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While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.
Sean Fallon is one of British football's great untold stories. For the first time, the Celtic legend speaks candidly about his time as right-hand man to Jock Stein and how together they ruled Scottish football and conquered Europe with the Lisbon Lions. We learn how the Irishman shaped Celtic's glory era of the 1960s and 70s by signing not only the majority of the Lions, but also players such as Kenny Dalglish, Danny McGrain, Lou Macari, George Connelly, Davie Hay, Pat Bonner and Paul McStay. Fallon also reflects on his stellar playing career including the 7–1 League Cup final win over Rangers in 1957, the lean years of the early 1960s and the uneasy final stages of his and Stein's tenure at Celtic. His own, oft-underestimated role is illuminated by revealing interviews with the likes of Sir Alex Ferguson, Kenny Dalglish, current Celtic boss Neil Lennon, chief executive Peter Lawwell, Stein's son, George, Sean's family and former colleagues.
Self-representation, intention, and authority -- Interlude : the 1633 "Letter to a friend" -- The least of sinners : Milton in context -- "Himself before himself" : the early works -- "Kingdom of free spirits" : the anti-prelatical works -- "The spur of self-concernment" : the works on domestic liberty -- Interlude : interregnum poetry -- "It was I and no other" : interregnum prose -- "Elect above the rest" : De doctrina Christiana and Paradise lost -- "If all be mine" : confidence and anxiety in Paradise lost -- "I as all others" : Paradise regained and Samson Agonistes.
This groundbreaking book, the first to examine Milton's thinking about matter and substance throughout his entire poetic career, seeks to alter the prevailing critical view that Milton was a monist-materialist--one who believes that all things are composed of material and all phenomena (including consciousness) are the result of material interactions. Based on her close study of the philosophical movements of Milton's mind, Sugimura discovers the "fluid intermediaries" in his poetry that are neither strictly material nor immaterial. In doing so, Sugimura uses Paradise Lost as a fascinating window into the intersection of literature and philosophy, and of literary studies and intellectual history. Sugimura finds that Milton displays a tense and ambiguous relationship with the idealistic dualism of Plato and the materialism of Aristotle and she argues for a more nuanced interpretation of Milton's metaphysics.
This guide includes travel facts for Austria, the Czech Republic, Germany, Hungary, Poland, Slovakia and Switzerland.
The Curious Eye is a book about the impact of optical technologies, including the microscope, the telescope, and the camera obscura, on seventeenth century English thought.
On the basis of a close reading of Milton's major published political prose works from 1644 through to the Restoration, William Walker presents the anti-formalist, unrevolutionary, illiberal Milton. Walker shows that Milton placed his faith not so much in particular forms of government as in statesmen he deemed to be virtuous. He reveals Milton's profound aversion to socio-political revolution and his deep commitments to what he took to be orthodox religion. He emphasises that Milton consistently presents himself as a champion not of heterodox religion, but of 'reformation'. He observes how Milton's belief that all men are not equal grounds his support for regimes that had little popular sup...
Explores the cultural functions played in the sixteenth and seventeenth centuries by accounts of the Bible's origins.
Blank verse, unrhymed iambic pentameter, has been central to English poetry since the Renaissance. It is the basic vehicle of Shakespeare's plays and the form in which Milton chose to write Paradise Lost. Milton associated it with freedom, and the Romantics, connecting it in turn with freethinking, used it to explore change and confront modernity, sometimes in unexpectedly radical ways. Henry Weinfield's detailed readings of the masterpieces of English blank verse focus on Milton, Wordsworth, Shelley, Keats, Tennyson and Stevens. He traces the philosophical and psychological struggles underlying these poets' choice of form and genre, and the extent to which their work is marked, consciously or not, by the influence of other poets. Unusually attuned to echoes between poems, this study sheds new light on how important poetic texts, most of which are central to the literary canon, unfold as works of art.
What is the role of providence in Paradise Lost? In Looking into Providences, Raymond B. Waddington provides the first examination of this engaging subject. He explores the variety of implicit organizational structures or 'designs' that govern Paradise Lost, and looks in-depth at the 'trials, ' or testing situations, which require interpretation, choice, and action from its characters. Waddington situates the poem within the context of providentialism's centrality to seventeenth-century thought and life, arguing that Milton's own conception of providence was deeply influenced by the theology of Jacob Arminius. Using Milton's Arminian conception of free will, he then looks at the providential trials experienced by angels and humans. Finally, the work explores the ways in which providentialism infiltrates various kinds of discourse, ranging from military to medical, and from political to philosophical.