occasions a fresh look at other related dimensions of the modernist achievement. Modernism is neither “difficult” nor elitist. Instead, it trends toward simplicity, directness, and common culture. Dowden argues that naïveté rather than highbrow sophistication was for the modernists a key artistic principle. He demonstrates that modernism, far from glorifying subjective creativity, directs itself toward healing the split between subject and object. Mimesis closes this gap by resolving representation into play and festivity.
Sympathy for the Abyss
The series Studien zur deutschen Literatur (Studies in German Literature) presents outstanding analyses of German-speaking literature from the early modern period to the present day. It particularly embraces comparative, cultural and historical-epistemological questions and serves as a tradition-steeped forum for innovative literary research. All submitted manuscripts undergo a double peer-review process. Please contact the editor Dr. Anja-Simone Michalski (anja-simone.michalski@degruyter.com) for further information regarding manuscript submission and subsidies.
Kafka's Castle and the Critical Imagination
Kafka's final, unfinished novel The Castle remains one of the most celebrated yet most stubbornly uninterpretable masterpieces of modernist fiction. Consequently it has been a lightning rod for theories and methods of literary criticism. In this chronological study of its fate at the hands of academic and non-academic critics, S. D. Dowden lays emphasis on the acts of critical imagination that have shaped our image and understanding of Kafka and his novel. He explores the historical and cultural contingencies of criticism: from the Weimar Era of Max Brod and Walter Benjamin to Lionel Trilling's Cold War to the postmodern moment of multiculturalism and its turn to "cultural studies." Dowden s...
A Companion to Thomas Mann's The Magic Mountain
Thomas Mann once told Susan Sontag that he considered The Magic Mountain to be his greatest novel. And few in his own day doubted the preeminence of this modernist classic. But many have argued that the age of literary modernism has passed. If this is so, how might we best understand Mann's masterpiece now? In this book of wide-ranging and original essays, which also includes a memoir of Thomas Mann by Susan Sontag, various scholars and critics explore the meanings of The Magic Mountain for the contemporary imagination.
Picturing Hemingway
Gathers and describes photographs and paintings of the American writer, and uses them to trace his life
andererseits - Yearbook of Transatlantic German Studies
andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.
Thomas Mann's World
A comprehensive reevaluation of Thomas Mann
