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Steven Joyce
A candid and comprehensive account from one of National's main powerbrokers during the John Key years.
Who Reads Ulysses?
Julie Sloan Brannon examines the Joyce Wars as a fascinating nexus of the conflicts between scholars and ordinary readers, and one that illuminates the existence of ulysses-and by extension, Joyce-as an example of Lyotard's differend, an icon that exists simultaneously in two separate yet contradictory discourses, each of which silences the other. The Academic Joyce is radically different from the Public Joyce, and yet neither could exist independently. Tangled up in this conflicted space are the interests of the common reader, a nebulously defined entity, and the continuing controversies illustrate the strange relationship between academics, readers, and editors. Who Reads Ulysses? calls for us to look not only at questions of authorship raised by editorial theory, but to look carefully at who reads ulysses-and why they read it. This volume provides fruitful ways to explore the subversive nature of text for readers, both in and out of the academy.
Joyce and the Invention of Irish History
This book examines Joyce's use of historical sources to illuminate prevalent problems central to modern Irish identity.
Joyce's Portrait
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Cats of Copenhagen
The first-ever U.S. edition of this delightful gem based on a letter Joyce wrote to his grandson, revealing the modernist master’s playful side—filled with one-of-a-kind illustrations—the perfect gift for Joyce fans and cat lovers alike. The Cats of Copenhagen was first written for James Joyce’s most beloved audience, his only grandson, Stephen James Joyce, and sent in a letter dated September 5, 1936. Cats were clearly a common currency between Joyce and his grandson. In early August 1936, Joyce sent Stephen “a little cat filled with sweets”—a kind of Trojan cat meant to outwit grown-ups. A few weeks later, Joyce penned a letter from Copenhagen that begins “Alas! I cannot send you a Copenhagen cat because there are no cats in Copenhagen.” The letter reveals the modernist master at his most playful, yet Joyce’s Copenhagen has a keen, anti-authoritarian quality that transcends the mere whimsy of a children’s story. Only recently rediscovered, this marks the inaugural U.S. publication of The Cats of Copenhagen, a treasure for readers of all ages. A rare addition to Joyce’s known body of work, it is a joy to see this exquisite story in print at last.
Modernism and Copyright
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes?Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.
The Copywrights
They borrow from published works without attribution. They remake literary creation in the image of consumption. They celebrate the art of scissors and paste. Who are these outlaws? Postmodern culture-jammers or file-sharing teens? No, they are the Copywrights--Victorian and modernist writers, among them Oscar Wilde and James Joyce, whose work wrestled with the intellectual property laws of their day.In a highly readable and thought-provoking book that places today's copyright wars in historical context, Paul K. Saint-Amour asks: Would their art have survived the copyright laws of the new millennium? Revisiting major works by Wilde and Joyce as well as centos assembled by anonymous writers f...
Joyce's Abandoned Female Costumes, Gratefully Received
While Sheffield's study shares a common presupposition of these recent interpretations, it challenges the idea that the move Joyce makes with this alignment is one that puts him on the side of woman. Sheffield contends that Joyce is not expressing his solidarity with woman or "womanly thought" in opposition to a masculine literary and philosophical tradition, but rather relying on ancient stereotypes to personify a dangerously "other" form of writing.
The Aesthetics of Dedalus and Bloom
This study explores James Joyce's struggle to come to terms with the aesthetic outlooks current at the beginning of the century by examining his portrayal of their dangers and attractions in his two most fully realized characters, Stephen Dedalus in Portrait of the Artist as a Young Man and Leopold Bloom in Ulysses.
Ulysses
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