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What can you do with a folklore degree? Over six dozen folklorists, writing from their own experiences, show us. What Folklorists Do examines a wide range of professionals—both within and outside the academy, at the beginning of their careers or holding senior management positions—to demonstrate the many ways that folklore studies can shape and support the activities of those trained in it. As one of the oldest academic professions in the United States and grounded in ethnographic fieldwork, folklore has always been concerned with public service and engagement beyond the academy. Consequently, as this book demonstrates, the career applications of a training in folklore are many—advocat...
Get Your Ass in the Water and Swim Like Me celebrates the African American oral tradition of toasting, one of the key roots of contemporary rap. Jackson was among the few to appreciate the profane energy and beauty of this rhymed form, collecting such classic toasts as "Stackolee," "The Titanic," "Signifying Monkey," "Dance of the Freaks," and dozens more. This unexpurgated edition offers the raw, vibrant, and still startling imagery of these toasts shaped by decades of oral transmission through the voices of countless rhymers. Just like rap, the toasting tradition enabled previously unheard or stifled topics, including racism, sexual exploitation, economic deprivation, and social oppression, to be expressed in a form that embodied multiple layers of meaning. Jackson helped preserve a rapidly dying art form to ensure that it would be available for many generations to come. In the words of Robin D.G. Kelley, "All you Hip Hop heads need to know this book if you want to know your roots."
This book is the first comparative study of English, German, French, Russian and Hungarian anti-proverbs based on well-known proverbs. Proverbs are by no means fossilized texts but are adaptable to different times and changed values. While anti-proverbs can be considered as variants of older proverbs, they can also become new proverbs reflecting a more modern worldview. Anti-proverbs are therefore a lingo-cultural phenomenon that deserves the attention of cultural and literary historians, folklorists, linguists, and general readers interested in language and wordplay.
New Jersey shaped folk revival music into an art form. The saga began with the bawdy tunes sung in colonial-era taverns and continued with the folk songs that echoed through the Pine Barrens. "Guitar Mania" became a phenomenon in the 1800s, and twentieth-century studio recordings in Camden were monumental. Performances by legendary artists like Woody Guthrie, Pete Seeger, Joan Baez and Bob Dylan spotlighted the state's folk revival movement and led to a flourishing community of folk organizations, festivals and open-mic nights at village coffeehouses. Author Michael Gabriele traces the evolution and living history of folk revival music in the Garden State and how it has changed the lives of people on stage and in the audience.
The Pete Seeger Reader brings together writing by and about Seeger and covers his songwriting, recording, book and magazine publishing, and political organizing over the course of his lengthy, storied career.
This book explores various aspects of marriage and the ways it is viewed and conceptualized in the body of Anglo-American anti-proverbs (or proverb transformations). It also depicts those who contribute to the institution of marriage (that is, husbands and wives), and analyses their nature, qualities, attributes and behaviours as revealed through such anti-proverbs. In addition, the text investigates those who remain single and do not belong to the institution of marriage, but contribute to the institution of marriage. It will appeal to a wide range of readers, from the casually interested general reader to the paremiologist, paremiographer, lexicographer, and anthropologist.
Arlo Guthrie revisits Guthrie's fifteen-year ride as a recording artist. With a look at Guthrie's life and times before and after this prolific period of his career, this biography is a goldmine of information on the Guthrie family's legacy to American music, the counterculture of the 1960s, and the record industry of the 1970s.
Alan Lomax (1915-2002) began working for the Archive of American Folk Song at the Library of Congress in 1936, first as a special and temporary assistant, then as the permanent Assistant in Charge, starting in June 1937, until he left in late 1942. He recorded such important musicians as Woody Guthrie, Muddy Waters, Aunt Molly Jackson, and Jelly Roll Morton. A reading and examination of his letters from 1935 to 1945 reveal someone who led an extremely complex, fascinating, and creative life, mostly as a public employee. While Lomax is noted for his field recordings, these collected letters, many signed "Alan Lomax, Assistant in Charge," are a trove of information until now available only at the Library of Congress. They make it clear that Lomax was very interested in the commercial hillbilly, race, and even popular recordings of the 1920s and after. These letters serve as a way of understanding Lomax's public and private life during some of his most productive and significant years. Lomax was one of the most stimulating and influential cultural workers of the twentieth century. Here he speaks for himself through his voluminous correspondence.